RAPPACCINI'S DAUGHTER (A Dark Tale from the Medieval Padua). Nathaniel Hawthorne
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the garden of the Herbert Street mansion, running and dancing about there at play, a vivacious, golden-haired boy. The next oldest sister, who was the first of this family to make the acquaintance of the young author some thirty years later on, was Miss Elizabeth P. Peabody, who has taken an important part in developing the Kindergarten in America. There were plenty of books in the Manning house, and Nathaniel very soon got at them. Among the authors whom he earliest came to know were Shakespeare, Milton, Pope, Thomson, and Rousseau. The "Castle of Indolence" was one of his favorite volumes. Subsequently, he read the whole of the "Newgate Calendar," and became intensely absorbed in Bunyan's "Pilgrim's Progress," which undoubtedly left very deep impressions upon him, traceable in the various allusions to it scattered through his works. He also made himself familiar with Spenser's "Faërie Queen," Froissart's "Chronicles," and Clarendon's "History of the Rebellion."
"Being a healthy boy, with strong out-of-door instincts planted in him by inheritance from his sea-faring sire, it might have been that he would not have been brought so early to an intimacy with books, but for an accident similar to that which played a part in the boyhoods of Scott and Dickens. When he was nine years old, he was struck on the foot by a ball, and made seriously lame. The earliest fragment of his writing now extant is a letter to his uncle Robert Manning, at that time in Raymond, Maine, written from Salem, December 9, 1813. It announces that the foot is no better, and that a new doctor is to be sent for. 'Maybe,' the boy writes, 'he will do me some good, for Dr. B—— has not, and I don't know as Dr. K—— will.' He adds that it is now four weeks since he has been to school, 'and I don't know but it will be four weeks longer.'... But the trouble was destined to last much longer than even the young seer had projected his gaze. There was some threat of deformity, and it was not until he was nearly twelve that he became quite well. Meantime, his kind schoolmaster, Dr. Worcester, ... came to hear him his lessons at home. The good pedagogue does not figure after this in Hawthorne's history; but a copy of Worcester's Dictionary still exists and is in present use, which bears in a tremulous writing on the fly-leaf the legend: 'Nathaniel Hawthorne Esq., with the respects of J. E. Worcester.' For a long time, in the worst of his lameness, the gentle boy was forced to lie prostrate, and choosing the floor for his couch, he would read there all day long. He was extremely fond of cats—a taste which he kept through life; and during this illness, forced to odd resorts for amusement, he knitted a pair of socks for the cat who reigned in the household at the time. When tired of reading, he constructed houses of books for the same feline pet, building walls for her to leap, and perhaps erecting triumphal arches for her to pass under."[1]
The lexicographer, Dr. Worcester, was then living at Salem in charge of a school, which he kept for a few years; and it was with him that Hawthorne was carrying on his primary studies. He also went to dancing-school, was fond of fishing as well as of taking long walks, and doubtless engaged in the sundry occupations and sports, neither more nor less extraordinary than these, common to lads of his age. He already displayed a tendency towards dry humor. As he brought home from school frequent reports of having had a bout at fisticuffs with another pupil named John Knights, his sister Elizabeth asked him: "Why do you fight with John Knights so often?" "I can't help it," he answered: "John Knights is a boy of very quarrelsome disposition."
But all this time an interior growth, of which we can have no direct account, was proceeding in his mind. The loss of the father whom he had had so little chance to see and know and be fondled by, no doubt produced a profound effect upon him. While still a very young child he would rouse himself from long broodings, to exclaim with an impressive shaking of the head: "There, mother! I is going away to sea some time; and I'll never come back again!" The thought of that absent one, whose barque had glided out of Salem harbor bound upon a terrestrial voyage, but had carried him softly away to the unseen world, must have been incessantly with the boy; and it would naturally melt into what he heard of the strange, shadowy history of his ancestors, and mix itself with the ever-present hush of settled grief in his mother's dwelling, and blend with his unconscious observations of the old town in which he lived. Salem then was much younger in time, but much older to the eye, than it is now. In "Alice Doane's Appeal" he has sketched a rapid bird's-eye view of it as it appeared to him when he was a young man. Describing his approach with his sisters to Witch Hill, he says: "We ... began to ascend a hill which at a distance, by its dark slope and the even line of its summit, resembled a green rampart along the road; ... but, strange to tell, though the whole slope and summit were of a peculiarly deep green, scarce a blade of grass was visible from the base upward. This deceitful verdure was occasioned by a plentiful crop of 'wood-wax,' which wears the same dark and gloomy green throughout the summer, except at one short period, when it puts forth a profusion of yellow blossoms. At that season, to a distant spectator the hill appears absolutely overlaid with gold, or covered with a glory of sunshine even under a clouded sky." This wood-wax, it may be said, is a weed which grows nowhere but in Essex County, and, having been native in England, was undoubtedly brought over by the Pilgrims. He goes on: "There are few such prospects of town and village, woodland and cultivated field, steeples and country-seats, as we beheld from this unhappy spot.... Before us lay our native town, extending from the foot of the hill to the harbor, level as a chess-board, embraced by two arms of the sea, and filling the whole peninsula with a close assemblage of wooden roofs, overtopped by many a spire and intermixed with frequent heaps of verdure.... Retaining these portions of the scene, and also the peaceful glory and tender gloom of the declining sun, we threw in imagination a deep veil of forest over the land, and pictured a few scattered villages here and there and this old town itself a village, as when the prince of Hell bore sway there. The idea thus gained of its former aspect, its quaint edifices standing far apart with peaked roofs and projecting stories, and its single meeting-house pointing up a tall spire in the midst; the vision, in short, of the town in 1692, served to introduce a wondrous tale." There were in fact several old houses of the kind here described still extant during Hawthorne's boyhood, and he went every Sunday to service in the First Church, in whose congregation his forefathers had held a pew for a hundred and seventy years. It is easy to see how some of the materials for "The House of the Seven Gables" and "The Scarlet Letter" were already depositing themselves in the form of indelible recollections and suggestions taken from his surroundings.
Oppressed by her great sorrow, his mother had shut herself away, after her husband's death, from all society except that of her immediate relatives. This was perhaps not a very extraordinary circumstance, nor one that need be construed as denoting a morbid disposition; but it was one which must have distinctly affected the tone of her son's meditations. In 1818, when he was fourteen years old, she retired to a still deeper seclusion, in Maine; but the occasion of this was simply that her brother Robert, having purchased the seven-mile-square township of Raymond, in that State, had built a house there, intending to found a new home. The year that Hawthorne passed in that spot, amid the breezy life of the forest, fishing and shooting, watching the traits and customs of lumber-men and country-folk, and drinking in the tonic of a companionship with untamed nature, was to him a happy and profitable one. "We are all very well," he wrote thence to his Uncle Robert, in May, 1819: "The fences are all finished, and the garden is laid out and planted.... I have shot a partridge and a henhawk, and caught eighteen large trout out of our brook. I am sorry you intend to send me to school again." He had been to the place before, probably for short visits, when his Uncle Richard was staying there, and his memories of it were always agreeable ones. To Mr. James T. Fields, he said in 1863: "I lived in Maine like a bird of the air, so perfect was the freedom I enjoyed. But it was there I first got my cursed habits of solitude." "During the moonlight nights of winter he would skate until midnight all alone upon Sebago Lake, with the deep shadows of the icy hills on either hand. When he found himself far away from his home and weary with the exercise of skating, he would sometimes take refuge in a log-cabin, where half a tree would be burning on the broad hearth. He would sit in the ample chimney, and look at the stars through the great aperture through which the flames went roaring up. 'Ah,' he said, 'how well I recall the summer days, also, when with my gun I roamed through the woods of Maine!'"[2]
Hawthorne at this time had an intention of following the example of his father and grandfather, and going to sea; but this was frustrated by the course of events. His mother, it is probable, would strongly have objected to it. In a boyish journal kept while he was