The Complete Short Stories of Nathaniel Hawthorne: 120+ Titles in One Edition (Illustrated Edition). Nathaniel Hawthorne

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The Complete Short Stories of Nathaniel Hawthorne: 120+ Titles in One Edition (Illustrated Edition) - Nathaniel Hawthorne


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think, which appeals to the general sympathies of mankind. We know, each for himself, that none of us would perpetrate such a folly, yet feel as if some other might. To my own contemplations, at least, it has often recurred, always exciting wonder, but with a sense that the story must be true and a conception of its hero’s character. Whenever any subject so forcibly affects the mind, time is well spent in thinking of it. If the reader choose, let him do his own meditation; or if he prefer to ramble with me through the twenty years of Wakefield’s vagary, I bid him welcome, trusting that there will be a pervading spirit and a moral, even should we fail to find them, done up neatly and condensed into the final sentence. Thought has always its efficacy and every striking incident its moral.

      What sort of a man was Wakefield? We are free to shape out our own idea and call it by his name. He was now in the meridian of life; his matrimonial affections, never violent, were sobered into a calm, habitual sentiment; of all husbands, he was likely to be the most constant, because a certain sluggishness would keep his heart at rest wherever it might be placed. He was intellectual, but not actively so; his mind occupied itself in long and lazy musings that tended to no purpose or had not vigor to attain it; his thoughts were seldom so energetic as to seize hold of words. Imagination, in the proper meaning of the term, made no part of Wakefield’s gifts. With a cold but not depraved nor wandering heart, and a mind never feverish with riotous thoughts nor perplexed with originality, who could have anticipated that our friend would entitle himself to a foremost place among the doers of eccentric deeds? Had his acquaintances been asked who was the man in London the surest to perform nothing to-day which should be remembered on the morrow, they would have thought of Wakefield. Only the wife of his bosom might have hesitated. She, without having analyzed his character, was partly aware of a quiet selfishness that had rusted into his inactive mind; of a peculiar sort of vanity, the most uneasy attribute about him; of a disposition to craft which had seldom produced more positive effects than the keeping of petty secrets hardly worth revealing; and, lastly, of what she called a little strangeness sometimes in the good man. This latter quality is indefinable, and perhaps non-existent.

      Let us now imagine Wakefield bidding adieu to his wife. It is the dusk of an October evening. His equipment is a drab greatcoat, a hat covered with an oilcloth, top-boots, an umbrella in one hand and a small portmanteau in the other. He has informed Mrs. Wakefield that he is to take the night-coach into the country. She would fain inquire the length of his journey, its object and the probable time of his return, but, indulgent to his harmless love of mystery, interrogates him only by a look. He tells her not to expect him positively by the return-coach nor to be alarmed should he tarry three or four days, but, at all events, to look for him at supper on Friday evening. Wakefield, himself, be it considered, has no suspicion of what is before him. He holds out his hand; she gives her own and meets his parting kiss in the matter-of-course way of a ten years’ matrimony, and forth goes the middle-aged Mr. Wakefield, almost resolved to perplex his good lady by a whole week’s absence. After the door has closed behind him, she perceives it thrust partly open and a vision of her husband’s face through the aperture, smiling on her and gone in a moment. For the time this little incident is dismissed without a thought, but long afterward, when she has been more years a widow than a wife, that smile recurs and flickers across all her reminiscences of Wakefield’s visage. In her many musings she surrounds the original smile with a multitude of fantasies which make it strange and awful; as, for instance, if she imagines him in a coffin, that parting look is frozen on his pale features; or if she dreams of him in heaven, still his blessed spirit wears a quiet and crafty smile. Yet for its sake, when all others have given him up for dead, she sometimes doubts whether she is a widow.

      But our business is with the husband. We must hurry after him along the street ere he lose his individuality and melt into the great mass of London life. It would be vain searching for him there. Let us follow close at his heels, therefore, until, after several superfluous turns and doublings, we find him comfortably established by the fireside of a small apartment previously bespoken. He is in the next street to his own and at his journey’s end. He can scarcely trust his good-fortune in having got thither unperceived, recollecting that at one time he was delayed by the throng in the very focus of a lighted lantern, and again there were footsteps that seemed to tread behind his own, distinct from the multitudinous tramp around him, and anon he heard a voice shouting afar and fancied that it called his name. Doubtless a dozen busybodies had been watching him and told his wife the whole affair.

      Poor Wakefield! little knowest thou thine own insignificance in this great world. No mortal eye but mine has traced thee. Go quietly to thy bed, foolish man, and on the morrow, if thou wilt be wise, get thee home to good Mrs. Wakefield and tell her the truth. Remove not thyself even for a little week from thy place in her chaste bosom. Were she for a single moment to deem thee dead or lost or lastingly divided from her, thou wouldst be woefully conscious of a change in thy true wife for ever after. It is perilous to make a chasm in human affections — not that they gape so long and wide, but so quickly close again.

      Almost repenting of his frolic, or whatever it may be termed, Wakefield lies down betimes, and, starting from his first nap, spreads forth his arms into the wide and solitary waste of the unaccustomed bed, “No,” thinks he, gathering the bedclothes about him; “I will not sleep alone another night.” In the morning he rises earlier than usual and sets himself to consider what he really means to do. Such are his loose and rambling modes of thought that he has taken this very singular step with the consciousness of a purpose, indeed, but without being able to define it sufficiently for his own contemplation. The vagueness of the project and the convulsive effort with which he plunges into the execution of it are equally characteristic of a feeble-minded man. Wakefield sifts his ideas, however, as minutely as he may, and finds himself curious to know the progress of matters at home — how his exemplary wife will endure her widowhood of a week, and, briefly, how the little sphere of creatures and circumstances in which he was a central object will be affected by his removal. A morbid vanity, therefore, lies nearest the bottom of the affair. But how is he to attain his ends? Not, certainly, by keeping close in this comfortable lodging, where, though he slept and awoke in the next street to his home, he is as effectually abroad as if the stagecoach had been whirling him away all night. Yet should he reappear, the whole project is knocked in the head. His poor brains being hopelessly puzzled with this dilemma, he at length ventures out, partly resolving to cross the head of the street and send one hasty glance toward his forsaken domicile. Habit — for he is a man of habits — takes him by the hand and guides him, wholly unaware, to his own door, where, just at the critical moment, he is aroused by the scraping of his foot upon the step. — Wakefield, whither are you going?

      At that instant his fate was turning on the pivot. Little dreaming of the doom to which his first backward step devotes him, he hurries away, breathless with agitation hitherto unfelt, and hardly dares turn his head at the distant corner. Can it be that nobody caught sight of him? Will not the whole household — the decent Mrs. Wakefield, the smart maid-servant and the dirty little footboy — raise a hue-and-cry through London streets in pursuit of their fugitive lord and master? Wonderful escape! He gathers courage to pause and look homeward, but is perplexed with a sense of change about the familiar edifice such as affects us all when, after a separation of months or years, we again see some hill or lake or work of art with which we were friends of old. In ordinary cases this indescribable impression is caused by the comparison and contrast between our imperfect reminiscences and the reality. In Wakefield the magic of a single night has wrought a similar transformation, because in that brief period a great moral change has been effected. But this is a secret from himself. Before leaving the spot he catches a far and momentary glimpse of his wife passing athwart the front window with her face turned toward the head of the street. The crafty nincompoop takes to his heels, scared with the idea that among a thousand such atoms of mortality her eye must have detected him. Right glad is his heart, though his brain be somewhat dizzy, when he finds himself by the coal-fire of his lodgings.

      So much for the commencement of this long whim-wham. After the initial conception and the stirring up of the man’s sluggish temperament to put it in practice, the whole matter evolves itself in a natural train. We may suppose him, as the result of deep deliberation, buying a new wig of reddish hair and selecting sundry garments, in a fashion unlike his customary suit of brown, from a Jew’s old-clothes bag. It is accomplished: Wakefield is another man. The


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