A History of Chinese Literature. Herbert Allen Giles
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Herbert Allen Giles
A History of Chinese Literature
Published by Good Press, 2019
EAN 4057664621597
Table of Contents
BOOK THE FIRST THE FEUDAL PERIOD (B.C. 600-200)
CHAPTER I LEGENDARY AGES—EARLY CHINESE CIVILISATION—ORIGIN OF WRITING
CHAPTER II CONFUCIUS—THE FIVE CLASSICS
CHAPTER III THE FOUR BOOKS—MENCIUS
CHAPTER IV MISCELLANEOUS WRITERS
CHAPTER VI TAOISM—THE “TAO-TÊ-CHING”
BOOK THE SECOND THE HAN DYNASTY (B.C. 200— A.D. 200)
CHAPTER I THE “FIRST EMPEROR”—THE BURNING OF THE BOOKS—MISCELLANEOUS WRITERS
CHAPTER III HISTORY—LEXICOGRAPHY
BOOK THE THIRD MINOR DYNASTIES (A.D. 200-600)
CHAPTER I POETRY—MISCELLANEOUS LITERATURE
CHAPTER II CLASSICAL SCHOLARSHIP
BOOK THE FOURTH THE T’ANG DYNASTY (A.D. 600-900)
CHAPTER II CLASSICAL AND GENERAL LITERATURE
BOOK THE FIFTH THE SUNG DYNASTY (A.D. 900-1200)
CHAPTER I THE INVENTION OF BLOCK-PRINTING
CHAPTER II HISTORY—CLASSICAL AND GENERAL LITERATURE
CHAPTER IV DICTIONARIES—ENCYCLOPÆDIAS—MEDICAL JURISPRUDENCE
BOOK THE SIXTH THE MONGOL DYNASTY (A.D. 1200-1368)
CHAPTER I MISCELLANEOUS LITERATURE—POETRY
BOOK THE SEVENTH THE MING DYNASTY (A.D. 1368-1644)
CHAPTER I MISCELLANEOUS LITERATURE—MATERIA MEDICA—ENCYCLOPÆDIA OF AGRICULTURE
BOOK THE EIGHTH THE MANCHU DYNASTY (A.D. 1644-1900)
CHAPTER I THE “LIAO CHAI”—THE “HUNG LOU MÊNG”
CHAPTER II THE EMPERORS K’ANG HSI AND CH’IEN LUNG
CHAPTER III CLASSICAL AND MISCELLANEOUS LITERATURE—POETRY
CHAPTER IV WALL LITERATURE—JOURNALISM—WIT AND HUMOUR—PROVERBS AND MAXIMS
BOOK THE FIRST
THE FEUDAL PERIOD (B.C. 600–200)
CHAPTER I
LEGENDARY AGES—EARLY CHINESE CIVILISATION—ORIGIN OF WRITING
The date of the beginning of all things has been nicely calculated by Chinese chronologers. There was first of all a period when Nothing existed, though some enthusiasts have attempted to deal with a period antecedent even to that. Gradually Nothing took upon itself the form and limitations of Unity, represented by a point at the centre of a circle. Thus there was a Great Monad, a First Cause, an Aura, a Zeitgeist, or whatever one may please to call it.
After countless ages, spent apparently in doing nothing, this Monad split into Two Principles, one active, the other passive; one positive, the other negative; light and darkness; male and female. The interaction of these Two Principles resulted in the production of all things, as we see them in the universe around us, 2,269,381 years ago. Such is the cosmogony of the Chinese in a nutshell.
The more sober Chinese historians, however, are content to begin with a sufficiently mythical