The Story of Venus and Tannhäuser. Beardsley Aubrey
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The Story of Venus and Tannhäuser A Romantic Novel
FOREWORD
Only a portion of this work, Beardsley's most ambitious literary effort, has hitherto been printed, with the title "Under the Hill". The present work is a complete transcript of the whole of the manuscript as originally projected by Beardsley. It has been deemed advisable, owing to the freedom of several passages, to issue only a limited number of copies for the use of those literary students who are also admirers of Beardsley's wayward genius.
Most Eminent Prince,
I know not by what mischance the writing of epistles dedicatory has fallen into disuse, whether through the vanity of authors or the humility of patrons. But the practice seems to me so very beautiful and becoming that I have ventured to make an essay in the modest art, and lay with formalities my first book at your feet. I have, it must be confessed, many fears lest I shall be arraigned of presumption in choosing so exalted a name as your own to place at the beginning of these histories; but I hope that such a censure will not be too lightly passed upon me, for, if I am guilty, 'tis but of a most natural pride that the accidents of my life should allow me to sail the little pinnace of my wit under your protection.
But though I can clear myself of such a charge, I am still minded to use the tongue of apology, for with what face can I offer you a book treating of so vein and fantastical a thing as Love? I know that in the judgment of many the amorous passion is accounted a shameful thing and ridiculous; indeed, it must be confessed that more blushes have risen for Love's sake than for any other cause, and that lovers are an eternal laughing-stock. Still, as the book will be found to contain matter of deeper import than mere venery, inasmuch as it treats of the great contrition of its chiefest character, and of canonical things in its chapters, I am not without hopes that your Eminence will pardon my writing of the Hill of Venus, for which exposition let my youth excuse me.
Then I must crave your forgiveness for addressing you in a language other than the Roman, but my small freedom in Latinity forbids me to wander beyond the idiom of my vernacular. I would not for the world that your delicate Southern ear should be offended by a barbarous assault of rude and Gothic words; but methinks no language is rude that can boast polite writers, and not a few have flourished in this country in times past, bringing our common speech to very great perfection. In the present age, alas! our pens are ravished by unlettered authors and unmannered critics, that make a havoc rather than a building, a wilderness rather than a garden. But, alack I what boots it to drop tears upon the preterit?
'Tis not of our own shortcomings, though, but of your own great merits that I should speak, else I should be forgetful of the duties I have drawn upon myself in electing to address you in a dedication. 'Tis of your noble virtues (though all the world know of 'em), your taste and wit, your care for letters, and very real regard for the arts, that I must be the proclaimer.
Though it be true that all men have sufficient wit to pass a judgment on this or that, and not a few sufficient impudence to print the same (these last being commonly accounted critics), I have ever held that the critical faculty is more rare than the inventive. 'Tis a faculty your Eminence possesses in so great a degree that your praise or blame is something oracular, your utterance infallible as great genius or as a beautiful woman. Your mind, I know, rejoicing in fine distinctions and subtle procedures of thought, beautifully discursive rather than hastily conclusive, has found in criticism its happiest exercise. 'Tis pity that so perfect a Mecænas should have no Horace to befriend, no Georgies to accept; for the offices and function of patron or critic must of necessity be lessened in an age of little men and little work. In times past 'twas nothing derogatory for great princes and men of State to extend their loves and favour to poets, for thereby they received as much honour as they conferred. Did not Prince Festus with pride take the master-work of Julian into his protection, and was not the Æneis a pretty thing to offer Caesar?
Learning without appreciation is a thing of nought, but I know not which is greatest in you, your love of the arts or your knowledge of 'em. What wonder, then, that I am studious to please you, and desirous of your protection? How deeply thankful I am for your past affections, you know well, your great kindness and liberality having far outgone my slight merits fend small accomplishment that seemed scarce to warrant any favour. Alas! 'tis a slight offering I make you now, but, if after glancing into its pages (say of an evening upon your terrace), you should deem it worthy of the most remote place in your princely library, the knowledge that it rested there would be reward sufficient for my labours, and a crowning happiness to my pleasure in the writing of this slender book.
The humble and obedient servant of your Eminence,
CHAPTER I
HOW THE CHEVALIER TANNHÄUSER ENTERED INTO THE HILL OF VENUS
The Chevalier Tannhäuser, having lighted off his horse, stood doubtfully for a moment beneath the ombre gateway of the Venusberg, troubled with an exquisite fear lest a day's travel should have too cruelly undone the laboured niceness of his dress. His hand, slim and gracious as La Marquise du Deffand's in the drawing by Carmontelle, played nervously about the gold hair that fell upon his shoulders like a finely curled peruke, and from point to point of a precise toilet, the fingers wandered, quelling the little mutinies of cravat and ruffle.
It was taper-time; when the tired earth puts on its cloak of mists and shadows, when the enchanted woods are stirred with light footfalls and slender voices of the fairies, when all the air is full of delicate influences, and even the beaux, seated at their dressing-tables, dream a little.
A delicious moment, thought Tannhäuser, to slip into exile.
The place where he stood waved drowsily with strange flowers, heavy with perfume, dripping with odours. Gloomy and nameless weeds not to be found in Mentzelius. Huge moths so richly winged they must have banqueted upon tapestries and royal stuffs, slept on the pillars that flanked either side of the gateway, and the eyes of all the moths remained open, and were burning and bursting with a mesh of veins. The pillars were fashioned in some pale stone, and rose up like hymns in the praise of Venus, for, from cap to base, each one was carved with loving sculptures, showing such a cunning invention and such a curious knowledge that Tannhäuser lingered not a little in reviewing them. They surpassed all that Japan has ever pictured from her maisons vertes, all that was ever painted on the pretty bathrooms of Cardinal La Motte, and even outdid the astonishing illustrations to Jones' "Nursery Numbers."
"A pretty portal," murmured the Chevalier, correcting his sash.
As he spake, a faint sound of singing was breathed out from the mountain, faint music as strange and distant as sea-legends that are heard in shells.
"The Vespers of Venus, I take it," said Tannhäuser and struck a few chords of accompaniment ever so lightly upon his little lute. Softly across the spell-bound threshold the song floated and wreathed itself about the subtle columns till the moths were touched with passion, and moved quaintly in their sleep. One of them was awakened by the intenser notes of the Chevalier's lute-strings, and fluttered into his cave. Tannhäuser felt it was his cue for entry.
"Adieu," he exclaimed, with an inclusive gesture, and "Good-bye, Madonna," as the cold circle of the moon began to show, beautiful and full of enchantments. There was a shadow of sentiment in his voice as he spake the words.
"Would to heaven," he sighed, "I might receive the assurance of a looking-glass before I make my début! However, as she is a goddess, I doubt not her eyes are a little sated with perfection, and may not be displeased to see it crowned with a tiny fault."
A wild rose had caught upon the trimmings of his muff, and in the first flush of displeasure he would have struck it brusquely away, and most severely punished the offending flower. But the ruffled mood lasted only a moment, for there was something so deliciously incongruous in the hardy petal's invasion of so delicate a thing, that Tannhäuser withheld the finger of resentment, and vowed that the wild rose should stay where it had clung – a passport, as it were, from the upper