Strange Events Down Under. Larry B. Ritter

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       Strange events Down Under

      1. Auflage, erschienen 7-2021

      Umschlaggestaltung: Romeon Verlag Text: Larry B. Ritter

      Layout: Romeon Verlag

      ISBN (E-Book): 978-3-96229-796-1

       www.romeon-verlag.de

      Copyright © Romeon Verlag, Jüchen

      Das Werk ist einschließlich aller seiner Teile urheberrechtlich geschützt. Jede Verwertung und Vervielfältigung des Werkes ist ohne Zustimmung des Verlages unzulässig und strafbar. Alle Rechte, auch die des auszugsweisen Nachdrucks und der Übersetzung, sind vorbehalten. Ohne ausdrückliche schriftliche Genehmigung des Verlages darf das Werk, auch nicht Teile daraus, weder reproduziert, übertragen noch kopiert werden. Zuwiderhandlung verpflichtet zu Schadenersatz.

      Alle im Buch enthaltenen Angaben, Ergebnisse usw. wurden vom Autor nach bestem Gewissen erstellt. Sie erfolgen ohne jegliche Verpflichtung oder Garantie des Verlages. Er übernimmt deshalb keinerlei Verantwortung und Haftung für etwa vorhandene Unrichtigkeiten.

      Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar.

      Larry B. Ritter

       STRANGE EVENTS DOWN UNDER

       TABLE OF CONTENTS

       Preface

       Act 1: Unpredictable things

       Scene 1: Vacations at the Uluru

       Scene 2: Lena‘s Uluru Art

       Scene 3: Searching for Lena

       Scene 4: Just a Piece of Rock

       Scene 5: A Strategic Exchange

       Act 2: Reverberation of the Uluru

       Scene 1: Escaping the Dream Time

       Scene 2: In Between Times

       Scene 3: The Now Time is back

       Scene 4: Overtime on the Uluru

       Scene 5: Dream-Time and Now-Time meet

       Scene 6: The Uluru-Effect

       Third Act: Mixed messages

       Scene 1: The ‚Hidden Agenda‘

       Scene 2: A first-class scolding

       Scene 3: Little progress

       Scene 4: Two first steps

       Final Act: Choking the Uluru effect

       Scene 1: Reverberations of the Uluru effect

       Scene 2: The Winter Solstice

       Scene 3: A hidden issue

       Scene 4: Merry Christmas!

       Main Characters

       Other Actors:

       Other key people:

       PREFACE

      Ayers Rock/Uluru is a mountain in the middle of the Australian continent belonging to World heritage of the UNESCO. Even experienced globetrotters consider this place as exceptional because of its beauty, but also because of its vibes linked to its importance for the indigenous people. In this enormous desert of the huge Northern Territory, a vacation resort with its own airport and not even a thousand employees cater to tourist from all over the world. The closest town is at a distance of 440 km, and there is only one connecting road. From Sydney, a jet takes more than four hours to get here so that even many Australians know their famous landmark only from photographies or films.

      In the tradition of the other books of this series, all facts, independent whether they are geographic, cultural, or business-related, are absolutely correct. The same way as in the other books, the persons described here are all one-hundred percent invented. Any resemblance with living or deceased persons would consequently be a pure hazard.

      However, in contrast with the other books, the finance subjects are pushed in the background of this fiction. They are dominated by an untypical, irrational environment with behavior patterns which are hard to explain. Instead of being in a world of measurable results, balance sheets, and factual planning, we find ourselves in an irrational set-up where not even time doesn’t play the usual role. Certain phenomena described here are outside our usual way of thinking.

      A special thank-you goes to the Aborigines. Their way of thinking is hard to follow from our perspective and culture. It took a film in the special Australian station reserved for the indigenes to offer me an access to their approach to live.

      When watching a film about the Australia of the many local tribes, I managed to comprehend more than in reading many clever books. The first thing that hit me: From start to the end, there was no commentary at all. Forty-five minutes with no music and no word, and still, the message was brutally clear: If you do not understand this, you won’t need explanations! What contempt of our rationalizing world!

      The film only consists of outstanding shots of valleys, animals, and vegetation. The only action shows a father who wanders through this beautiful


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