Fraternity. John Galsworthy

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Fraternity - John Galsworthy


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to stroll down Rotten Row, as he often did on the way home, designing to nod to anybody that he knew. It had turned out a somewhat barren expedition. No one of any consequence had met his eye; and it was with a certain almost fretful longing for distraction that in Kensington Gardens he came on an old man feeding birds out of a paper bag. The birds having flown away on seeing him, he approached the feeder to apologize.

      “I'm afraid I frightened your birds, sir,” he began.

      This old man, who was dressed in smoke-grey tweeds which exhaled a poignant scent of peat, looked at him without answering.

      “I'm afraid your birds saw me coming,” Mr. Purcey said again.

      “In those days,” said the aged stranger, “birds were afraid of men.”

      Mr. Purcey's shrewd grey eyes perceived at once that he had a character to deal with.

      “Ah, yes!” he said; “I see—you allude to the present time. That's very nice. Ha, ha!”

      The old man answered: “The emotion of fear is inseparably connected with a primitive state of fratricidal rivalry.”

      This sentence put Mr. Purcey on his guard.

      'The old chap,' he thought, 'is touched. He evidently oughtn't to be out here by himself.' He debated, therefore, whether he should hasten away toward his car, or stand by in case his assistance should be needed. Being a kind-hearted man, who believed in his capacity for putting things to rights, and noticing a certain delicacy—a “sort of something rather distinguished,” as he phrased it afterwards—in the old fellow's face and figure, he decided to see if he could be of any service. They walked along together, Mr. Purcey watching his new friend askance, and directing the march to where he had ordered his chauffeur to await him.

      “You are very fond of birds, I suppose,” he said cautiously.

      “The birds are our brothers.”

      The answer was of a nature to determine Mr. Purcey in his diagnosis of the case.

      “I've got my car here,” he said. “Let me give you a lift home.”

      This new but aged acquaintance did not seem to hear; his lips moved as though he were following out some thought.

      “In those days,” Mr. Purcey heard him say, “the congeries of men were known as rookeries. The expression was hardly just towards that handsome bird.”

      Mr. Purcey touched him hastily on the arm.

      “I've got my car here, sir,” he said. “Do let me put you down!”

      Telling the story afterwards, he had spoken thus:

      “The old chap knew where he lived right enough; but dash me if I believe he noticed that I was taking him there in my car—I had the A.i. Damyer out. That's how I came to make the acquaintance of these Dallisons. He's the writer, you know, and she paints—rather the new school—she admires Harpignies. Well, when I got there in the car I found Dallison in the garden. Of course I was careful not to put my foot into it. I told him: 'I found this old gentleman wandering about. I've just brought him back in my car.' Who should the old chap turn out to be but her father! They were awfully obliged to me. Charmin' people, but very what d'you call it 'fin de siecle'—like all these professors, these artistic pigs—seem to know rather a queer set, advanced people, and all that sort of cuckoo, always talkin' about the poor, and societies, and new religions, and that kind of thing.”

      Though he had since been to see them several times, the Dallisons had never robbed him of the virtuous feeling of that good action—they had never let him know that he had brought home, not, as he imagined, a lunatic, but merely a philosopher.

      It had been somewhat of a quiet shock to him to find Mr. Stone close to the doorway when he entered Bianca's studio that afternoon; for though he had seen him since the encounter in Kensington Gardens, and knew that he was writing a book, he still felt that he was not quite the sort of old man that one ought to meet about. He had at once begun to tell him of the hanging of the Shoreditch murderer, as recorded in the evening papers. Mr. Stone's reception of that news had still further confirmed his original views. When all the guests were gone—with the exception of Mr. and Mrs. Stephen Dallison and Miss Dallison, “that awfully pretty girl,” and the young man “who was always hangin' about her”—he had approached his hostess for some quiet talk. She stood listening to him, very well bred, with just that habitual spice of mockery in her smile, which to Mr. Purcey's eyes made her “a very strikin'-lookin' woman, but rather—” There he would stop, for it required a greater psychologist than he to describe a secret disharmony which a little marred her beauty. Due to some too violent cross of blood, to an environment too unsuited, to what not—it was branded on her. Those who knew Bianca Dallison better than Mr. Purcey were but too well aware of this fugitive, proud spirit permeating one whose beauty would otherwise have passed unquestioned.

      She was a little taller than Cecilia, her figure rather fuller and more graceful, her hair darker, her eyes, too, darker and more deeply set, her cheek-bones higher, her colouring richer. That spirit of the age, Disharmony, must have presided when a child so vivid and dark-coloured was christened Bianca.

      Mr. Purcey, however, was not a man who allowed the finest shades of feeling to interfere with his enjoyments. She was a “strikin'-lookin' woman,” and there was, thanks to Harpignies, a link between them.

      “Your father and I, Mrs. Dallison, can't quite understand each other,” he began. “Our views of life don't seem to hit it off exactly.”

      “Really,” murmured Bianca; “I should have thought that you'd have got on so well.”

      “He's a little bit too—er—scriptural for me, perhaps,” said Mr. Purcey, with some delicacy.

      “Did we never tell you,” Bianca answered softly, “that my father was a rather well—known man of science before his illness?”

      “Ah!” replied Mr. Purcey, a little puzzled; “that, of course. D'you know, of all your pictures, Mrs. Dallison, I think that one you call 'The Shadow' is the most rippin'. There's a something about it that gets hold of you. That was the original, wasn't it, at your Christmas party—attractive girl—it's an awf'ly good likeness.”

      Bianca's face had changed, but Mr. Purcey was not a man to notice a little thing like that.

      “If ever you want to part with it,” he said, “I hope you'll give me a chance. I mean it'd be a pleasure to me to have it. I think it'll be worth a lot of money some day.”

      Bianca did not answer, and Mr. Purcey, feeling suddenly a little awkward, said: “I've got my car waiting. I must be off—really.” Shaking hands with all of them, he went away.

      When the door had closed behind his back, a universal sigh went up. It was followed by a silence, which Hilary broke.

      “We'll smoke, Stevie, if Cis doesn't mind.”

      Stephen Dallison placed a cigarette between his moustacheless lips, always rather screwed up, and ready to nip with a smile anything that might make him feel ridiculous.

      “Phew!” he said. “Our friend Purcey becomes a little tedious. He seems to take the whole of Philistia about with him.”

      “He's a very decent fellow,” murmured Hilary.

      “A bit heavy, surely!” Stephen Dallison's face, though also long and narrow, was not much like his brother's. His eyes, though not unkind, were far more scrutinising, inquisitive, and practical; his hair darker, smoother.

      Letting a puff of smoke escape, he added:

      “Now, that's the sort of man to give you a good sound opinion. You should have asked him, Cis.”

      Cecilia answered with a frown:

      “Don't chaff, Stephen; I'm perfectly serious about Mrs. Hughs.”

      “Well, I don't see what I can do for the good woman,


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