Arachne. Georg Ebers
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his heart’s blood.
The illusion lasted only a few brief moments, but when it vanished and the girl had regained the figure of an unusually slender, veiled Biamite woman, he shook his head with a sigh of relief, for never had such a vision appeared to him in broad noonday and while awake, and it must have been sent to warn him and his master against this uncanny maiden.
It positively announced some approaching misfortune which proceeded from this beautiful creature.
The Biamite now advanced hesitatingly toward Hermon and Daphne, who were still a considerable distance from her. But Bias had also quitted his post of observation, and after she had taken a few steps forward, barred her way.
With a curt “Come,” he took her hand, whispering, “Hermon is joyously expecting your visit.”
Ledscha’s veil concealed her mouth, but the expression of her eyes made him think that it curled scornfully.
Yet she silently followed him.
At first he led her by the hand, but on the way he saw at the edge of her upper veil the thick, dark eyebrows which met each other, and her fingers seemed to him so strangely cold and tapering that a shudder ran through his frame and he released them.
Ledscha scarcely seemed to notice it, and, with bowed head, walked beside him through the side entrance to the door of Hermon’s studio.
It was a disappointment to her to find it locked, but Bias did not heed her angry complaint, and led her into the artist’s sitting room, requesting her to wait for his master there.
Then he hurried to the steps, and by a significant sign informed the sculptor that something important required his attention.
Hermon understood him, and Bias soon had an opportunity to tell the artist who it was that desired to speak to him and where he had taken Ledscha. He also made him aware that he feared some evil from her, and that, in an alarming vision, she had appeared to him as a hideous spider.
Hermon laughed softly. “As a spider? The omen is appropriate. We will make her a woman spider—an Arachne that is worth looking at. But this strange beauty is one of the most obstinate of her sex, and if I let her carry out her bold visit in broad daylight she will get the better of me completely. The blood must first be washed from my hands here. The wounded sea eagle tore the skin with its claw, and I concealed the scratch from Daphne. A strip of linen to bandage it! Meanwhile, let the impatient intruder learn that her sign is not enough to open every door.”
Then he entered his sitting room, greeted Ledscha curtly, invited her to go into the studio, unlocked it, and left her there alone while he went to his chamber with the slave and had the slight wound bandaged comfortably.
While Bias was helping his master he repeated with sincere anxiety his warning against the dangerous beauty whose eyebrows, which had grown together, proved that she was possessed by the demons of the nether world.
“Yet they increase the austere beauty of her face,” assented the artist. “I should not want to omit them in modelling Arachne while the goddess is transforming her into a spider! What a subject! A bolder one was scarcely ever attempted and, like you, I already see before me the coming spider.”
Then, without the slightest haste, he exchanged the huntsman’s chiton for the white chlamys, which was extremely becoming to his long, waving beard, and at last, exclaiming gaily, “If I stay any longer, she will transform herself into empty air instead of the spider,” he went to her.
CHAPTER VIII.
While waiting in the studio Ledscha had used the time to satisfy her curiosity.
What was there not to be seen!
On pedestals and upon the boards of the floor, on boxes, racks, and along the wall, stood, lay, or hung the greatest variety of articles: plaster casts of human limbs and parts of the bodies of animals, male and female, of clay and wax, withered garlands, all sorts of sculptor’s tools, a ladder, vases, cups and jars for wine and water, a frame over which linen and soft woollen materials were spread, a lute and a zither, several seats, an armchair, and in one corner a small table with three dilapidated book rolls, writing tablets, metal styluses, and reed pens.
All these articles were arranged haphazard, and showed that Bias possessed more wisdom than care in the use of duster and broom.
It would have been difficult to count the number of things brought together here, but the unusually long, wide room was by no means crowded.
Ledscha cast a wondering glance sometimes at one object, sometimes at another, but without understanding its meaning or its use.
The huge figure on the pedestal in the middle of the studio, upon which the full glare of light fell through the open windows, was certainly the statue of the goddess on which Hermon was working; but a large gray cloth concealed it from her gaze.
How tall it was!
When she looked at it more closely she felt small and oppressed by comparison.
A passionate longing urged her to remove the cloth, but the boldness of the act restrained her. After she had taken another survey of the spacious apartment, which she was visiting for the first time by daylight, the torturing feeling of being neglected gained possession of her.
She clinched her white teeth more firmly, and when there was a noise at the door that died away again without bringing the man she expected, she went up to the statue which she had already walked past quietly several times and, obeying an impatient impulse, freed it from its covering.
The goddess, now illumined by the sunlight, shone before her in gleaming yellow gold and snowy ivory.
She had never seen such a statue, and drew back dazzled.
What a master was the man who had deceived her trusting heart!
He had created a Demeter; the wheat in her hand showed it.
How beautiful this work was—and how valuable! It produced a powerful impression upon her mind, wholly unaccustomed to the estimate of such things.
The goddess before her was the very one whose statue stood in the temple of Demeter, and to whom she also sacrificed, with the Greeks in Tennis, when danger threatened the harvest. Involuntarily she removed the lower veil from her face and raised her hand in prayer.
Meanwhile she gazed into the pallid face, carved from ivory, of the immortal dispenser of blessings, and suddenly the blood crimsoned her cheeks, the nostrils of her delicate, slightly arched nose rose and fell more swiftly, for the countenance of the goddess—she was not mistaken—was that of the Alexandrian whom she had just watched so intently, and for whose sake Hermon had left her in the lurch the evening before.
Now, too, she remembered for what purpose the sculptor was said to have lured Gula, the sailor’s wife, and her own young sister Taus, to his studio, and in increasing excitement she drew the cloth also from the bust beside the Demeter.
Again the Alexandrian’s face—the likeness was even more unmistakable than in the goddess.
The Greek girl alone occupied his thoughts. Hermon had disdained to model the Biamite’s head.
What could the others, or she herself, be to him, since he loved the rich foreigner in the tent outside, and her alone? How firmly her image must have been impressed upon his soul, that he could reproduce the features of the absent one with such lifelike fidelity!
Yet with what bold assurance he had protested that his heart belonged solely to her. But she thought that she now perceived his purpose. If the slave was right, it was done that she might permit him to model what he admired in her figure, only not the head and face, whose beauty, nevertheless, he praised so extravagantly.
Had he attracted Gula and her sister with similar sweet flatteries? Had the promise to bestow