The Black Robe. Wilkie Collins
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my position at the table, I had seen the fire: the grate was heaped with blazing coals and wood. I said nothing. The pale change in his face, and his contradictory reply, roused doubts in me which I had hoped never to feel again.
He pushed away his glass of wine, and still kept his eyes fixed on the closed door. His attitude and expression were plainly suggestive of the act of listening. Listening to what?
After an interval, he abruptly addressed me. “Do you call it a quiet night?” he said.
“As quiet as quiet can be,” I replied. “The wind has dropped—and even the fire doesn’t crackle. Perfect stillness indoors and out.”
“Out?” he repeated. For a moment he looked at me intently, as if I had started some new idea in his mind. I asked as lightly as I could if I had said anything to surprise him. Instead of answering me, he sprang to his feet with a cry of terror, and left the room.
I hardly knew what to do. It was impossible, unless he returned immediately to let this extraordinary proceeding pass without notice. After waiting for a few minutes I rang the bell.
The old butler came in. He looked in blank amazement at the empty chair. “Where’s the master?” he asked.
I could only answer that he had left the table suddenly, without a word of explanation. “He may perhaps be ill,” I added. “As his old servant, you can do no harm if you go and look for him. Say that I am waiting here, if he wants me.”
The minutes passed slowly and more slowly. I was left alone for so long a time that I began to feel seriously uneasy. My hand was on the bell again, when there was a knock at the door. I had expected to see the butler. It was the groom who entered the room.
“Garthwaite can’t come down to you, sir,” said the man. “He asks, if you will please go up to the master on the Belvidere.”
The house—extending round three sides of a square—was only two stories high. The flat roof, accessible through a species of hatchway, and still surrounded by its sturdy stone parapet, was called “The Belvidere,” in reference as usual to the fine view which it commanded. Fearing I knew not what, I mounted the ladder which led to the roof. Romayne received me with a harsh outburst of laughter—that saddest false laughter which is true trouble in disguise.
“Here’s something to amuse you!” he cried. “I believe old Garthwaite thinks I am drunk—he won’t leave me up here by myself.”
Letting this strange assertion remain unanswered, the butler withdrew. As he passed me on his way to the ladder, he whispered: “Be careful of the master! I tell you, sir, he has a bee in his bonnet this night.”
Although not of the north country myself, I knew the meaning of the phrase. Garthwaite suspected that the master was nothing less than mad!
Romayne took my arm when we were alone—we walked slowly from end to end of the Belvidere. The moon was, by this time, low in the heavens; but her mild mysterious light still streamed over the roof of the house and the high heathy ground round it. I looked attentively at Romayne. He was deadly pale; his hand shook as it rested on my arm—and that was all. Neither in look nor manner did he betray the faintest sign of mental derangement. He had perhaps needlessly alarmed the faithful old servant by something that he had said or done. I determined to clear up that doubt immediately.
“You left the table very suddenly,” I said. “Did you feel ill?”
“Not ill,” he replied. “I was frightened. Look at me—I’m frightened still.”
“What do you mean?”
Instead of answering, he repeated the strange question which he had put to me downstairs.
“Do you call it a quiet night?”
Considering the time of year, and the exposed situation of the house, the night was almost preternaturally quiet. Throughout the vast open country all round us, not even a breath of air could be heard. The night-birds were away, or were silent at the time. But one sound was audible, when we stood still and listened—the cool quiet bubble of a little stream, lost to view in the valley-ground to the south.
“I have told you already,” I said. “So still a night I never remember on this Yorkshire moor.”
He laid one hand heavily on my shoulder. “What did the poor boy say of me, whose brother I killed?” he asked. “What words did we hear through the dripping darkness of the mist?”
“I won’t encourage you to think of them. I refuse to repeat the words.”
He pointed over the northward parapet.
“It doesn’t matter whether you accept or refuse,” he said, “I hear the boy at this moment—there!”
He repeated the horrid words—marking the pauses in the utterance of them with his finger, as if they were sounds that he heard:
“Assassin! Assassin! where are you?”
“Good God!” I cried. “You don’t mean that you really hear the voice?”
“Do you hear what I say? I hear the boy as plainly as you hear me. The voice screams at me through the clear moonlight, as it screamed at me through the sea-fog. Again and again. It’s all round the house. That way now, where the light just touches on the tops of the heather. Tell the servants to have the horses ready the first thing in the morning. We leave Vange Abbey to-morrow.”
These were wild words. If he had spoken them wildly, I might have shared the butler’s conclusion that his mind was deranged. There was no undue vehemence in his voice or his manner. He spoke with a melancholy resignation—he seemed like a prisoner submitting to a sentence that he had deserved. Remembering the cases of men suffering from nervous disease who had been haunted by apparitions, I asked if he saw any imaginary figure under the form of a boy.
“I see nothing,” he said; “I only hear. Look yourself. It is in the last degree improbable—but let us make sure that nobody has followed me from Boulogne, and is playing me a trick.”
We made the circuit of the Belvidere. On its eastward side the house wall was built against one of the towers of the old Abbey. On the westward side, the ground sloped steeply down to a deep pool or tarn. Northward and southward, there was nothing to be seen but the open moor. Look where I might, with the moonlight to make the view plain to me, the solitude was as void of any living creature as if we had been surrounded by the awful dead world of the moon.
“Was it the boy’s voice that you heard on the voyage across the Channel?” I asked.
“Yes, I heard it for the first time—down in the engine-room; rising and falling, rising and falling, like the sound of the engines themselves.”
“And when did you hear it again?”
“I feared to hear it in London. It left me, I should have told you, when we stepped ashore out of the steamboat. I was afraid that the noise of the traffic in the streets might bring it back to me. As you know, I passed a quiet night. I had the hope that my imagination had deceived me—that I was the victim of a delusion, as people say. It is no delusion. In the perfect tranquillity of this place the voice has come back to me. While we were at table I heard it again—behind me, in the library. I heard it still, when the door was shut. I ran up here to try if it would follow me into the open air. It has followed me. We may as well go down again into the hall. I know now that there is no escaping from it. My dear old home has become horrible to me. Do you mind returning to London tomorrow?”
What I felt and feared in this miserable state of things matters little. The one chance I could see for Romayne was to obtain the best medical advice. I sincerely encouraged his idea of going back to London the next day.
We had sat together by the hall fire for about ten minutes, when he took out his handkerchief, and wiped away the perspiration from his forehead, drawing a deep breath of relief. “It