Will & Tom. Matthew Plampin
Читать онлайн книгу.
antics back in London.
‘Four o’clock in morning, was it, before the fair Miss Lascelles deigned to return to Hanover Square? And was she really quite alone?’
‘Indeed she was, dear Purkiss – and what’s more, her gown appeared to have lost a number of, ah, crucial components over the course of the evening’s revelry. Why, it was hardly sufficient to cover her person. Some slight recompense for the coachman, I suppose!’
Mary Ann merely rolls her shoulders like a sulky cat, much to her tormentors’ amusement. Then a lady’s voice bids Beau to leave her be – and reminds Mr Purkiss, none too fondly, that he is a guest at Harewood. The speaker, who has contributed little up to this point, is sitting further down the table on Will’s side. He tilts back in his chair for a surreptitious survey. Although leaner and a shade more severe, she too is plainly a Lascelles. Will gathers from the gentlemen’s apologies that this is Frances, the baron’s eldest child. Mary Ann is annoyed by her sister’s intervention; she lays a fork down noisily on her empty plate.
Will watches a spindly insect drift over the central candelabrum, lifting an inch or two in the flames’ heat, and fits together a theory. The younger daughter is in disgrace. There has been a liaison during the spring, a grave blunder on her part, and it has ended badly both for her and her family. She is at Harewood as a punishment, under Frances and Beau’s wardship, exiled so that memories of her misadventure can fade. This would account for her demeanour – and for her harsh treatment of wholly innocent house guests. Why her brother would refer to this matter before him, however, and these others to boot, and so lightly, is past Will’s comprehension; unless, like so many of his type, Beau Lascelles has simply never learned to think better of a bit of drollery.
Firmly, Frances moves them on – asking another of the gentlemen, a slim, bland-looking fellow who Will perceives is her husband, to tell the table of an encounter he’d had the previous week with the Prince of Wales. The gentleman, addressed by all as Douglas, is glad to co-operate. It was at Almack’s, he reveals – where, during a conversational hand of piquet, he informed the prince of his connection with Harewood and its family.
‘His Majesty gave a laugh, looked to his friends and declared, in that winning way of his, that the last time he’d heard the name Lascelles it was being mistakenly applied to him.’
The similarity said to exist between Beau and the prince is quite famous. Will has observed George on two occasions, waddling around the Academy Exhibition; their likeness, in his view, is one only of overfed complacency. Beau, though, grown loud with wine, cannot conceal his pleasure. The prince remembers his name, who he is! To enjoy such an association with royalty, to edge past obeisance towards proper familiarity, is the fervid dream of every aristocrat – especially those lodged on the lower rungs of the noble ladder, as the Lascelles undoubtedly are.
The company – Mary Ann excepted – attempts to be impressed by Douglas’s tale. An awkwardness persists, however; and before ten more minutes have passed, Frances gathers in her silken shawl and rises from her chair, giving the ladies their cue to depart. Her sister is away immediately, rushing around the table in a wide circle and off through a door at the back of the room. The two other women follow at a more leisurely pace, arms linked, sharing a whispered joke that Will suspects is at Mary Ann’s expense. Frances is equally unhurried, but she sweeps rather than strolls – stopping by a sideboard to murmur an order to the ever-present Mr Cope. He bends down to offer his ear, then nods once in obedient understanding.
The door closes behind her, to a collective release of breath. Costly jackets are removed, wrapped into balls and hurled aside; waistcoats are unbuttoned; sweat-sodden shirt-tails are wrenched free from breeches. Servants bring in crystal brandy decanters, large tumblers and trays of sweetmeats, folding back the tablecloth to set them upon the polished wood beneath. Intrigued, Will leans forward to scrutinise the jewel-bright confections – selecting one that is a rich raspberry red and moulded in the shape of a conical sea shell. He gives the point a cautious nibble; the soft, jellied flesh dissolves instantly, flooding his mouth with a taste of summer fruit so succulent and intense that he nearly blurts out an oath.
Beau wishes to clear the air. ‘Gentlemen,’ he says, ‘please tell me that you are far too wise to pay any mind to that saucy talk concerning my younger sister.’ He props a foot on the empty chair to his left. ‘None of what we said was of any consequence. God knows, Mary Ann has had a miserable time of it lately. I’m sure you’ll have heard the rumours – the scurrilous stories that swirl about London. It was not gallant of us to wave it before her up here as well.’
The others indicate that they understand Beau and Mr Purkiss spoke only in jest – Douglas adding that his wife was damnably prone to over-reaction where her sister was concerned. Will, for all his theorising, has heard none of these rumours about Mary Ann. Keen to learn more, he wonders how best to assure his host of his discretion.
Mr Purkiss is watching him, his pocked face heavy with contempt. ‘An appropriate moment for you to withdraw, Mr Turnbull, wouldn’t you say?’
Will looks to Beau. He is swilling brandy around in a tumbler; he makes no objection, not even to the error regarding Will’s name. A silence settles upon the dining room. These fine gentlemen will say nothing else while the painter is present. He is being dismissed.
There is a second or two’s numbness while Will fully apprehends what is happening – and then a jolt of furious, dizzying energy. Lips pursed hard, he clambers from his chair like a man dismounting a difficult horse. The plum waistcoat has gone awry and one of his stockings is coming loose from his breeches. He doesn’t attempt to adjust them. Drawing himself up, he announces that he will retire for the evening – adding, a little more pointedly than is politic, that he has much work to do. A cursory bow and he is off across the carpet, accelerating shoe-squeaks marking his progress to the door.
The music room beyond is far darker, lit by only a triple-stemmed candelabrum placed atop a pianoforte. Will slows, feeling a gummy sensation in his right palm: the remainder of the shell-shaped sweetmeat, carried with him from the table, is starting to liquefy against his skin. All appetite gone, he looks about distractedly for somewhere to dispose of it.
His mind teems with unpleasant questions. Was he asked here specifically to be mistreated? It’s beginning to feel deliberate. Has he perhaps offended Beau in some way, or connected himself inadvertently to an enemy of the Lascelles? Is this all, in short, a trick? Have they dragged him out to Harewood in order to avenge a slight received during the season, in a London drawing room or pleasure garden? Will has grown up listening to the ton talk in Father’s shop, gossiping unguardedly while they were shaved. He knows very well how they delight in their cruel games and obscure vendettas – in wreaking precisely this kind of humiliation. The only rational course for him is to leave, at first light if not that same evening. He makes for the hall door.
‘Mr Turner.’ It is Mr Cope, back at the entrance to the dining room. ‘One moment, if you please.’
Beau saunters through. He glances at his valet with mild resentment, like a man forcibly parted from his brandy and the company of his friends; but, nearing Will, he plasters on a rueful smile.
‘My apologies for Purkiss, Mr Turner. The fellow is brusque as a baboon, really he is. And I am sorry, also, if I have appeared inattentive – not the case, I assure you. It has been a trying day for everyone at Harewood. Relocation, on the scale that we must perform it, is so very taxing. The clothes alone, great Jupiter …’ He sighs, weaving drunkenly into a window alcove. ‘I have been busy these past months, furthermore, in the auction rooms – specimens of finest porcelain, you understand, cast in the workshops of poor King Louis and several of his departed courtiers. Nothing that would be of interest to you, I daresay, but it must all be unpacked under close supervision. The servants simply cannot be relied upon to—’
Will has had enough. ‘I want my terms, Mr Lascelles. Your letter let me believe that it was drawings you were after, drawings of your house. So I want my terms, sir. What views you’d have me do, and the money involved.’
Beau is blinking, amazed, as if he is entirely