Explanatory Note

      It is now twenty years since the Flashman Papers, the memoirs of the notorious Rugby School bully who became a Victorian hero, were found in a Leicestershire saleroom. Of the dozen or so packets of manuscript, seven have so far been published in book form; they have covered four military campaigns (the First Afghan War, Crimea, Indian Mutiny, and Sioux War of 1879), and five episodes of less formal and generally reluctant active service – pirate-hunting with Brooke of Sarawak; as military adviser to Queen Ranavalona of Madagascar; as conspirator with Bismarck in the Schleswig-Holstein affair; in the African slave trade and Underground Railroad; and on the American frontier during the Gold Rush. This eighth volume sees him returning to military service in the Taiping Rebellion and Pekin Expedition of 1860.

      Not the least interesting feature of Flashman’s recollections, to students of history, is the light they cast on the early years of many famous Victorians, who are seen through the unsparing eyes of one who, while a self-confessed coward, libertine, and scoundrel, was nevertheless a scrupulous reporter. Thus, we have seen him fleeing the murderous wrath of the young politician Bismarck, viewing Congressman Lincoln with wary respect, teaching the infant Crazy Horse how to wink, admiring Lola Montez the aspiring novelty dancer, and toadying to the young Queen Victoria herself. In China he encounters two of the great mercenary captains, a future empress, the founding fathers of the modern British Army and Navy, and those strange, forgotten peasants who changed the face of a great empire. It may be that he provides some new historical insights, while again demonstrating the lengths to which perfidy, impudence, immorality, and poltroonery may be stretched in the enforced pursuit of fame, riches, and above all, survival.

      In accordance with the wishes of Mr Paget Morrison, owner of the Flashman manuscripts, I have confined my editing to correcting the old soldier’s spelling, checking the accuracy of the narrative (which is exact