Money Magic: A Novel. Garland Hamlin
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but it was inevitable that the talk of her mother's church associates should sooner or later open her eyes to the truth that the distinctions which she had read about as existing in New York and Chicago were present in her own little city. "Mrs. Crego and her set are too stuck up to associate with common folks," was the form in which the revelation came to her.
From one loose-tongued sister she learned, also, that she and the Captain were subjects of earnest prayer in the sewing-circle, and that her husband's Catholicism was a source of deep anxiety, not to say proselyting hostility, on the part of the pastor and his wife, while from another of these officious souls she learned that the Springs, beautiful as it was, so sunlit, so pure of air, was a centre of marital infelicity, wherein the devil reigned supreme.
Her mother's pastor called, and was very outspoken as to Mart and Charles – both of whom needed the Lord's grace badly. He expressed great concern for Bertha's spiritual welfare, and openly prayed for her husband, whose nominal submission to the Catholic Church seemed not merely blindness to his own sin, but a danger to the young wife.
Haney, however, though wounded and suffering, was still a lion in resolution, and his glance checked the exhortation which the minister one day nerved himself to utter. "I do not interfere with any man's faith," said he, "and I do not intend to be put to school by you nor any other livin'. I was raised a Catholic, and for the sake of me mother I call meself wan to this day, and as I am so I shall die." And the finality of his voice won him freedom from further molestation.
Bertha's concern for her creed was hardly more poignant than Haney's, and they never argued; but she did begin to give puzzled thought to the social complications which opened out day by day before her. Charles, embittered by his failures, enlightened her still more profoundly. He had a certain shrewdness of comment at times which bit. "Wouldn't it jar you," said he one day, "to see this little town sporting a 'Smart Set' and quoting Town Topics like a Bible? Why, some of these dinky little two-spot four-flushers draw the line on me because I'm an actor! What d'ye think o' that? I don't mind your Methodist sistern walking wide of me, but it's another punch when these dubs who are smoking my cigars at the club fail to invite me to their houses."
Bertha looked at him reflectively throughout this speech, putting a different interpretation on the neglect he complained of. She had gone beyond disliking him, she despised him (for he was growing bolder each day in his addresses), and took every precaution that he should not be alone with her; and she rose one morning with the determination to tell Mart that she would not endure his brother's presence another day. But his pleasure in Charles' company was too genuine to be disturbed, and so she endured.
The actor's talk was largely concerned with the scandal-mongery of the town, and very soon the young wife knew that Mrs. May, whose husband was "in the last stages," was in love with young Mr. June, and that Mr. Frost, whose wife was "weakly," was going about shamelessly with Miss Bloom, and all this comment came to her ears freighted with its worst significance. Vile suggestion dripped from Charles Haney's reckless tongue.
This was deep-laid policy with him. His purpose was to undermine her loyalty as a wife. His approaches had no charm, no finesse. Presuming on his relationship, he caught at her hand as she passed, or took a seat beside her if he found her alone on a sofa. At such moments she was furious with him, and once she struck his hand away with such violence that she suffered acute pain for several hours afterwards.
His attentions – which were almost assaults – came at last to destroy a large part of her joy in her new home. Her drives, when he sat beside her, were a torture, and yet she could not bring herself to accuse him before the crippled man, who really suffered from loneliness whenever she was out of the house or busy in her household work. He had never been given to reading, and was therefore pathetically dependent upon conversation for news and amusement. He was much at home, too, for his maiming was still so fresh upon him that he shrank from exhibiting himself on the street or at the clubs (there are no saloons in the Springs). Crego, whom he liked exceedingly, was very busy, and Williams was away at the mines for the most part, and so, in spite of Bertha's care, he often sat alone on the porch, a pitiful shadow of the man who paid court to the clerk of the Golden Eagle.
Sometimes he followed the women around the house like a dog, watching them at their dusting and polishing. "You'll strain yourself, Captain," Bertha warningly cried out whenever he laid hold of a chair or brush. And so each time he went back to his library to smoke, and wait until his wife's duties were ended. At such hours his brother was a comfort. He was not a fastidious man, even with the refinement which had come from his sickness and his marriage, and the actor (so long as he cast no imputations on any friend) could talk as freely as he pleased.
Slowly, day by day, Charles regained Mart's interest and a measure of his confidence. Having learned what to avoid and what to emphasize, he now deplored the drink habits of his brothers, and gently suggested that the old father needed help. They played cards occasionally during such times as household cares drew Bertha away, and held much discussion of mines and mining – though here Mart was singularly reticent, and afforded little information about his own affairs. His trust in Charles did not go so far as that. With Crego, however, he freely discussed his condition, for the lawyer had written his new will, and was in possession of it.
"I'm like a battered old tin can," he said once. "Did ye ever try to put a tin can back into shape? Ye cannot. If ye push it back here, it bulges there. The doctors are tryin' hard to take the kinks out o' me, but 'tis impossible – I see that – but I may live on for a long time. Already me mind misgives me about Bertie – she's too young to be tied up to a shoulder-shotten old plug like mesilf."
To this Crego soothingly responded. "I don't think you need to worry. She's as happy as a blackbird in spring."
Once he said to Bertha: "I niver intended to limp around like this. I niver thought to be the skate I am this day," and his despondency darkened his face as he spoke. "I could not blame you if you threw me out. I'm only a big nuisance."
"You will be if you talk like that," she briskly answered, and that is all she seemed to make of his protest. She had indeed been reared in an atmosphere of loyalty to marriage as well as of chastity, and she never for a moment considered her vows weakened by her husband's broken frame.
This fidelity Charles discovered to his own confusion one night as he came home inflamed by liquor and reckless of hand, to find her sitting alone in the library writing a letter. It was not late, but Mart, feeling tired, had gone to bed, and Mrs. Gilman was in Sibley.
Bertha looked up as he entered, and without observing that he was drunk, went on with her writing, which was ever a painful ceremony with her. Dropping his coat where he stood, and with his hat awry on the red globe of his head, the dastard staggered towards her, his eyes lit with a glare of reckless desire.
"Say," he began, "this is luck. I want 'o talk with you, Bertie. I want 'o find out why you run away from me? What's the matter with me, anyhow?"
She realized now the foul, satyr-like mood of the man, and sprang up tense and strong, silently confronting him.
He mumbled with a grin: "You're a peach! What's the matter? Why don't you like me? Ain't I all right? I'm a gentleman."
His words were babble, but the look in his eyes, the loose slaver of his lips, both scared and angered her, and as he pushed against her, clumsily trying to hook his arm about her waist, she struck him sharply with the full weight of her arm and shoulder, and he tottered and fell sprawling. With a curse in his teeth he caught at a chair, recovered his balance, and faced her with a look of fury that would have appalled one less experienced than she.
"You little fool," he snarled, "don't you do that again!"
"Stop!" She did not lift her voice, but the word arrested him. "Do you want to die?" The word die pierced the mist of his madness. "What do you think Mart will say to this?"
He shivered and grew pale under the force of his brother's name uttered in that tone. He began to melt, subsiding into a jelly-mass of fear.
"Don't tell Mart, for Christ's sake! I didn't mean nothing. Don't do it, I beg – I beg!"
She looked at him and seemed to grow in years as she searched his wretched body for its soul. "If you don't pull out of this house