Jock of the Bushveld. Fitzpatrick Percy
Читать онлайн книгу.
rick
Jock of the Bushveld
Preface
“Sonny, you kin reckon it dead sure, thar’s something wrong ’bout a thing that don’t explain itself.”
That was Old Rocky’s advice, given three-and-twenty years ago – not forgotten yet, but, in this instance, respectfully ignored.
It happened some years ago, and this was the way of it: the Fox of Ballybotherem having served three generations – in his native Tipperary, in Kaffraria, and in the Transvaal – seemed entitled to a rest; and when, in the half-hour before ‘lights out,’ which is the Little People’s particular own, the demand came from certain Autocrats of the Nightgown: “Now, tell us something else!” it occurred to the Puzzled One to tell of Jock’s fight with the table leg. And that is how the trouble began. Those with experience will know what followed; and, for those less fortunate, the modest demand of one, comfortably tucked up tailorwise, and emphasising his points by excited hand-shakes with his toes, will convey the idea: “It must be all true! and don’t leave out anything!”
To such an audience a story may be told a hundred times, but it must be told, as Kipling says, “Just so!” that is, in the same way; because, even a romance (what a three-year-old once excused as “only a play tell”) must be true – to itself!
Once Jock had taken the field it was not long before the narrator found himself helped or driven over the pauses by quick suggestions from the Gallery; but there were days of fag and worry when thoughts lagged or strayed, and when slips were made, and then a vigilant and pitiless memory swooped like the striking falcon on its prey. There came a night when the story was of the Old Crocodile, and one in the Gallery – one of more exuberant fancy – seeing the gate open ran into the flower-strewn field of romance and by suggestive questions and eager promptings helped to gather a little posy: “And he caught the Crocodile by the tail, didn’t he?” “And he hung on and fought him, didn’t he?” “And the Old Crocodile flung him high into the air? High!” and, turning to the two juniors, added “quite as high as the house?” And the narrator – accessory by reason of a mechanical nod and an absent-minded “Yes” passed on, thinking it could all be put right next time. But there is no escape from the ‘tangled web’ when the Little People sit in judgment. It was months later when retribution came. The critical point of the story was safely passed when – Oh; the irony and poetic justice of it – it was the innocent tempter himself who laid his hand in solemn protest on the narrator’s shoulder and, looking him reproachfully in the eyes, said “Dad! You have left out the best part of all. Don’t you remember how…”
And the description which followed only emphasises the present writer’s unfitness for the task he has undertaken. In the text of the story and in the illustration by my friend Mr Caldwell (who was himself subjected to the same influence) there is left a loophole for fancy: it is open to any one to believe that Jock is just beginning or just ending his aerial excursion. The Important People are not satisfied; but then the page is not big enough to exhibit Jock at the top of that flight – of fancy!
From the date of that lesson it was apparent that reputations would suffer if the story of Jock were not speedily embodied in some durable and authoritative form, and during a long spell of ill health many of the incidents were retold in the form of letters to the Little People. Other Less Important Persons – grown-ups – read them and sometimes heard them, and so it came about that the story of Jock was to be printed for private circulation, for the Little People and their friends. Then the story was read in manuscript and there came still more ambitious counsels, some urging the human story of the early days, others the wild animal life of South Africa. Conscious of many deficiencies the narrator has left two great fields practically untouched, adhering to the original idea – the story of Jock; and those who come into it, men and animals, come in because of him and the life in which he played so large a part. The attempt to adapt the original letters to the symmetry of a connected story involved, as one might have known, endless trouble and changes, necessitating complete re-writing of most parts; and the responsibility and work became still greater when, after a casual and unforeseen meeting, my friend Mr Caldwell accepted the suggestion to come out to South Africa and spend six months with us in order to study the game in its native bush and to know the conditions of the life and put that experience into the work of illustrating “Jock.”
The writer is well aware that, from the above causes and one other, there are grave inequalities in style and system, and in plane of phrase and thought, in different parts of the book. For this feature the ‘one other’ cause is alone put forward as a defence. The story belongs to the Little People, and their requirements were defined – “It must be all true! Don’t leave out anything!” It has been necessary to leave out a great deal; but the other condition has been fully and fairly complied with; for it is a true story from beginning to end. It is not a diary: incidents have been grouped and moved to get over the difficulty of blank days and bad spells, but there is no incident of importance or of credit to Jock which is not absolutely true. The severest trial in this connection was in the last chapter, which is bound to recall perhaps the most famous and most cherished of all dog stories. Much, indeed, would have been sacrificed to avoid that; but it was unthinkable that, for any reason, one should in the last words shatter the spell that holds Jock dear to those for whom his life is chronicled – the spell that lies in ‘a true story.’
Little by little the book has grown until it has come perilously near the condition in which it might be thought to have Pretensions. It has none! It is what it was: a simple record, compiled for the interest and satisfaction of some Little People, and a small tribute of remembrance and affection offered at the shrine of the old life and those who made it – tendered in the hope that some one better equipped with opportunities and leisure may be inspired to do justice to it and to them for the sake of our native land.
Chapter One.
The Background
Of the people who live lonely lives, on the veld or elsewhere, few do so of their own free choice. Some there are shut off from all their kind – souls sheathed in some film invisible, through which no thrill of sympathy may pass; some barred by their self-consciousness, heart hungry still, who never learned in childhood to make friends; some have a secret or a grief; some, thoughts too big or bad for comradeship. But most will charge to Fate the thoughtless choice, the chance, or hard necessity, that drew or drove them to the life apart; they know the lesson that was learned of old: “It is not good for man to be alone.”
Go out among them, ever moving on, whose white bones mark the way for others’ feet – who shun the cities, living in the wilds, and move in silence, self-contained. Who knows what they think, or dream, or hope, or suffer? Who can know? For speech among that hard-schooled lot is but a half-remembered art.
Yet something you may guess, since with the man there often goes – his dog; his silent tribute to The Book. Oh, it’s little they know of life who cannot guess the secret springs of loneliness and love that prompt the keeping of a trifling pet; who do not know what moves a man who daily takes his chance of life and death – man whose “breath is in his nostrils” – to lay his cheek against the muzzle of his comrade dog, and in the trackless miles of wilderness feel he has a friend. Something to hold to; something to protect.
There was old Blake – “mad, quite mad,” as everybody knew – of whom they vaguely said that horses, hounds, coaches, covers, and all that goes with old estates, were his – once. We knew him poor and middle-aged. How old to us! Cheery and unpractical, with two old pointers and a fowling-piece, and a heart as warm as toast. We did not ask each other’s business there; and, judging by the dogs and gun, we put him down as a ‘remittance man.’ But that, it seems, was wrong. They were his all.
He left no letters – a little pile of paper ash; no money and no food! That was his pride. He would not sell or give away his dogs! That was his love. When he could not keep them it seemed time to go! That was his madness. But before he went, remembering a friend in hospital, he borrowed two cartridges and brought him in a brace of birds. That was old mad Blake, who ‘moved on’ and took his dogs with him, because they had always been together, and he could not leave their fate to chance. So we buried him with one on either side, just as he would have liked it!
There was Turner, who shot the crocodile that seized his