This Is My Child. Lucy Gordon
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“I Never Understood My Son For A Moment,”
Giles said at last.
“As long as you understand him now—” Melanie began.
“But I don’t. The only thing I have to hold on to is you. From the first moment, you’ve known what to. say and do. It’s strange—as though you and David were connected by an invisible thread.”
Melanie tensed as he came so near her secret. But there was nothing but warmth in the smile he turned on her, and her heart gave the same disturbing lurch it had given before.
Dear Reader,
We all know that Valentine’s Day is the most romantic holiday of the year. It’s the day you show that special someone in your life—husband, fiancé…even your mom!—just how much you care by giving them special gifts of love.
And our special Valentine’s gift to you is a book from a writer many of you have said is one of your favorites, Annette Broadrick. Megan’s Marriage isn’t just February’s MAN OF THE MONTH, it’s also the first book of Annette’s brand-new DAUGHTERS OF TEXAS series. This passionate love story is just right for Valentine’s Day.
February also marks the continuation of SONS AND LOVERS, a bold miniseries about three men who discover that love and family are the most important things in life. In Reese: The Untamed by Susan Connell, a dashing bachelor meets his match and begins to think that being married might be more pleasurable than he’d ever dreamed. The series continues in March with Ridge: The Avenger by Leanne Banks.
This month is completed with four more scintillating love stories: Assignment: Marriage by Jackie Merritt, Daddy’s Choice by Doreen Owens Malek, This Is My Child by Lucy Gordon and Husband Material by Rita Rainville. Don’t miss any of them!
So Happy Valentine’s Day and Happy Reading!
Lucia Macro
Senior Editor
Please address questions and book requests to:
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Canadian: P.O. Box 609, Fort Erie, Ont. L2A 5X3
This is My Child
Lucy Gordon
LUCY GORDON
met her husband-to-be in Venice, fell in love the first evening and got engaged two days later. After twenty-three years they’re still happily married and now live in England with their three dogs. For twelve years Lucy was a writer for an English women’s magazine. She interviewed many of the world’s most interesting men, including Warren Beatty, Richard Chamberlain, Sir Roger Moore, Sir Alec Guinness and Sir John Gielgud.
In 1985 she won the Romantic Times Reviewer’s Choice Award for Outstanding Series Romance Author. She has also won a Golden Leaf Award from the New Jersey Chapter of RWA, was a finalist in the RWA Golden Medallion contest in 1988 and won the 1990 RITA Award in the Best Traditional Romance category for Song of the Lorelei.
Melanie sat in the hallway of Giles Haverill’s luxurious house, and hated him.
She’d hated him for eight years, but never so much as at this moment, when she was about to meet him for the first time. She tried to fight down the feeling, knowing that the next few minutes would be the most crucial of her life. She must smile and say the things that would persuade this man to take her into his home. And he must never suspect that beneath her quiet exterior she was burning with hate.
The door to his study was pulled open and an unseen voice said curtly, “You can come in now, Miss Haynes.”
She went inside and there was her enemy, reseating himself behind an oak desk strewn with papers. He was a large man, broad shouldered and dark haired, with a lean, handsome face set in a frown. Tension radiated from him. He looked her quickly up and down out of dark eyes that seemed to take in everything in one glance. Melanie trembled, afraid that he might look right into her heart and read her secret. But he merely grunted in a way that might have indicated approval of her neat clothes and pinned-back hair. He nodded her to a chair and put away some papers.
While he was occupied, she glanced around at the room. It was the office of a rich man, of plain if expensive tastes. The waste bin was made of steel, as was the lamp that hung over the desk. Where the walls weren’t covered with steel shelving they were white, and bare except for two stark, modern paintings in vivid colors. The carpet was gray, and the most notable object in the room was a large sofa of soft black leather that exactly matched the seat behind the desk. The total effect was of a kind of austere beauty, but the room was chiefly functional, and it fitted her mental picture of Giles Haverill.
He looked up from his