Toilers of the Sea. Victor Hugo
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Crespel, and the house known as the Bû de la Rue; with the addition, as the official inventory said, of "one hundred guineas in gold in the pid d'une cauche," that is to say, in the foot of a stocking. The house was already sufficiently furnished with two oaken chests, two beds, six chairs and a table, besides necessary household utensils. Upon a shelf were some books, and in the corner a trunk, by no means of a mysterious character, which had to be opened for the inventory. This trunk was of drab leather, ornamented with brass nails and little stars of white metal, and it contained a bride's outfit, new and complete, of beautiful Dunkirk linen – chemises and petticoats, and some silk dresses – with a paper on which was written, in the handwriting of the deceased, —
"For your wife: when you marry."
The loss of his mother was a terrible blow for the young man. His disposition had always been unsociable; he became now moody and sullen. The solitude around him was complete. Hitherto it had been mere isolation; now his life was a blank. While we have only one companion, life is endurable; left alone, it seems as if it is impossible to struggle on, and we fall back in the race, which is the first sign of despair. As time rolls on, however, we discover that duty is a series of compromises; we contemplate life, regard its end, and submit; but it is a submission which makes the heart bleed.
Gilliatt was young; and his wound healed with time. At that age sorrows cannot be lasting. His sadness, disappearing by slow degrees, seemed to mingle itself with the scenes around him, to draw him more and more towards the face of nature, and further and further from the need of social converse; and, finally, to assimilate his spirit more completely to the solitude in which he lived.
IV
AN UNPOPULAR MAN
Gilliatt, as we have said, was not popular in the parish. Nothing could be more natural than that antipathy among his neighbours. The reasons for it were abundant. To begin with, as we have already explained, there was the strange house he lived in; then there was his mysterious origin. Who could that woman have been? and what was the meaning of this child? Country people do not like mysteries, when they relate to strange sojourners among them. Then his clothes were the clothes of a workman, while he had, although certainly not rich, sufficient to live without labour. Then there was his garden, which he succeeded in cultivating, and from which he produced crops of potatoes, in spite of the stormy equinoxes; and then there were the big books which he kept upon a shelf, and read from time to time.
More reasons: why did he live that solitary life? The Bû de la Rue was a kind of lazaretto, in which Gilliatt was kept in a sort of moral quarantine. This, in the popular judgment, made it quite simple that people should be astonished at his isolation, and should hold him responsible for the solitude which society had made around his home.
He never went to chapel. He often went out at night-time. He held converse with sorcerers. He had been seen, on one occasion, sitting on the grass with an expression of astonishment on his features. He haunted the druidical stones of the Ancresse, and the fairy caverns which are scattered about in that part. It was generally believed that he had been seen politely saluting the Roque qui Chante, or Crowing Rock. He bought all birds which people brought to him, and having bought them, set them at liberty. He was civil to the worthy folks in the streets of St. Sampson, but willingly turned out of his way to avoid them if he could. He often went out on fishing expeditions, and always returned with fish. He trimmed his garden on Sundays. He had a bagpipe which he had bought from one of the Highland soldiers who are sometimes in Guernsey, and on which he played occasionally at twilight, on the rocks by the seashore. He had been seen to make strange gestures, like those of one sowing seeds. What kind of treatment could be expected for a man like that?
As regards the books left by the deceased woman, which he was in the habit of reading, the neighbours were particularly suspicious. The Reverend Jaquemin Hérode, rector of St. Sampson, when he visited the house at the time of the woman's funeral, had read on the backs of these books the titles Rosier's Dictionary, Candide, by Voltaire, Advice to the People on Health, by Tissot. A French noble, an émigré, who had retired to St. Sampson, remarked that this Tissot, "must have been the Tissot who carried the head of the Princess de Lamballe upon a pike."
The Reverend gentleman had also remarked upon one of these books, the highly fantastic and terribly significant title, De Rhubarbaro.
In justice to Gilliatt, however, it must be added that this volume being in Latin – a language which it is doubtful if he understood – the young man had possibly never read it.
But it is just those books which a man possesses, but does not read, which constitute the most suspicious evidence against him. The Spanish Inquisition have deliberated on that point, and have come to a conclusion which places the matter beyond further doubt.
The book in question, however, was no other than the treatise of Doctor Tilingius upon the rhubarb plant, published in Germany in 1679.
It was by no means certain that Gilliatt did not prepare philters and unholy decoctions. He was undoubtedly in possession of certain phials.
Why did he walk abroad at evening, and sometimes even at midnight, on the cliffs? Evidently to hold converse with the evil spirits who, by night, frequent the seashores, enveloped in smoke.
On one occasion he had aided a witch at Torteval to clean her chaise: this was an old woman named Moutonne Gahy.
When a census was taken in the island, in answer to a question about his calling, he replied, "Fisherman; when there are fish to catch." Imagine yourself in the place of Gilliatt's neighbours, and admit that there is something unpleasant in answers like this.
Poverty and wealth are comparative terms. Gilliatt had some fields and a house, his own property; compared with those who had nothing, he was not poor. One day, to test this, and perhaps, also as a step towards a correspondence – for there are base women who would marry a demon for the sake of riches – a young girl of the neighbourhood said to Gilliatt, "When are you going to take a wife, neighbour?" He answered, "I will take a wife when the Roque qui Chante takes a husband."
This Roque qui Chante is a great stone, standing in a field near Mons. Lemézurier de Fry's. It is a stone of a highly suspicious character. No one knows what deeds are done around it. At times you may hear there a cock crowing, when no cock is near – an extremely disagreeable circumstance. Then it is commonly asserted that this stone was originally placed in the field by the elfin people known as Sarregousets, who are the same as the Sins.
At night, when it thunders, if you should happen to see men flying in the lurid light of the clouds, or on the rolling waves of the air, these are no other than the Sarregousets. A woman who lives at the Grand Mielles knows them well. One evening, when some Sarregousets happened to be assembled at a crossroad, this woman cried out to a man with a cart, who did not know which route to take, "Ask them your way. They are civil folks, and always ready to direct a stranger." There can be little doubt that this woman was a sorceress.
The learned and judicious King James I. had women of this kind boiled, and then tasting the water of the cauldron, was able to say from its flavour, "That was a sorceress;" or "That was not one."
It is to be regretted that the kings of these latter days no longer possess a talent which placed in so strong a light the utility of monarchical institutions.
It was not without substantial grounds that Gilliatt lived in this odour of sorcery. One midnight, during a storm, Gilliatt being at sea alone in a bark, on the coast by La Sommeilleuse, he was heard to ask —
"Is there a passage sufficient for me?"
And a voice cried from the heights above:
"Passage enough: steer boldly."
To whom could he have been speaking, if not to those who replied to him? This seems something like evidence.
Another time, one stormy evening, when it was so dark that nothing could be distinguished, Gilliatt was near the Catiau Roque – a double row of rocks where witches, goats, and other diabolical creatures assemble and dance on Fridays – and here, it is firmly believed, that the voice of Gilliatt was heard mingling in the following terrible conversation: —
"How is Vesin Brovard?"