Celebrate the legend that is bestselling author

       PENNY JORDAN

       Phenomenally successful author of more than two hundred books with sales of over a hundred million copies!

      Penny Jordan’s novels are loved by millions of readers all around the word in many different languages. Mills & Boon are proud to have published one hundred and eighty-seven novels and novellas written by Penny Jordan, who was a reader favourite right from her very first novel through to her last.

      This beautiful digital collection offers a chance to recapture the pleasure of all of Penny Jordan’s fabulous, glamorous and romantic novels for Mills & Boon.

      About the Author

      PENNY JORDAN is one of Mills & Boon’s most popular authors. Sadly, Penny died from cancer on 31st December 2011, aged sixty-five. She leaves an outstanding legacy, having sold over a hundred million books around the world. She wrote a total of one hundred and eighty-seven novels for Mills & Boon, including the phenomenally successful A Perfect Family, To Love, Honour & Betray, The Perfect Sinner and Power Play, which hit the Sunday Times and New York Times bestseller lists. Loved for her distinctive voice, her success was in part because she continually broke boundaries and evolved her writing to keep up with readers’ changing tastes. Publishers Weekly said about Jordan ‘Women everywhere will find pieces of themselves in Jordan’s characters’ and this perhaps explains her enduring appeal.

      Although Penny was born in Preston, Lancashire and spent her childhood there, she moved to Cheshire as a teenager and continued to live there for the rest of her life. Following the death of her husband, she moved to the small traditional Cheshire market town on which she based her much-loved Crighton books.

      Penny was a member and supporter of the Romantic Novelists’ Association and the Romance Writers of America—two organisations dedicated to providing support for both published and yet-to-be-published authors. Her significant contribution to women’s fiction was recognised in 2011, when the Romantic Novelists’ Association presented Penny with a Lifetime Achievement Award.

      Valentine’s Night

      Penny Jordan

       www.millsandboon.co.uk

      CHAPTER ONE

      ‘WHAT on earth are we going to do? We simply can’t ask her not to come—not when she’s been to such trouble to find us. She’d be hurt. But she can’t stay here … not at the moment. The house is full to bursting point as it is.’

      Sympathetically Sorrel watched the anxiety darken her mother’s eyes. It was true that the unscheduled visit could not have come at a worse time. With the twins home from university, and her newly married elder brother and his wife taking up temporary accommodation with her parents, and Uncle Giles more or less a permanent house guest, the farm was already bursting at the seams.

      Add to that the fact that her father’s prize ewes were lambing ahead of time and he was consequently a little short-tempered with concern, and it was obvious that now was not precisely an ideal time for the family to receive into its bosom an unknown second cousin, heaven only knew how many times removed, from Australia. A cousin, moreover, whom none of them knew anything about, other than that her typed letter was written with such a breezy, not to say slightly overpowering, bonhomie, that made it very difficult for her mother to write back, and say no, they could not accommodate her as a guest.

      ‘Normally I’d have loved to have her staying here,’ her mother continued unhappily. ‘But …’

      ‘Why don’t you write and explain the situation?’ Sorrel suggested practically. They were sitting in the farmhouse kitchen, their conversation interrupted by the increasingly noisy protests of the orphaned lambs her mother was hand-rearing. ‘Suggest that she delays her visit until later in the year.’

      ‘I can’t,’ came the worried response. ‘The letter went to the old farm, instead of coming here. Val obviously doesn’t realise that we’ve moved and that the old farmhouse has been empty since Uncle Giles moved out. The letter would be lying up there yet if Simon hadn’t driven over to show Fiona the house.’

      ‘Oh, he’s shown it to her, then,’ Sorrel asked interestedly. ‘What did she think? It’s very remote, I know, and not exactly equipped with all mod cons …’

      ‘Oh, she came back bubbling over with enthusiasm, and I can understand why. It’s very hard to start off your married life living with your in-laws.’

      ‘Mum, you’ve bent over backwards to make her feel at home,’ Sorrel protested loyally.

      ‘Oh, she isn’t complaining—far from it, but I remember how I felt when I had to move in with Gran and Gramps. Of course, it was different for me. Unlike Fiona, I didn’t come from farming stock. She’s adapted marvellously well. She goes out in all weathers helping Simon and your dad with the stock, and she didn’t seem a bit put off by the old farm’s remoteness. I warned her that there are times when the snow closes off the road, and of course there’s no gas or electricity up there at the moment, but your dad was saying it would be worth while having them installed, because if Simon and Fiona did move up there it would mean they could make far more use of the high pastures than he’s been able to do.’

      Sorrel was familiar enough with the complex family relationship which had led to her father inheriting not just his parents’ farm, but his maternal uncle’s as well. Since this latter farm was situated in the richer pastures of Shropshire, as opposed to his parents’ farm in the Welsh mountains, he had moved his family down into Shropshire when Sorrel was a little girl, leaving his uncle Giles to take over the running of the Welsh land. Two years ago, following a bad bout of pneumonia, Giles had finally admitted that the rugged life of a hill farmer was getting too much for him, and since then the farmhouse had remained untenanted other than during the summer months when Simon lived up there, watching over their sheep flocks.

      They were an odd mixture, her parents: her father came from a long, long line of men who had been Welsh farmers; her mother had been a city girl who had fallen madly and illogically in love with the young countryman while he was visiting the Royal Show at Smithfield one year looking for a new pedigree ram; and their four children mirrored the quixotic blend of their parents. Simon, the eldest, whose feel for the land he had inherited fully from his father and who had never wanted to do anything other than follow in his footsteps. The twins: James the would-be scientist, who had always been irked by the constraining enclosure of the life his father and elder brother lived, who made no bones about his own desire to travel, to experience a wider knowledge of the world. Mark, the younger twin’s expertise with anything mechanical had led to him training for a career in the computer industry, and yet he had retained that same deep love of the land that was so strong in their father and Simon.

      And as for herself—well, she loved the land as well, but her mother claimed that the artistic talent which had led to her starting her own small, successful business designing and selling exclusive knitwear came from her side of the family. Like the colouring which had given Sorrel her name—her mane of russet hair was considered a little flamboyant by her father’s family, as was her height and elegance of limb. Sorrel was not a Welsh Llewellyn, and yet—and yet she had a deep awareness of the richness of her heritage, of how lucky she had been born the child of two people each in their own way dedicated to bringing up their family in the kind of emotionally secure background that few of her peers had been privileged to experience.

      Did the strength of her parents’ marriage mean that she was more or less well-equipped to deal with the problems that seemed to destroy modern relationships? she wondered—more so since she had become engaged to Andrew.

      Andrew