Arena One: Slaverunners. Morgan Rice
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scramble up the ladder, close the trap door and hurry out the cottage, closing the front door tight behind me. I stand there and survey my surroundings again, bracing myself for anyone who may have been watching. I am still afraid this is all too good to be true. But once again, there is nothing. Maybe I’ve just become too on-edge.
I head off in the direction where I spotted the deer, about thirty yards away. As I reach it, I take out Dad’s hunting knife and hold it at my side. I know it’s a long shot for me to see it again, but maybe this animal, like me, is a creature of habit. There’s no way I’m fast enough to chase it down, or quick enough to pounce – nor do I have a gun or any real hunting weapons. But I do have one chance, and that is my knife. I’ve always been proud of my ability to hit a bull’s-eye thirty yards away. Knife-throwing was the one skill of mine Dad always seemed impressed by – at least impressed enough to never try to correct or improve me. Instead, he took credit for it, saying my talent was due to him. In reality, though, he couldn’t throw a knife half as well as I could.
I kneel in the place I was before, hiding behind a tree, watching the plateau, holding the knife in my hand, waiting. Praying. All I hear is the sound of the wind.
I run through in my head what I will do if I see the deer: I will slowly stand, take aim, and throw the knife. I first think I will aim for its eye, but then decide to aim for its throat: if I miss by a few inches, then there will still be a chance of hitting it somewhere. If my hands aren’t too frozen, and if I’m accurate, I figure that maybe, just maybe, I can wound it. But I realize those are all big “ifs.”
Minutes pass. It feels like ten, twenty, thirty… The wind dies, then reappears in gusts, and as it does, I feel the fine flakes of snow being blown off the trees and into my face. As more time passes, I grow colder, more numb, and I begin to wonder if this is a bad idea. I get another sharp hunger pain, though, and know that I have to try. I will need all the protein I can get to make this move happen – especially if I’m going to push that motorcycle uphill.
After nearly an hour of waiting, I am utterly frozen. I debate whether to just give it up and head back down the mountain. Maybe I should try to fish again instead.
I decide to get up and walk around, to circulate my limbs and keep my hands nimble; if I had to use them now, they’d probably be useless. As I rise to my feet my knees and back ache from stiffness. I begin to walk in the snow, starting with small steps. I lift and bend my knees, twist my back left and right. I stick the knife back in my belt, then rub my hands over each other, blowing on them again and again, trying to restore the feeling.
Suddenly, I freeze. In the distance, a twig snaps, and I sense motion.
I turn slowly. There, over the hilltop, a deer comes into view. It steps slowly, tentatively, in the snow, gently lifting its hooves and placing them down. It lowers its head, chews on a leaf, then carefully takes another step forward.
My heart pounds with excitement. I rarely feel that Dad is with me, but today, I do. I can hear his voice in my head now: Steady. Breathe slowly. Don’t let it know you’re here. Focus. If I can bring down this animal, it will be food – real food – for Bree and Sasha and me for at least a week. We need this.
It takes a few more steps into the clearing and I get a better view of it: a large deer, it stands maybe thirty yards away. I’d feel a lot more confident if it were standing ten yards away, or even twenty. I don’t know if I can hit it at this distance. If it were warmer out, and if it wasn’t moving, then yes. But my hands are numb, the deer is moving, and there are so many trees in the way. I just don’t know. I do know that if I miss it, it will never come back here again.
I wait, studying it, afraid to spook it. I will it to come closer. But it doesn’t seem to want to.
I debate what to do. I can charge it, getting as close as I can, then throw. But that would be stupid: after just one yard, it would surely bolt. I wonder if I should try to creep up on it. But I doubt that will work, either. The slightest noise, and it will be gone.
So I stand there, debating. I take one small step forward, positioning myself to throw the knife, in case I need to. And that one small step is my mistake.
A twig snaps beneath my feet, and the deer immediately lifts its head and turns to me. We lock eyes. I know that it sees me, and that it’s about to bolt. My heart pounds, as I know this is my only chance. My mind freezes up.
Then I burst into action. I reach down, grab the knife, take a big step forward, and drawing on all my skills, I reach back and throw it, aiming for its throat.
Dad’s heavy Marine Corps knife tumbles end over end through the air, and I pray it doesn’t hit a tree first. As I watch it tumbling, reflecting light, it is a thing of beauty. In that same moment, I see the deer turn and begin to run.
It is too far away for me to see exactly what happens, but a moment later, I swear I hear the sound of the knife entering flesh. The deer takes off, though, and I can’t tell if it’s wounded.
I take off after it. I reach the spot where it was, and am surprised to see bright red blood in the snow. My heart flutters, encouraged.
I follow the trail of blood, running and running, jumping over rocks, and after about fifty yards, I find it: there it is, collapsed in the snow, lying on its side, legs twitching. I see the knife lodged in its throat. Exactly in the spot I was aiming for.
The deer is still alive, and I don’t know how to put it out of its misery. I can feel its suffering, and I feel terrible. I want to give it a quick and painless death, but don’t know how.
I kneel and extract the knife, then lean over, and in one swift motion, slice it deeply across the throat, hoping that will work. Moments later, blood comes rushing out, and within about ten more seconds, finally, the deer’s legs stop moving. Its eyes stop fluttering, too, and finally, I know it’s dead.
I stand over, staring down, holding the knife in my hand, and feel overwhelmed with guilt. I feel barbaric, having killed such a beautiful, defenseless creature. In this moment, it’s hard for me to think of how badly we needed this food, how lucky I was to catch it at all. All I can think is that, just a few minutes before, it was breathing, alive like me. And now, it’s dead. I look down at it, lying so perfectly still in the snow, and despite myself, I feel ashamed.
That is the moment when I first hear it. I dismiss it at first, assume I must be hearing things, because it is just not possible. But after a few moments, it rises a tiny bit louder, more distinct, and I know it’s real. My heart starts pounding like crazy, as I recognize the noise. It is a noise I’ve heard up here only once before. It is the whine of an engine. A car engine.
I stand there in astonishment, too frozen to even move. The engine grows louder, more distinct, and I know it can only mean one thing. Slaverunners. No one else would dare drive this high up, or have any reason to.
I break into a sprint, leaving the deer, charging through the woods, past the cottage, down the hill. I can’t go fast enough. I think of Bree, sitting there, alone in the house, as the engines grow louder and louder. I try to increase my speed, running straight down the snowy slope, tripping as I go, my heart pounding in my throat.
I run so fast that I fall, face-first, scraping my knee and elbow, and getting the wind knocked out of me. I struggle back to my feet, noticing the blood on my knee and arm, but not caring. I force myself back into a jog, then into a sprint.
Slipping and sliding, I finally reach a plateau, and from here, I can see all the way down the mountain to our house. My heart leaps into my throat: there are distinctive car tracks in the snow, leading right to our house. Our front door is open. And most ominous of all, I don’t hear Sasha barking.
I run, farther and farther down, and as I do, I get a good look at the two vehicles parked outside our house: slaverunner cars. All black, built low to the ground, they look like muscle cars on steroids, with enormous tires and bars on all the windows. Emblazoned on their hoods is the emblem of Arena One, obvious even from here – a diamond with a jackal in its center. They are here to feed the arena.
I sprint farther down the hill. I need to get lighter. I reach into my pockets, pull out the jars of jam and throw them to the ground.