Acknowledgements

      I have a lot of people to thank for their help with this book, especially as a lot of the research was very hands-on (or should I say “feet on”?).

      Firstly I’d like to thank my lovely editor Anna Baggaley, for always always nudging me to go deeper. Every book is better for it. Thank you also to the rest of the wonderful team at Harlequin and for all their hard work in getting this book into readers’ hands. I really appreciate all that you do and your tireless enthusiasm.

      Much gratitude too to my agent, Lizzy Kremer, who is always the voice of encouragement and sanity when I need it most.

      I couldn’t have written this book without the help of the teachers and fellow pupils who made learning to tap dance so fun. I want to mention not just Hannah and Emily, who got me tapping for the first time in my life at Sara Phillips School of Dancing, but all the ladies in the adult tap class there, who were always so graceful and elegant while I was flailing away at the back of the class. (They say write what you know, and the scenes where Pippa is lost and tying her feet in knots were definitely based on personal experience!) Many thanks especially to Sam, who always had time to break down a step for me while we were waiting for our next turn across the floor.

      Huge thanks also to everyone at the Thursday night classes at the Churchill Theatre, especially our amazing teacher, Lexi Bradburn of Sole Rebel Tap. I’m not giving it up, so you’re stuck with me, even now the book is finished! I’d also like to express my gratitude to Teresa Tandy from Cocarola for teaching me how to foxtrot, even if I did keep forgetting I should let her lead and what to do about corners.

      A massive thank you to my great writer friends: Donna Alward, Heidi Rice, Susan Wilson, Daisy Cummins and Iona Grey. Thanks for listening to me moan on when things aren’t going right, celebrating with me when they are and providing laughter and lots of wine no matter what!

      An extra special hug to my sister Kirsteen Coupar, who gives sage advice when it comes to writing tangles and can make me laugh harder than any other person on the planet. Thank you also to my lovely friends Nicola Ingle and Rachel Carter for your encouragement and friendship. It’s a blessing to know both of you.

      Last but definitely not least, I have to thank my husband who didn’t moan a bit when I kept flitting off to dance classes almost every night of the week, and my daughters who didn’t make fun of me when they found me tapping away in the kitchen following YouTube videos instead of cooking their dinner. (Or occasionally trying to do both at once!) I love you all loads. You give me the joy I need to keep me dancing.

       Table of Contents

       Cover

       About the Author

       Title Page

       Dedication

Acknowledgements

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

       Twelve

       Thirteen

       Fourteen

       Fifteen

       Sixteen

       Seventeen

       Eighteen

       Nineteen

       Twenty

       Twenty-One

       Twenty-Two

       Twenty-Three

       Twenty-Four

       Twenty-Five

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