3 Books To Know Victorian Literature. Уильям Мейкпис Теккерей

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3 Books To Know Victorian Literature - Уильям Мейкпис Теккерей


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      Table of Contents

       Title Page

       Introduction

       Authors

       Heart of Darkness

       Tess of the d'Urbervilles

       Vanity Fair

       About the Publisher

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      Introduction

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      Welcome to the 3 Books To Know series, our idea is to help readers learn about fascinating topics through three essential and relevant books.

      These carefully selected works can be fiction, non-fiction, historical documents or even biographies.

      We will always select for you three great works to instigate your mind, this time the topic is: Victorian Literature.

       Heart of Darkness by Joseph Conrad.

       Tess of the D’urbervilles by Thomas Hardy.

       Vanity Fair by William Makepeace Thackeray.

      Heart of Darkness (1899) is a novella by Polish-British novelist Joseph Conrad about a narrated voyage up the Congo River into the Congo Free State in the so-called Heart of Africa. Charles Marlow, the narrator, tells his story to friends aboard a boat anchored on the River Thames. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between what Conrad calls "the greatest town on earth", London, and Africa as places of darkness.

      Tess of the d'Urbervilles: A Pure Woman Faithfully Presented is a novel by Thomas Hardy. It initially appeared in a censored and serialised version, published by the British illustrated newspaper The Graphic in 1891, then in book form in three volumes in 1891, and as a single volume in 1892. Though now considered a major nineteenth-century English novel and possibly Hardy's fictional masterpiece, Tess of the d'Urbervilles received mixed reviews when it first appeared, in part because it challenged the sexual morals of late Victorian England.

      Vanity Fair is an English novel by William Makepeace Thackeray, which follows the lives of Becky Sharp and Emmy Sedley amid their friends and families during and after the Napoleonic Wars. It was first published as a 19-volume monthly serial from 1847 to 1848, carrying the subtitle Pen and Pencil Sketches of English Society, reflecting both its satirisation of early 19th-century British society and the many illustrations drawn by Thackeray to accompany the text. It was published as a single volume in 1848 with the subtitle A Novel without a Hero, reflecting Thackeray's interest in deconstructing his era's conventions regarding literary heroism. It is sometimes considered the "principal founder" of the Victorian domestic novel.

      This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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      Authors

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      Joseph Conrad (3 December 1857 – 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.

      William Makepeace Thackeray (18 July 1811 – 24 December 1863) was a British novelist, author and illustrator. He is known for his satirical works, particularly Vanity Fair, a panoramic portrait of English society.

      Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.

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      Heart of Darkness

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      I

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      The Nellie, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide.

      The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.

      The Director of Companies was our captain


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