Royalist On The Run. Helen Dickson
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‘Arabella … Any minute now I may forget that I shouldn’t be here, alone with you.’
‘Please don’t go.’
At that unequivocal invitation, without restraint he closed the distance between them. His arms curled around her and once again she felt the immense thrill of being held against him. She was overcome by a passionate desire to surrender herself to him.
As his lips touched hers, despite the roughness of his beard which brushed her face, a sharp intake of breath betrayed her longing for him. The force between them had grown powerful and impatient, and the longing could no longer be denied.
The English Civil War in the seventeenth century, which saw almost ten years of conflict, upset the lives of people in England profoundly—and in ways they could not have envisaged. There were strong differences of opinion, and those loyal to the King found the concept of a country without a monarch at the head of its social order virtually unimaginable.
The war saw the execution of a king, followed by the establishment of a military dictatorship under Oliver Cromwell. It gave rise to new ideas, political and religious, but following years of repression and the death of Cromwell the people called for the monarchy to be restored.
I have always been fascinated by this time, and have chosen to focus this story on the Royalist cause, with my hero and heroine on the same side.
Royalist on the Run
Helen Dickson
HELEN DICKSON was born and still lives in South Yorkshire, with her retired farm manager husband. Having moved out of the busy farmhouse where she raised their two sons, she has more time to indulge in her favourite pastimes. She enjoys being outdoors, travelling, reading and music. An incurable romantic, she writes for pleasure. It was a love of history that drove her to writing historical fiction.
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Contents
Arabella couldn’t say if it was the children crying in the room next to hers that woke her, the hard-edged rain pelting the windowpanes that sounded like stones, or a shutter banging against a wall in the far reaches of the house.
Opening her eyes, she listened to the wind blowing and moaning like a tortured soul over the land. She prayed the shutter wouldn’t blow off. And then she realised what it was that had disturbed her—the rhythmic beat of horses’ hooves approaching the house.
Soldiers. Who else could it be?
Closing her eyes, with foreboding in her heart she prayed they weren’t about to have a repeat of what had happened in the past, when Parliamentary soldiers had sacked the house.
‘Are the vultures about to gather again?’ she muttered, knowing she should pray hard and fast that it was not so, but she was too weary to do what had proved useless in the past. With her heart racing and shivering with cold, she got out of bed and went to the window and looked out. Rain was falling hard, but the moon between the swirling clouds was full and bright, illuminating the sturdy walls of this fourteenth-century manor house in the county of Gloucestershire. Four riders, Royalist soldiers—the wide-brimmed hats with swirling plumes worn by two of the men indicating this—were riding through the gatehouse. They halted in the courtyard, but for King or Parliament it made little difference. They would want feeding and there was little food at Bircot Hall to be had. The soldiers were dismounting, staring about them with a confident air.
Pulling on her dress of deep blue which she had shed earlier, one of the few dresses left to her after the Roundheads’ purge of the house in search of anything worth stealing, she heard a loud persistent hammering on the stout oak doors. Wind shook the house as she hurried from her room and the darkness seemed charged with energy. Every fibre of her being was on alert. She had a throbbing in the base of her skull all the while, for there is nothing as contagious as panic.
The atmosphere of acute anxiety was rife when she arrived in the hall, with the few servants—Sam Harding, his wife, Bertha, and their son, Tom, who remained loyal—and family standing close together, all with strained eyes and drawn faces, not knowing what to