The Toynbee Convector. Ray Bradbury
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He watched the people moving in and out of stores and houses so slowly they were under a great sea of clean warm water. Moss was everywhere, so every motion came to rest on softness and silence. It was a barefoot Mark Twain town, a town where childhood lingered without anticipation and old age came without regret. He snorted gently at himself. Or so it seemed.
I’m glad Helen didn’t come on this trip, he thought. He could hear her now:
“My God, this place is small. Good grief, look at those hicks. Hit the gas. Where in hell is New York?”
He shook his head, closed his eyes, and Helen was in Reno. He had phoned her last night.
“Getting divorced’s not bad,” she’d said, a thousand miles back in the heat. “It’s Reno that’s awful. Thank God for the swimming pool. Well, what are you up to?”
“Driving east in slow stages.” That was a lie. He was rushing east like a shot bullet, to lose the past, to tear away as many things behind him as he could leave. “Driving’s fun.”
“Fun?” Helen protested. “When you could fly? Cars are so boring.”
“Goodbye, Helen.”
He drove out of town. He was supposed to be in New York in five days to talk over the play he didn’t want to write for Broadway, in order to rush back to Hollywood in time to not enjoy finishing a screenplay, so that he could rush to Mexico City for a quick vacation next December. Sometimes, he mused, I resemble those Mexican rockets dashing between the town buildings on a hot wire, bashing my head on one wall, turning, and zooming back to crash against another.
He found himself going seventy miles an hour suddenly, and cautioned it down to thirty-five, through rolling green noon country.
He took deep breaths of the clear air and pulled over to the side of the road. Far away, between immense trees, on the top of a meadow hill, he thought he saw, walking but motionless in the strange heat, a young woman, and then she was gone, and he wasn’t certain she had been there at all.
It was one o’clock and the land was full of a great powerhouse humming. Darning needles flashed by the car windows, like prickles of heat before his eyes. Bees swarmed and the grass bent under a tender wind. He opened the car door and stepped out into the straight heat.
Here was a lonely path that sang beetle sounds at late noon to itself, and there was a cool, shadowed forest waiting fifty yards from the road, from which blew a good, tunnel-moist air. On all sides were rolling clover hills and an open sky. Standing there, he could feel the stone dissolve in his arms and his neck, and the iron go out of his cold stomach, and the tremor cease in his fingers.
And then, suddenly, still further away, going over a forest hill, through a small rift in the brush, he saw the young woman again, walking and walking into the warm distances, gone.
He locked the car door slowly. He struck off into the forest, idly, drawn steadily by a sound that was large enough to fill the universe, the sound of a river going somewhere and not caring; the most beautiful sound of all.
When he found the river it was dark and light and dark and light, flowing, and he undressed and swam in it and then lay out on the pebbled bank drying, feeling relaxed. He put his clothes back on, leisurely, and then it came to him, the old desire, the old dream, when he was seventeen years old. He had often confided and repeated it to a friend:
“I’d like to go walking some spring night-—you know, one of those nights that are warm all night long. I’d like to walk. With a girl. Walk for an hour, to a place where you can barely hear or see anything. Climb a hill and sit. Look at the stars. I’d like to hold the girl’s hand. I’d like to smell the grass and the wheat growing in the fields, and know I was in the center of the entire country, in the very center of the United States, and towns all around and highways away off, but nobody knowing we’re right there on top of that hill, in the grass, watching the night.
“And just holding her hand would be good. Can you understand that? Do you know that holding someone’s hand can be the thing? Such a thing that your hands move while not moving. You can remember a thing like that, rather than any other thing about a night, all your life. Just holding hands can mean more. I believe it. When everything is repeated, and over, and familiar, it’s the first things rather than the last that count.
“So, for a long time,” he had continued, “I’d like to just sit there, not saying a word. There aren’t any words for a night like that. We wouldn’t even look at each other. We’d see the lights of the town far off and know that other people had climbed other hills before us and that there was nothing better in the world. Nothing could be made better; all of the houses and ceremonies and guarantees in the world are nothing compared to a night like this. The cities and the people in the rooms in the houses in those cities at night are one thing; the hills and the open air and the stars and holding hands are something else.
“And then, finally, without speaking, the two of you will turn your heads in the moonlight and look at each other.
“And so you’re on the hill all night long. Is there anything really wrong with this, can you honestly say there is anything wrong?”
“No,” said a voice, “the only thing wrong on a night like that is that there is a world and you must come back to it.”
That was his friend, Joseph, speaking, fifteen years ago. Dear Joseph, with whom he had talked so many days through; their adolescent philosophizings, their problems of great import. Now Joseph was married and swallowed by the black streets of Chicago, and himself taken West by time, and all of their philosophy for nothing.
He remembered the month after he had married Helen. They had driven across country, the first and last time she had consented to the “brutal,” as she called it, journey by automobile. In the moonlit evenings they had gone through the wheat country and the corn country of the Middle West and once, at twilight, looking straight ahead, Thomas had said, “What do you say, would you like to spend the night out?”
“Out?” Helen said.
“Here,” he said, with a great appearance of casualness. He motioned his hand to the side of the road. “Look at all that land, the hills. It’s a warm night. It’d be nice to sleep out.”
“My God!” Helen had cried. “You’re not serious?”
“I just thought.”
“The damn country’s running with snakes and bugs. What a way to spend the night, getting burrs in my stockings, tramping around some farmer’s property.”
“No one would ever know.”
“But I’d know, my dear,” said Helen.
“It was just a suggestion.”
“Dear Tom, you were only joking, weren’t you?”
“Forget I ever said anything,” he said.
They had driven on in the moonlight to a boiling little night motel where moths fluttered about the raw electric lights. There had been an iron bed in a paint-smelling tiny room where you could hear the beer tunes from the roadhouse all night and hear the continental vans pounding by late, late toward dawn.…
He walked through the green forest and listened to the various silences there. Not one silence, but several; the silence that the moss made underfoot, the silence the shadows made depending from the trees, the silence of small streams exploring tiny countries on all sides as he came into a clearing.
He found some wild strawberries and ate them. To hell with the car, he thought. I don’t care if someone takes it apart wheel by wheel, and carries it off. I don’t care if the sun melts it into slag on the spot.
He lay down and cradled his head on his arms and went to sleep.
The first thing he saw when he wakened was his wristwatch. Six forty-five. He had slept most of the day away. Cool shadows had crept up all about him. He shivered and moved to sit up and then did not move again, but lay there with his