Storyteller: The Life of Roald Dahl. Donald Sturrock

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Storyteller: The Life of Roald Dahl - Donald  Sturrock


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      DONALD STURROCK

       Storyteller

      The Life of Roald Dahl

       Copyright

      Harper Press

      An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by HarperPress in 2010

      This ebook edition first published in 2010

      Copyright © Donald Sturrock 2010

      Cover photograph © Time & Life Pictures/Getty Images

      Some images were unavailable for the electronic edition.

      Donald Sturrock asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780007254774

      Ebook Edition © SEPTEMBER 2010 ISBN: 9780007397068

      Version: 2016-10-12

       For my parents, Gordon and Margaret

       I don’t lie. I merely make the truth a little more interesting …

       I don’t break my word—I merely bend it slightly….

      ROALD DAHL, from his Ideas Books, No. 1 (c. 1945-48)

      Contents

       Cover

       Title Page

      Copyright

       Dedication

      PROLOGUE

      CHAPTER ONE

      CHAPTER TWO

      CHAPTER THREE

      CHAPTER FOUR

      CHAPTER FIVE

       CHAPTER NINE

       CHAPTER TEN

       CHAPTER ELEVEN

       CHAPTER TWELVE

       CHAPTER THIRTEEN

       CHAPTER FOURTEEN

       CHAPTER FIFTEEN

       CHAPTER SIXTEEN

       CHAPTER SEVENTEEN

       CHAPTER EIGHTEEN

       CHAPTER NINETEEN

       CHAPTER TWENTY

       Notes

       Bibliography

       Index

       About the Author

       Acknowledgements

       About the Publisher

       PROLOGUE

      Lunch with Igor Stravinsky

      ROALD DAHL THOUGHT BIOGRAPHIES were boring. He told me so while munching on a lobster claw. I was twenty-four years old and had been invited for the weekend to the author’s home in rural Buckinghamshire. Dinner was in full swing. A mixture of family and friends were devouring a platter brimming with seafood, while a strange object, made up of intertwined metal links, made its slow way around the table. The links appeared inseparable, but Dahl had told us all they could be separated quite easily by someone with sufficient manual dexterity and spatial awareness. So far none of the guests had been able to solve it. As I waited for the puzzle to come round to me, I tried to respond to Roald’s disdain for biography. I mentioned Lytton Strachey, Victoria Glendin-ning, Michael Holroyd. But he wasn’t having any of it. Sitting in a high armchair, at the head of his long pine dining table, he leaned back, took a swig from his large glass of Burgundy, and returned to his theme with renewed relish. Biographers were tedious fact-collectors, he argued, unimaginative people, whose books were usually as enervating as the lives of their subjects. With a glint in his eye, he told me that many of the most exceptional writers he had encountered in his life had been unexceptional as human beings. Norman Mailer, Evelyn Waugh, Thomas Mann and Dr Seuss were, I recall, each dismissed with a wave of his large hand, as tiresome, vain, dreary or insufferable. He knew I loved music and perhaps that was why he also mentioned Stravinsky. “An authentic genius as a composer,” he declared, throwing back his head with a chuckle, “but otherwise quite ordinary.” He had once had lunch with him, he added, so therefore he spoke from experience. I tried to think of subjects whose lives were as vivid as their art: Mozart, Caravaggio, Van Gogh perhaps? His intense blue eyes looked straight at me. That wasn’t the point, he said. Why on earth would anyone choose to read an assemblage of detail, a catalogue of facts, when there was so much good fiction around as an alternative? Invention, he declared, was always more interesting than reality.

      As I sat there, observing the humorous but combative glint in his eye, I sensed that, like a boxer, he was sparring with me. He had thrown a punch and been pleased that I jabbed back. Now he had thrown me another. This one was more difficult to parry. It would be hard to take it further without the exchange becoming detailed and perhaps wearisome. I hesitated. I wondered at his own life. He had just written two volumes of memoirs, one of which he had given to me to read in draft. So I knew the rough outline of his first twenty-five years: Norwegian parents, a childhood in Wales, miserable schooldays, youthful adventures in Newfoundland and Tanganyika, flying as a fighter pilot, a serious plane crash, then a career as a wartime diplomat in Washington. I had already told him privately that I found the books compelling. Did he want me to repeat the compliment over dinner as well? It was hard to tell. At that moment the metal links were presented to me and the conversation moved on. Soon, too, his huge pointy fingers had plucked the puzzle from my inept hands and he had begun confidently to demonstrate its solution. Later on, at the end of a meal which had concluded with the offer of KitKats and Mars Bars dispensed from a small red plastic box, he took his two dogs out into the garden. A few minutes later he


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