Little Women. Луиза Мэй Олкотт
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About the Author
Louisa May Alcott was born into a family of American transcenden-talists, the second of four daughters. Transcendentalism was essentially a movement initiated in reaction to a feeling that society was eroding its mores and was consequently in need of reform. Alcott was therefore immersed in an environment of progressive thinking and intellectualization during her formative years. This included a strong moral objection to the notion of slavery, which would become the lynchpin of the American Civil War (1861—5). The Alcott’s hid a runaway slave in their house in 1847 such was their level of commitment to the cause.
During the war itself Alcott worked as a nurse and it was her experiences that served to hone her story-telling skill. It wasn’t until early middle age, however that she became a success. In 1868 the first part of Little Women was published to great acclaim and her reputation grew from there. However, her life was not a long one, for she died of ill health at the age of 55 in 1888.
Apart from the Little Women trilogy, she wrote many other novels and children’s stories, which are better known in the United States. Her writing style remained more or less similar to Little Women, because she was primarily interested in the comings and goings of people in her stories. They are the forerunner of the cast novels written by such modern day writers as Maeve Binchy, where the stories are windows into many interrelated lives.
On a socio-political level, Alcott’s legacy is that she is held aloft as an early feminist and humanitarian. Her high intellect rendered her unable to resist the testing of conventions in her real life and in her literary alter-egos. She lived through the turbulence of the American Civil War and saw America metamorphose into a modern nation where slaves were freed of their literal chains and women were freed of their metaphorical chains. It was a dual emancipation and Alcott effectively documented the event in her prose.
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Little Women
Published in its entirety in 1880, Little Women is a novel about an American family from a female perspective. The author, Louisa May Alcott, based the story on the formative years of herself and her three sisters. It is a novel that says a great deal about people and society without requiring a complex or sweeping plot to carry the reader along.
The primary theme is that siblings each have different personalities despite their having been brought up in the same family environment – nature versus nurture. Alcott gives each of the four sisters particular idiosyncrasies that signature their personalities and generate advantages and disadvantages for them. Thus they are each known for being vain, quick tempered, coy and selfish. To some extent the essay is about the extent to which children live up to their ascribed personality traits once they are known for them, or rather are allotted them as if parents need to compartmentalize their children’s traits. Alcott generally regards the four specific traits as personality flaws, as opposed to strengths, so the four sisters struggle to overcome them rather than embrace them.
Alcott though, was writing at a time when people held deeply Christian values, where the ideal person was the opposite of all of those traits: modest, level-headed, outgoing and giving. The idea was to pretend to be that ideal, albeit an unattainable synthesis. It was all about being virtuous and wholesome in the eyes of the Christian God, although fundamentally it was about being a good prospect as potential wife or husband material in the eyes of others who held the same views.
The title Little Women, has been interpreted in two ways. Firstly, as an expression of the relative unimportance of women in comparison to men, in 19th-century America. Secondly, the title is often read as a statement about the general lack of significance of most people in society. Alcott was certainly a forerunner of the feminist movement, so it seems likely that the title encompasses both meanings: i.e. that women, and especially those of mediocrity, possess a diminutive presence.
The Character of Josephine March
Alcott allegedly based the central character, Josephine March, on herself. She is the one with a furious temper, and acts as a devise by which Alcott can vent her frustrations at the world’s unfairness to women. Like Alcott, Josephine is something of a tomboy and therefore cannot appreciate why society draws a distinction between the genders. As far as she is concerned, women can do anything men can do.
The author’s intention was to make Josephine the perpetual spinster due to her feminist views, but rather ironically, she ended up marrying her off to keep her readership happy, such was society’s desire to see her conform to norms. Josephine struggles throughout the book with the parameters of womanhood. She wishes to take up arms during the civil war and she wishes to attend college, but both ambitions are denied to her. Most of all she is vexed by other people’s expectation of her to mellow her extreme views and find a protective husband. Inevitably this makes her ever more bristly. Little Women was followed by two sequel volumes that took the life of Josephine into middle age. She becomes the governess of a school where she finds her maternal instinct by teaching and caring for her charges.
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