House of Cards. C.E. Murphy

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House of Cards - C.E.  Murphy


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       Praise for C.E. MURPHY and her books

      THE NEGOTIATOR

      Hands of Flame “Fast-paced action and a twisty-turny plot make for a good read … Fans of the series will be sad to leave Margrit’s world behind, at least for the time being.” —RT Book Reviews

      House of Cards “Violent confrontations add action on top of tense intrigue in this involving, even thrilling, middle book in a divertingly different contemporary fantasy romance series.” —LOCUS

      “The second title in Murphy’s Negotiator series is every bit as interesting and fun as the first. Margrit is a fascinatingly complex heroine who doesn’t shy away from making difficult choices.”

      —RT Book Reviews

      Heart of Stone “[An] exciting series opener … Margrit makes for a deeply compelling heroine as she struggles to sort out the sudden upheaval in her professional and romantic lives.” —Publishers Weekly

      “A fascinating new series … as usual, Murphy delivers interesting worldbuilding and magical systems, believable and sympathetic characters and a compelling story told at a breakneck pace.”

      —RT Book Reviews

       Author’s Note

      “Where,” comes the dreaded question, “do you get your ideas?”

      The Negotiator trilogy originally sprang from a Beauty and the Beast-with-gargoyles idea a friend and I discussed. The resemblance between that initial discussion and the story you’re now reading is pretty much imperceptible. Well, there were gargoyles in the original idea, so I suppose it’s perceptible, but only just.

      I came back to the idea a couple of years later, having realized that if there were gargoyles, there were probably other nonhuman races littering the planet, as well, and that an interesting way to learn about them would be to put an ordinary human woman in their midst. Margrit Knight arrived fully formed in my head one morning, and from there I essentially never looked back. (I rewrote a lot, but I never looked back!) Discovering her world and embroiling her in the Old Races’ politics has been a fantastic journey for me. I hope you enjoy it as much as I have!

       Catie

      HOUSE OF CARDS

       C.E. MURPHY

       www.mirabooks.co.uk

      For Trent

      (Although some may call him … Tim^H^H^HPaul) I wouldn’t have made it through this one without your help, man. Thank you.

      ACKNOWLEDGMENTS

      First off, I would like to say to my editor, Matrice: Did you not read the last set of acknowledgments? The ones that said, “Please don’t ever make me work this hard again”? But it’s a much, much better book for it, so thank you.:)

      My Live Journal friends list came through en masse with New York details, information about the legal system, about high-quality pens, about seventeenth-century London … and every single question they answered got cut in revisions. Regardless, I am extremely grateful to them all. If I were slightly more competent I’d have prepared a list of people who were particularly and especially helpful, but I wasn’t that together this time around. Next time, I promise.

      Chris McGrath has provided me with another gorgeous cover, and I can’t wait to see it wrapped around my words. It’s one of the best parts of being a writer.

      Trent was my much-belabored usual suspect this time around, while Ted, as usual, patiently offered plot ideas when I got stuck. I also owe a huge debt of thanks to Team Whac-A-Mole (Alison, Anna, Catherine K, Catherine S, Erica and Neal) for whacking spam moles on cemurphy.net.:)

       ONE

      HUMANS WOULD CALL it a catch-22.

      He’d read the book the phrase came from, even sympathized with the protagonist, a man desperate to avoid fighting in a war but with no recourse to do so except claim insanity. The difficulty lay in the military’s own desperation for warriors. If he said he was crazy and wanted to fight, all the better; they would take him. If he didn’t, that was simply normal, and they’d conscript him regardless.

      Gargoyles did not find themselves in such situations.

      Alban’s shoulders slid down as he passed a hand over his eyes. Gargoyles didn’t find themselves in such situations, and yet. And yet.

      A woman ran on the pathways below him, finding her stride without fear in the March night. She ran as if Central Park were her demesne and the things that stalked it too slow or thick-witted to capture her. She’d done it before she knew he was there, watching and protecting her. She would have continued long since, had he never revealed himself to her.

      But he had, and now she knew. Knew about him and his people, and knew that he soared from treetop to treetop, keeping her safe from monsters worse than him. Knew that his nature demanded he protect her, once he’d chosen her as his ward.

      He’d walked away from their impossible relationship, certain that leaving was the only way to allow her a life with any meaning in her own world. In introducing himself to her—necessary as it had seemed—he’d also introduced an overwhelming element of danger into her human experience. She had accepted that, even embraced it, but he could not. He was a protector, and to protect her, he had to leave her behind.

      Doing the right thing shouldn’t leave such a taste of coal at the back of his throat, burned and ashy. For a span of a few brief hours—days, but in a life as long as his, the hours meant more than the days—he’d flown with her, shared laughter and fear, even known the touch of death and the shaking relief of life in its aftermath. Better to let it go, the memory bright and untarnished, than wait and watch as she inevitably realized she could never fit into the half-life that held him captive.

      And she, with the safety her clean, well-lit world offered to her, defiantly began her late-night sprints through the park again. She seemed utterly confident—confident of her own speed, confident of the park’s gentle side, confident that he would not abandon her despite his protestations.

      To his chagrin, she was right.

      A gargoyle should not find himself in such a situation.

      Muttering a growl deep in his throat, he flexed his wings, catching the wind and letting it carry him higher into the sky than necessary. He was a pale creature against night’s darkness, broad wingspan and powerful form easily visible, but humans rarely looked up. Even if someone did, he would be gone in an instant, a flight of imagination so potent few would dare voice it. Rationality and human experience demanded that he couldn’t exist. No one valuing his job or social standing would insist he’d seen a gargoyle circling over Central Park, and should the park’s less favorable denizens see him, well, no one would believe them, either.

      And Margrit, should she look up from racing insubstantial competitors far below, would never tell.

      She still watched the sky as she ran.

      She knew better. She knew better for a host of reasons, the most obvious being that if a gargoyle watched her, he would keep out of her line of sight so they could both pretend he wasn’t there. Twisting to catch him not only invited injury, but collided thoroughly with the other obvious reason she shouldn’t watch the sky: to run safely in the park she had to move like she knew what she was doing. Aggressors wanted victims who wouldn’t


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