GENE STRATTON-PORTER - A LITTLE STORY OF HER LIFE AND WORK

      For several years Doubleday, Page & Company have been receiving repeated requests for information about the life and books of Gene Stratton-Porter. Her fascinating nature work with bird, flower, and moth, and the natural wonders of the Limberlost Swamp, made famous as the scene of her nature romances, all have stirred much curiosity among readers everywhere.

      Mrs. Porter did not possess what has been called "an aptitude for personal publicity." Indeed, up to the present, she has discouraged quite successfully any attempt to stress the personal note. It is practically impossible, however, to do the kind of work she has done—to make genuine contributions to natural science by her wonderful field work among birds, insects, and flowers, and then, through her romances, to bring several hundred thousands of people to love and understand nature in a way they never did before—without arousing a legitimate interest in her own history, her ideals, her methods of work, and all that underlies the structure of her unusual achievement.

      Her publishers have felt the pressure of this growing interest and it was at their request that she furnished the data for a biographical sketch that was to be written of her. But when this actually came to hand, the present compiler found that the author had told a story so much more interesting than anything he could write of her, that it became merely a question of how little need be added.

      The following pages are therefore adapted from what might be styled the personal record of Gene Stratton-Porter. This will account for the very intimate picture of family life in the Middle West for some years following the Civil War.

      Mark Stratton, the father of Gene Stratton-Porter, described his wife, at the time of their marriage, as a "ninety-pound bit of pink porcelain, pink as a wild rose, plump as a partridge, having a big rope of bright brown hair, never ill a day in her life, and bearing the loveliest name ever given a woman—Mary." He further added that "God fashioned her heart to be gracious, her body to be the mother of children, and as her especial gift of Grace, he put Flower Magic into her fingers." Mary Stratton was the mother of twelve lusty babies, all of whom she reared past eight years of age, losing two a little over that, through an attack of scarlet fever with whooping cough; too ugly a combination for even such a wonderful mother as she. With this brood on her hands she found time to keep an immaculate house, to set a table renowned in her part of the state, to entertain with unfailing hospitality all who came to her door, to beautify her home with such means as she could command, to embroider and fashion clothing by hand for her children; but her great gift was conceded by all to be the making of things to grow. At that she was wonderful. She started dainty little vines and climbing plants from tiny seeds she found in rice and coffee. Rooted things she soaked in water, rolled in fine sand, planted according to habit, and they almost never failed to justify her expectations. She even grew trees and shrubs from slips and cuttings no one else would have thought of trying to cultivate, her last resort being to cut a slip diagonally, insert the lower end in a small potato, and plant as if rooted. And it nearly always grew!

      There is a shaft of white stone standing at her head in a cemetery that belonged to her on a corner of her husband's land; but to Mrs. Porter's mind her mother's real monument is a cedar of Lebanon which she set in the manner described above. The cedar tops the brow of a little hill crossing the grounds. She carried two slips from Ohio, where they were given to her by a man who had brought the trees as tiny things from the holy Land. She planted both in this way, one in her dooryard and one in her cemetery. The tree on the hill stands thirty feet tall now, topping all others, and has a trunk two feet in circumference.

      Mrs. Porter's mother was of Dutch extraction, and like all Dutch women she worked her special magic with bulbs, which she favoured above other flowers. Tulips, daffodils, star flowers, lilies, dahlias, little bright hyacinths, that she called "blue bells," she dearly loved. From these she distilled exquisite perfume by putting clusters, & time of perfect bloom, in bowls lined with freshly made, unsalted butter, covering them closely, and cutting the few drops of extract thus obtained with alcohol. "She could do more different things," says the author, "and finish them all in a greater degree of perfection than any other woman I have ever known. If I were limited to one adjective in describing her, 'capable' would be the word."

      The author's father was descended from a long line of ancestors of British blood. He was named for, and traced his origin to, that first Mark Stratton who lived in New York, married the famous beauty, Anne Hutchinson, and settled on Stratton Island, afterward corrupted to Staten, according to family tradition. From that point back for generations across the sea he followed his line to the family of Strattons of which the Earl of Northbrooke is the present head. To his British traditions and the customs of his family, Mark Stratton clung with rigid tenacity, never swerving from his course a particle under the influence of environment or association. All his ideas were clear-cut; no man could influence him against his better judgment. He believed in God, in courtesy, in honour, and cleanliness, in beauty, and in education. He used to say that he would rather see a child of his the author of a book of which he could be proud, than on the