Hopes and Fears or, scenes from the life of a spinster. Yonge Charlotte Mary

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Hopes and Fears or, scenes from the life of a spinster - Yonge Charlotte Mary


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Yonge

      Hopes and Fears / or, scenes from the life of a spinster

      PART I

      CHAPTER I

      Who ought to go then and who ought to stay!

      Where do you draw an obvious border line?

Cecil and Mary

      Among the numerous steeples counted from the waters of the Thames, in the heart of the City, and grudged by modern economy as cumberers of the soil of Mammon, may be remarked an abortive little dingy cupola, surmounting two large round eyes which have evidently stared over the adjacent roofs ever since the Fire that began at Pie-corner and ended in Pudding-lane.

      Strange that the like should have been esteemed the highest walk of architecture, and yet Honora Charlecote well remembered the days when St. Wulstan’s was her boast, so large, so clean, so light, so Grecian, so far surpassing damp old Hiltonbury Church.  That was at an age when her enthusiasm found indiscriminate food in whatever had a hold upon her affections, the nearer her heart being of course the more admirable in itself, and it would be difficult to say which she loved the most ardently, her city home in Woolstone-lane, or Hiltonbury Holt, the old family seat, where her father was a welcome guest whenever his constitution required relaxation from the severe toils of a London rector.

      Woolstone-lane was a locality that sorely tried the coachmen of Mrs. Charlecote’s West End connections, situate as it was on the very banks of the Thames, and containing little save offices and warehouses, in the midst of which stood Honora’s home.  It was not the rectory, but had been inherited from City relations, and it antedated the Fire, so that it was one of the most perfect remnants of the glories of the merchant princes of ancient London.  It had a court to itself, shut in by high walls, and paved with round-headed stones, with gangways of flags in mercy to the feet; the front was faced with hewn squares after the pattern of Somerset House, with the like ponderous sashes, and on a smaller scale, the Louis XIV. pediment, apparently designed for the nesting-place of swallows and sparrows.  Within was a hall, panelled with fragrant softly-tinted cedar wood, festooned with exquisite garlands of fruit and flowers, carved by Gibbons himself, with all his peculiarities of rounded form and delicate edge.  The staircase and floor were of white stone, tinted on sunny days with reflections from the windows’ three medallions of yellow and white glass, where Solomon, in golden mantle and crowned turban, commanded the division of a stout lusty child hanging by one leg; superintended the erection of a Temple worthy of Haarlem; or graciously welcomed a recoiling stumpy Vrow of a Queen of Sheba, with golden hair all down her back.

      The river aspect of the house had come to perfection at the Elizabethan period, and was sculptured in every available nook with the chevron and three arrows of the Fletchers’ Company, and a merchant’s mark, like a figure of four with a curly tail.  Here were the oriel windows of the best rooms, looking out on a grassplat, small enough in country eyes, but most extensive for the situation, with straight gravelled walks, and low lilac and laburnum trees, that came into profuse blossom long before their country cousins, but which, like the crocuses and snowdrops of the flower borders, had better be looked at than touched by such as dreaded sooty fingers.  These shrubs veiled the garden from the great river thoroughfare, to which it sloped down, still showing traces of the handsome stone steps and balustrade that once had formed the access of the gold-chained alderman to his sumptuous barge.

      Along those paths paced, book in hand, a tall, well-grown maiden, of good straight features, and clear, pale skin, with eyes and rich luxuriant hair of the same colour, a peculiarly bright shade of auburn, such as painters of old had loved, and Owen Sandbrook called golden, while Humfrey Charlecote would declare he was always glad to see Honor’s carrots.

      More than thirty years ago, personal teaching at a London parish school or personal visiting of the poor was less common than at present, but Honora had been bred up to be helpful, and she had newly come in from a diligent afternoon of looking at the needlework, and hearing Crossman’s Catechism and Sellon’s Abridgment from a demurely dressed race of little girls in tall white caps, bibs and tuckers, and very stout indigo-blue frocks.  She had been working hard at the endeavour to make the little Cockneys, who had never seen a single ear of wheat, enter into Joseph’s dreams, and was rather weary of their town sharpness coupled with their indifference and want of imagination, where any nature, save human nature, was concerned.  ‘I will bring an ear of Hiltonbury wheat home with me—some of the best girls shall see me sow it, and I will take them to watch it growing up—the blade, the ear, the full corn in the ear—poor dears, if they only had a Hiltonbury to give them some tastes that are not all for this hot, busy, eager world!  If I could only see one with her lap full of bluebells; but though in this land of Cockaigne of ours, one does not actually pick up gold and silver, I am afraid they are our flowers, and the only ones we esteem worth the picking; and like old Mr. Sandbrook, we neither understand nor esteem those whose aims are otherwise!  Oh! Owen, Owen, may you only not be withheld from your glorious career!  May you show this hard, money-getting world that you do really, as well as only in word, esteem one soul to be reclaimed above all the wealth that can be laid at your feet!  The nephew and heir of the great Firm voluntarily surrendering consideration, ease, riches, unbounded luxury for the sake of the heathen—choosing a wigwam instead of a West End palace; parched maize rather than the banquet; the backwoods instead of the luxurious park; the Red Indian rather than the club and the theatre; to be a despised minister rather than a magnate of this great city; nay, or to take his place among the influential men of the land.  What has this worn, weary old civilization to offer like the joy of sitting beneath one of the glorious aspiring pines of America, gazing out on the blue waters of her limpid inland seas, in her fresh pure air, with the simple children of the forest round him, their princely forms in attitudes of attention, their dark soft liquid eyes fixed upon him, as he tells them “Your Great Spirit, Him whom ye ignorantly worship, Him declare I unto you,” and then, some glorious old chief bows his stately head, and throws aside his marks of superstition.  “I believe,” he says, and the hearts of all bend with him; and Owen leads them to the lake, and baptizes them, and it is another St. Sacrament!  Oh! that is what it is to have nobleness enough truly to overcome the world, truly to turn one’s back upon pleasures and honours—what are they to such as this?’

      So mused Honora Charlecote, and then ran indoors, with bounding step, to her Schiller, and her hero-worship of Max Piccolomini, to write notes for her mother, and practise for her father the song that was to refresh him for the evening.

      Nothing remarkable!  No; there was nothing remarkable in Honor, she was neither more nor less than an average woman of the higher type.  Refinement and gentleness, a strong appreciation of excellence, and a love of duty, had all been brought out by an admirable education, and by a home devoted to unselfish exertion, varied by intellectual pleasures.  Other influences—decidedly traceable in her musings—had shaped her principles and enthusiasms on those of an ardent Oxonian of the early years of William IV.; and so bred up, so led by circumstances, Honora, with her abilities, high cultivation, and tolerable sense, was a fair specimen of what any young lady might be, appearing perhaps somewhat in advance of her contemporaries, but rather from her training than from intrinsic force of character.  The qualities of womanhood well developed, were so entirely the staple of her composition, that there is little to describe in her.  Was not she one made to learn; to lean; to admire; to support; to enhance every joy; to soften every sorrow of the object of her devotion?

* * * * *

      Another picture from Honora Charlecote’s life.  It is about half after six, on a bright autumnal morning; and, rising nearly due east, out of a dark pine-crowned hill, the sun casts his slanting beams over an undulating country, clothed in gray mist of tints differing with the distance, the farther hills confounded with the sky, the nearer dimly traced in purple, and the valleys between indicated by the whiter, woollier vapours that rise from their streams, a goodly land of fertile field and rich wood, cradled on the bosoms of those soft hills.

      Nestled among the woods, clothing its hollows on almost every side, rises a low hill, with a species of table land on the top, scattered over with large thorns and scraggy oaks that cast their shadows over the pale buff bents of the short soft grass of the gravelly soil.  Looking southward is a low, irregular, old-fashioned house, with two tall gable ends like eyebrows, and the


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