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      The History and Remarkable Life of the Truly Honourable Colonel Jacque, Commonly called Colonel Jack

      INTRODUCTION

      Smollett bears witness to the popularity of Defoe's Colonel Jacque. In the sixty-second chapter of Roderick Random, the hero of that novel is profoundly impressed by the genius of the disappointed poet, Melopoyn, the story of whose tragedy is Smollett's acrimonious version of the fate of his own first literary effort, The Regicide. Melopoyn tells Random that while waiting in vain for his tragedy to be produced, he wrote some pastorals which were rejected by one bookseller after another. A first said merely that the pastorals would not serve; a second advised Melopoyn to offer in their place something "satirical or luscious;" and a third asked if he "had got never a piece of secret history, thrown into a series of letters, or a volume of adventures, such as those of Robinson Crusoe and Colonel Jack, or a collection of conundrums, wherewith to entertain the plantations?" Smollett probably wrote this passage some time in the year 1747, for Roderick Random was published in January, 1748. It was twenty-four years earlier-December twentieth, 1722-that Colonel Jacque had been published, or, to give it the name set forth by its flaunting title-page: -The History and Remarkable Life of the truly Honourable Colonel Jacque, vulgarly called Col. Jack, who was born a Gentleman; put 'Prentice to a Pickpocket; was six and twenty years a Thief, and then kidnapped to Virginia; came back a Merchant; was five times married to four Whores; went into the Wars, behaved bravely, got Preferment, was made Colonel of a Regiment; came over, and fled with the Chevalier, is still abroad Completing a Life of Wonders, and resolves to die a General. Surely a book for servants, readers of our time will be apt to think on looking at this title-page; and yet Colonel Jacque is found to-day in many a gentleman's library. This is no reason, though, why it should still retain considerable popularity in Smollett's day. In less time after their appearance, some books which live forever in literature have been forgotten by the great mass of readers. What was it now that kept Colonel Jacque popular a quarter of a century after its publication?

      It can hardly be the story which maintained its popularity, for the inorganic tale is of the simplest kind. Jacque, like Captain Singleton, and Moll Flanders in her childhood, had almost no knowledge of his parents. He was brought up by a woman who was well paid for taking the child off his parents' hands-a woman who, though seemingly an abandoned character, nevertheless showed the boy kindness. When he was about ten, she died. Then followed the chequered career sketched in the title given above. Jacque, trained by a comrade as a pickpocket, became in time a thief on a larger scale, but not a thief quite destitute of good feeling. After he had robbed a poor woman of Kentish Town of 22s. 6½d., his conscience was never easy till he paid her back the money, a year later; and through all his criminal life, he remembered that his foster-mother had told him he came of gentle blood, and accordingly should remember always to be a gentleman. The hope of being a gentleman was before him, even when he was kidnapped to Virginia and sold into bondage. There he became such a favourite of his master that in time he was able to set up as a planter on his own account. From Virginia he returned to England, and thence, after the unhappy matrimonial ventures mentioned in the title, he went back to Virginia, where at last he married the wife whom he had previously divorced.

      Nor could the character of the hero have had much to do in keeping Colonel Jacque popular. In spite of his matrimonial achievements, in spite of the affection which he rouses in his American employer and his slaves both, Colonel Jacque is with out any attraction which a reader can perceive to-day. Like most of Defoe's characters, he is without fine feeling; he is always looking out for the main chance. His chief interest is commerce; he is a typical "Anglo-Saxon" trader. There are thousands and thousands of such clever, prosy, cold-blooded business-men in the United States to-day, and in the British colonies, and in the United Kingdom. Though Defoe's biographers are divided as to whether or not he shared their mercantile cleverness, there is no doubt that Defoe was heartily in sympathy with such men; and his interest in recounting Colonel Jacque's commercial ventures shows him to have been what I have already called him-the Yankee trader of the Queen Anne writers.

      It was the story of Colonel Jacque's successful trading, no doubt, which had a large part in sustaining the popularity of his History. But even more important in this respect, was that which we have seen to be the vital force in all Defoe's fiction-circumstantial vividness. This is less striking in the later pages than in the earlier. The vividness ceases to a large extent after Jacque goes to America, for Defoe did not know America so well as he knew his England. Yet even when the scene shifts to the further side of the ocean, Defoe makes no blunders; nothing impossible occurs; his geography is correct. In Colonel Jacque, perhaps more than anywhere else, we see that interest of Defoe's in distant British possessions which made him, as I have said, one of the "imperialists" of his time. Even so, what vividness there is in the American scenes is too largely commercial. Not many people, other than small traders or would-be traders, could ever have read with interest such a paragraph as the following: -

      "With the sloop I sent letters to my wife and to my chief manager with orders to load her back, as I there directed, viz., that she should have two hundred barrels of flour, fifty barrels of pease; and, to answer my other views, I ordered a hundred bales to be made up of all sorts of European goods, such as not my own warehouses only would supply, but such as they could be supplied with in other warehouses where I knew they had credit for anything."

      Very different are the earlier pages which deal with Jacque's adventures as a poor criminal boy in England. Here Defoe was on ground that he knew thoroughly. Sir Leslie Stephen1 has observed that Defoe passed beyond the bounds of probability when he made his hero, an almost elderly man writing his memoirs in Mexico, remember the details of his boyish thieving with marvellous exactness. Barring this improbability-one by the way which you are not aware of while you read the scenes in question, for you do not know how long a time will elapse before the hero begins to record his experiences-the verisimilitude of the first part of Colonel Jacque could not be surpassed. Moreover, in picturing the life of the poor, neglected boy, Defoe is unusually sympathetic. And so in the early pages of Colonel Jacque, more than anywhere else, is found the power of the story, the secret of its popularity when Smollett was writing Roderick Random, and the secret of its appeal to readers to-day. Lamb was hardly overstating the case when he declared, "The beginning of 'Colonel Jack' is the most affecting, natural picture of a young thief that was ever drawn."2

      At the end of the second volume of Colonel Jacque will be found two of Defoe's earlier political satires: -The True-Born Englishman and The Shortest Way with the Dissenters. The former, the most celebrated piece of verse which Defoe wrote, was published in January, 1701. The circumstances which led to its publication are set forth by the author himself in his autobiographical sketch of 1715, An Appeal to Honour and Justice.

      On the first of August, 1700, according to his statement, there appeared "a vile abhorred pamphlet, in very ill verse, written by one Mr. Tutchin, and called The Foreigners; in which the author.. fell personally upon the King himself, and then upon the Dutch Nation. And after having reproached his Majesty with crimes that his worst enemy could not think of without horror, he sums up all in the odious name of Foreigner. This filled me with a kind of rage against the book, and gave birth to a trifle which I never could hope should have met with so general an acceptance as it did; I mean The True-Born Englishman."

      The reason for Tutchin's pamphlet was that William III., never loved by the English, became less and less popular after the death of Queen Mary. A Dutchman, he was supposed to have the interests of Holland more at heart than those of England. This supposition was strengthened by the fact that he took no Englishmen into his confidence as he did his old and trusted Dutch friends. These, naturally, shared his unpopularity, especially the Duke of Schomberg and the King's favourite minister, William Bentinck, created Earl of Portland, both of whom are mentioned by Defoe in his True-Born Englishman.

      Defoe, in this reply to Tutchin's pamphlet, sought to prove that the king and his foreign friends had as good right to the esteem of the English as any patriots in the history of the country. In the first part of the "poem," as Defoe called his satire, he showed that William, with his

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