A Room of One's Own / Своя комната. Вирджиния Вулф
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very gravely. Not a penny could be spared for 'amenities'; for partridges and wine, beadles and turf, books and cigars, libraries and leisure. To raise bare walls out of bare earth was the utmost they could do.
So we talked standing at the window and looking, as so many thousands look every night, down on the domes and towers of the famous city beneath us. It was very beautiful, very mysterious in the autumn moonlight. The old stone looked very white and venerable. One thought of all the books that were assembled down there; of the pictures of old prelates and worthies hanging in the panelled rooms; of the painted windows that would be throwing strange globes and crescents on the pavement; of the tablets and memorials and inscriptions; of the fountains and the grass; of the quiet rooms looking across the quiet quadrangles. And (pardon me the thought) I thought, too, of the admirable smoke and drink and the deep armchairs and the pleasant carpets: of the urbanity, the geniality, the dignity which are the offspring of luxury and privacy and space. Certainly our mothers had not provided us with any thing comparable to all this – our mothers who found it difficult to scrape together thirty thousand pounds, our mothers who bore thirteen children to ministers of religion at St Andrews.
So I went back to my inn, and as I walked through the dark streets I pondered this and that, as one does at the end of the day's work. I pondered why it was that Mrs Seton had no money to leave us; and what effect poverty has on the mind; and what effect wealth has on the mind; and I thought of the queer old gentlemen I had seen that morning with tufts of fur upon their shoulders; and I remembered how if one whistled one of them ran; and I thought of the organ booming in the chapel and of the shut doors of the library; and I thought how unpleasant it is to be locked out; and I thought how it is worse perhaps to be locked in; and, thinking of the safety and prosperity of the one sex and of the poverty and insecurity of the other and of the effect of tradition and of the lack of tradition upon the mind of a writer, I thought at last that it was time to roll up the crumpled skin of the day, with its arguments and its impressions and its anger and its laughter, and cast it into the hedge. A thousand stars were flashing across the blue wastes of the sky. One seemed alone with an inscrutable society. All human beings were laid asleep – prone, horizontal, dumb. Nobody seemed stirring in the streets of Oxbridge. Even the door of the hotel sprang open at the touch of an invisible hand – not a boots was sitting up to light me to bed, it was so late.
TWO
The scene, if I may ask you to follow me, was now changed. The leaves were still falling, but in London now, not Oxbridge; and I must ask you to imagine a room, like many thousands, with a window looking across people's hats and vans and motor – cars to other windows, and on the table inside the room a blank sheet of paper on which was written in large letters Women and Fiction, but no more. The inevitable sequel to lunching and dining at Oxbridge seemed, unfortunately, to be a visit to the British Museum. One must strain off what was personal and accidental in all these impressions and so reach the pure fluid, the essential oil of truth. For that visit to Oxbridge and the luncheon and the dinner had started a swarm of questions. Why did men drink wine and women water? Why was one sex so prosperous and the other so poor? What effect has poverty on fiction? What conditions are necessary for the creation of works of art? – a thousand questions at once suggested themselves. But one needed answers, not questions; and an answer was only to be had by consulting the learned and the unprejudiced, who have removed themselves above the strife of tongue and the confusion of body and issued the result of their reasoning and research in books which are to be found in the British Museum. If truth is not to be found on the shelves of the British Museum, where, I asked myself, picking up a notebook and a pencil, is truth?
Thus provided, thus confident and enquiring, I set out in the pursuit of truth. The day, though not actually wet, was dismal, and the streets in the neighbourhood of the Museum were full of open coal – holes, down which sacks were showering; four – wheeled cabs were drawing up and depositing on the pavement corded boxes containing, presumably, the entire wardrobe of some Swiss or Italian family seeking fortune or refuge or some other desirable commodity which is to be found in the boarding – houses of Bloomsbury in the winter. The usual hoarse – voiced men paraded the streets with plants on barrows. Some shouted; others sang. London was like a workshop. London was like a machine. We were all being shot backwards and forwards on this plain foundation to make some pattern. The British Museum was another department of the factory. The swing – doors swung open; and there one stood under the vast dome, as if one were a thought in the huge bald forehead which is so splendidly encircled by a band of famous names. One went to the counter; one took a slip of paper; one opened a volume of the catalogue, and the five dots here indicate five separate minutes of stupefaction, wonder and bewilderment. Have you any notion of how many books are written about women in the course of one year? Have you any notion how many are written by men? Are you aware that you are, perhaps, the most discussed animal in the universe? Here had I come with a notebook and a pencil proposing to spend a morning reading, supposing that at the end of the morning I should have transferred the truth to my notebook. But I should need to be a herd of elephants, I thought, and a wilderness of spiders, desperately referring to the animals that are reputed longest lived and most multitudinously eyed, to cope with all this. I should need claws of steel and beak of brass even to penetrate the husk. How shall I ever find the grains of truth embedded in all this mass of paper? I asked myself, and in despair began running my eye up and down the long list of titles. Even the names of the books gave me food for thought. Sex and its nature might well attract doctors and biologists; but what was surprising and difficult of explanation was the fact that sex – woman, that is to say – also attracts agreeable essayists, light – fingered novelists, young men who have taken the M.A. degree; men who have taken no degree; men who have no apparent qualification save that they are not women. Some of these books were, on the face of it, frivolous and facetious; but many, on the other hand, were serious and prophetic, moral and hortatory. Merely to read the titles suggested innumerable schoolmasters, innumerable clergymen mounting their platforms and pulpits and holding forth with loquacity which far exceeded the hour usually alloted to such discourse on this one subject. It was a most strange phenomenon; and apparently – here I consulted the letter M – one confined to the male sex. Women do not write books about men – a fact that I could not help welcoming with relief, for if I had first to read all that men have written about women, then all that women have written about men, the aloe that flowers once in a hundred years would flower twice before I could set pen to paper. So, making a perfectly arbitrary choice of a dozen volumes or so, I sent my slips of paper to lie in the wire tray, and waited in my stall, among the other seekers for the essential oil of truth.
What could be the reason, then, of this curious disparity, I wondered, drawing cart – wheels on the slips of paper provided by the British taxpayer for other purposes. Why are women, judging from this catalogue, so much more interesting to men than men are to women? A very curious fact it seemed, and my mind wandered to picture the lives of men who spend their time in writing books about women; whether they were old or young, married or unmarried, red – nosed or hump – backed – anyhow, it was flattering, vaguely, to feel oneself the object of such attention provided that it was not entirely bestowed by the crippled and the infirm – so I pondered until all such frivolous thoughts were ended by an avalanche of books sliding down on to the desk in front of me. Now the trouble began. The student who has been trained in research at Oxbridge has no doubt some method of shepherding his question past all distractions till it runs into his answer as a sheep runs into its pen. The student by my side, for instance, who was copying assiduously from a scientific manual, was, I felt sure, extracting pure nuggets of the essential ore every ten minutes or so. His little grunts of satisfaction indicated so much. But if, unfortunately, one has had no training in a university, the question far from being shepherded to its pen flies like a frightened flock hither and thither, helter – skelter, pursued by a whole pack of hounds. Professors, schoolmasters, sociologists, clergymen, novelists, essayists, journalists, men who had no qualification save that they were not women, chased my simple and single question – Why are some women poor? – until it became fifty questions; until the fifty questions leapt frantically into midstream and were carried away. Every page in my notebook was scribbled over with notes. To show the state of mind I was in, I will read you a few of them, explaining that the page was headed quite simply, Women and Poverty, in block letters; but what followed was something like this:
Condition