The Collected Works of Joseph Conrad: Novels, Short Stories, Letters & Memoirs. Джозеф Конрад
Читать онлайн книгу.
canoe. "Is there not one torch in rich Lakamba's campong to light a guest on his landing?"
"There are no torches and no men. I am alone here," said Babalatchi, with some hesitation.
"Alone!" exclaimed Lingard. "Who are you?"
"Only a servant of Lakamba. But land, Tuan Putih, and see my face. Here is my hand. No! Here! . . . By your mercy. . . . Ada! . . . Now you are safe."
"And you are alone here?" said Lingard, moving with precaution a few steps into the courtyard. "How dark it is," he muttered to himself—"one would think the world had been painted black."
"Yes. Alone. What more did you say, Tuan? I did not understand your talk."
"It is nothing. I expected to find here . . . But where are they all?"
"What matters where they are?" said Babalatchi, gloomily. "Have you come to see my people? The last departed on a long journey—and I am alone. Tomorrow I go too."
"I came to see a white man," said Lingard, walking on slowly. "He is not gone, is he?"
"No!" answered Babalatchi, at his elbow. "A man with a red skin and hard eyes," he went on, musingly, "whose hand is strong, and whose heart is foolish and weak. A white man indeed . . . But still a man."
They were now at the foot of the short ladder which led to the split-bamboo platform surrounding Babalatchi's habitation. The faint light from the doorway fell down upon the two men's faces as they stood looking at each other curiously.
"Is he there?" asked Lingard, in a low voice, with a wave of his hand upwards.
Babalatchi, staring hard at his long-expected visitor, did not answer at once. "No, not there," he said at last, placing his foot on the lowest rung and looking back. "Not there, Tuan—yet not very far. Will you sit down in my dwelling? There may be rice and fish and clear water—not from the river, but from a spring . . ."
"I am not hungry," interrupted Lingard, curtly, "and I did not come here to sit in your dwelling. Lead me to the white man who expects me. I have no time to lose."
"The night is long, Tuan," went on Babalatchi, softly, "and there are other nights and other days. Long. Very long . . . How much time it takes for a man to die! O Rajah Laut!"
Lingard started.
"You know me!" he exclaimed.
"Ay—wa! I have seen your face and felt your hand before—many years ago," said Babalatchi, holding on halfway up the ladder, and bending down from above to peer into Lingard's upturned face. "You do not remember—but I have not forgotten. There are many men like me: there is only one Rajah Laut."
He climbed with sudden agility the last few steps, and stood on the platform waving his hand invitingly to Lingard, who followed after a short moment of indecision.
The elastic bamboo floor of the hut bent under the heavy weight of the old seaman, who, standing within the threshold, tried to look into the smoky gloom of the low dwelling. Under the torch, thrust into the cleft of a stick, fastened at a right angle to the middle stay of the ridge pole, lay a red patch of light, showing a few shabby mats and a corner of a big wooden chest the rest of which was lost in shadow. In the obscurity of the more remote parts of the house a lance-head, a brass tray hung on the wall, the long barrel of a gun leaning against the chest, caught the stray rays of the smoky illumination in trembling gleams that wavered, disappeared, reappeared, went out, came back—as if engaged in a doubtful struggle with the darkness that, lying in wait in distant corners, seemed to dart out viciously towards its feeble enemy. The vast space under the high pitch of the roof was filled with a thick cloud of smoke, whose under-side—level like a ceiling—reflected the light of the swaying dull flame, while at the top it oozed out through the imperfect thatch of dried palm leaves. An indescribable and complicated smell, made up of the exhalation of damp earth below, of the taint of dried fish and of the effluvia of rotting vegetable matter, pervaded the place and caused Lingard to sniff strongly as he strode over, sat on the chest, and, leaning his elbows on his knees, took his head between his hands and stared at the doorway thoughtfully.
Babalatchi moved about in the shadows, whispering to an indistinct form or two that flitted about at the far end of the hut. Without stirring Lingard glanced sideways, and caught sight of muffled-up human shapes that hovered for a moment near the edge of light and retreated suddenly back into the darkness. Babalatchi approached, and sat at Lingard's feet on a rolled-up bundle of mats.
"Will you eat rice and drink sagueir?" he said. "I have waked up my household."
"My friend," said Lingard, without looking at him, "when I come to see Lakamba, or any of Lakamba's servants, I am never hungry and never thirsty. Tau! Savee! Never! Do you think I am devoid of reason? That there is nothing there?"
He sat up, and, fixing abruptly his eyes on Babalatchi, tapped his own forehead significantly.
"Tse! Tse! Tse! How can you talk like that, Tuan!" exclaimed Babalatchi, in a horrified tone.
"I talk as I think. I have lived many years," said Lingard, stretching his arm negligently to take up the gun, which he began to examine knowingly, cocking it, and easing down the hammer several times. "This is good. Mataram make. Old, too," he went on.
"Hai!" broke in Babalatchi, eagerly. "I got it when I was young. He was an Aru trader, a man with a big stomach and a loud voice, and brave—very brave. When we came up with his prau in the grey morning, he stood aft shouting to his men and fired this gun at us once. Only once!" . . . He paused, laughed softly, and went on in a low, dreamy voice. "In the grey morning we came up: forty silent men in a swift Sulu prau; and when the sun was so high"—here he held up his hands about three feet apart—"when the sun was only so high, Tuan, our work was done—and there was a feast ready for the fishes of the sea."
"Aye! aye!" muttered Lingard, nodding his head slowly. "I see. You should not let it get rusty like this," he added.
He let the gun fall between his knees, and moving back on his seat, leaned his head against the wall of the hut, crossing his arms on his breast.
"A good gun," went on Babalatchi. "Carry far and true. Better than this—there."
With the tips of his fingers he touched gently the butt of a revolver peeping out of the right pocket of Lingard's white jacket.
"Take your hand off that," said Lingard sharply, but in a good-humoured tone and without making the slightest movement.
Babalatchi smiled and hitched his seat a little further off.
For some time they sat in silence. Lingard, with his head tilted back, looked downwards with lowered eyelids at Babalatchi, who was tracing invisible lines with his finger on the mat between his feet. Outside, they could hear Ali and the other boatmen chattering and laughing round the fire they had lighted in the big and deserted courtyard.
"Well, what about that white man?" said Lingard, quietly.
It seemed as if Babalatchi had not heard the question. He went on tracing elaborate patterns on the floor for a good while. Lingard waited motionless. At last the Malay lifted his head.
"Hai! The white man. I know!" he murmured absently. "This white man or another. . . . Tuan," he said aloud with unexpected animation, "you are a man of the sea?"
"You know me. Why ask?" said Lingard, in a low tone.
"Yes. A man of the sea—even as we are. A true Orang Laut," went on Babalatchi, thoughtfully, "not like the rest of the white men."
"I am like other whites, and do not wish to speak many words when the truth is short. I came here to see the white man that helped Lakamba against Patalolo, who is my friend. Show me where that white man lives; I want him to hear my talk."
"Talk only? Tuan! Why hurry? The night is long and death is swift—as you ought to know; you who have dealt it to so many of my people. Many years ago I have faced you, arms in hand. Do you not remember? It was in Carimata—far from here."
"I cannot remember every vagabond that came in my way," protested