Leaving L.a.. Rexanne Becnel
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Praise for Rexanne Becnel’s NEXT novels
“Humor, smart women, adventure, and danger all add up to a book you can’t put down…. Constant surprises and characters that will win your heart.”
—Romantic Times BOOKclub on The Payback Club
“Becnel deftly captures the way actual women think …Brisk and entertaining, with a welcome focus on middle-aged sexuality, this tidy tale proves that Becnel is just as much at home writing high-quality contemporary fiction as penning the historical fiction for which she’s known.”
—Publishers Weekly on Old Boyfriends
“Rexanne Becnel skillfully weaves multiple storylines with lively characters and unexpected plot twists in an emotionally satisfying book.”
—Romantic Times BOOKclub on Old Boyfriends
And other praise for Rexanne Becnel
“Ms. Becnel creates the most intriguing characters.”
—Literary Times on The Bride of Rosecliffe
“Becnel skillfully blends romance and adventure with a deft hand.”
—Publishers Weekly on When Lightning Strikes
“Rexanne’s stories stay with the reader long after the final page is turned.”
—Literary Times on Heart of the Storm
Rexanne Becnel
Rexanne Becnel, the author of twenty-one novels and two novellas, swears she could not be a writer if it weren’t for New Orleans’s many coffeehouses. She does all her work longhand, with a mug of coffee at her side. She is a charter member of the Southern Louisiana Chapter of Romance Writers of America, and founded the New Orleans Popular Fiction Conference.
Rexanne’s novels regularly appear on bestseller lists such as those of USA TODAY, Amazon.com, Waldenbooks, Ingram and Barnes & Noble. She has been nominated for and received awards from Romantic Times BOOKclub, Waldenbooks, The Holt Committee, the Atlanta Journal/ Atlanta Constitution and the National Readers Choice Awards.
Leaving L.A.
Rexanne Becnel
Dear Reader,
I enjoyed writing Leaving L.A. more than any book I’ve ever done before. I think it was that I loved my heroine so much. She was fun and sassy, and troubled, too. But she was working hard to improve her life.
As in my previous titles, Leaving L.A. is set in southern Louisiana. I was almost finished with the book when Katrina hit New Orleans, where I live. My family and I spent a week in our house surrounded by water, then another two weeks away, before returning to start rebuilding our lives. It has been, shall we say, “interesting.” We lost a lot, but we know so many people who lost everything, including loved ones, that I actually feel blessed.
Leaving L.A. is set in a Louisiana pre-Katrina. My current work-in-progress deals with Katrina, both during and after. It’s been an emotional roller coaster, but it has also been cathartic.
Many thanks to all of you who have worried about us, volunteered to help us, or donated money to the many charities set up to aid us. A special thanks to the first responders, who worked so hard and often put their lives on the line. There will never be enough thanks.
I hope you enjoy my latest efforts,
Rexanne
For the Pizzolato family of Baton Rouge, who provided us safe harbor after Hurricane Katrina, and to Joanna Wurtele who got us there.
Also to David, Rosemary, Brian, Valerie, Chuck and Karen, who weathered the storm with me, and to Katya and Mike, who kept it together across town.
CONTENTS
CHAPTER 1
I come from a long line of motherless daughters. I used to think of us as fatherless: my mother, my older half sister, me. But the truth is that the worst damage to us came from being essentially motherless.
That’s the conclusion I reached after six days, thirty cups of pure caffeine and two thousand miles of driving back home. Of course all that philosophical crap leached out of my head the minute I crossed the Louisiana state line. That’s when I started obsessing about what I would wear to my big reunion with my sister. I’m not proud to admit that I changed clothes three times in the last one hundred miles of my trek. The first time in a Burger King in Port Allen; the second time in a Shell station just east of Baton Rouge; and the third time on a dirt road beside a cow pasture just off Highway 1082.
Okay, I was nervous. How do you dress when you’re coming home for the first time in twenty-three years and you’re pretty sure your only sister is going to slam the door in your face—assuming she even recognizes you?
I settled on a pair of skin-tight leopard-print capris, a black Thomasina spaghetti-strap top with a built-in push-up bra, a pair of Rainbow stilettos and a black dog-collar choker with pyramid studs all around. My own personal power look: heavy metal, hot mama who’ll kick your ass if you get in my way.
But as soon as I turned into the driveway that led up to the farmhouse my grandfather