The Man Who Created the Middle East: A Story of Empire, Conflict and the Sykes-Picot Agreement. Christopher Sykes Simon
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William Collins
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This eBook first published in Great Britain by William Collins in 2016
Copyright © Christopher Simon Sykes 2016
Christopher Simon Sykes asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
Cover image © Look and Learn/Peter Jackson Collection/Bridgeman Images (shows Lieut Colonel Mark Sykes by Hester, Robert Wallace 1866-1923)
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Source ISBN: 9780008121938
Ebook Edition © November 2016 ISBN: 9780008121921
Version: 2017-09-06
I dedicate this book to the memory of my grandfather, Mark Sykes, whom I would so love to have known.
‘… of this I am sure, we shall never in our lives meet anyone like him.’
(F. E. Smith. 1st Earl Birkenhead)
Contents
3. Through Five Turkish Provinces
10. Kitchener and the Middle East
References and Notes on Sources
Also by Christopher Simon Sykes
It is extraordinary to think that my grandfather, Sir Mark Sykes, was only thirty-six years old when he found himself signatory to one of the most controversial treaties of the twentieth century, the Sykes–Picot Agreement. This was the secret pact arranged between the Allies in the First World War, in 1916, to divide up the Ottoman Empire in the event of their victory. It was a piece of typical diplomacy in which each side tried its best not to tell the other exactly what it was that it wanted, while making the vaguest promises to various Arab tribes that they would have their own kingdom in return for fighting on the Allied side. None of these promises materialised in the aftermath of the War, Arab aspirations being dashed during the subsequent Peace Conference in which the rivalries and clashes of the great powers, all eager to make the best deals for themselves in the aftermath of victory, dominated the proceedings, and pushed the issue of the rights of small nations into the background. This was the cause of bad blood, which has survived to the present day.
Perhaps it is because my grandfather’s name is placed before that of his fellow signatory that history has tended to make him the villain of the piece rather than Monsieur Georges-Picot. ‘You’re writing about that arsehole?’ commented an