The Works of Guy de Maupassant, Volume 1. Guy de Maupassant
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the body.
Mother Lecacheur and Céleste watched us from a distance, concealed from view behind the wall of the house. When they saw, issuing from the hole, the black slippers and the white stockings of the drowned person, they disappeared.
Sapeur seized the ankles of the poor chaste woman, and we drew it up, sloping, as it was, in the most immodest posture. The head was shocking to look at, being bruised and black; and the long, gray hair, hanging down tangled and disordered.
"In the name of all that is holy, how lean she is!" exclaimed Sapeur, in a contemptuous tone.
We carried her into the room, and as the women did not put in an appearance, I, with the assistance of the stable lad, dressed the corpse for burial.
I washed her disfigured face. To the touch of my hand, an eye was slightly opened, which regarded me with that pale regard, with that cold look, with that terrible look that corpses have, which seemed to come from beyond life. I plaited up, as well as I could, her disheveled hair, and I adjusted on her forehead, a novel and singularly formed lock. Then I took off her dripping wet garments, baring, not without a feeling of shame, as though I had been guilty of some profanation, her shoulders and her chest, and her long arms, as slim as the twigs of branches.
I next went to fetch some flowers, corn poppies, blue beetles, marguerites, and fresh and perfumed herbs, with which to strew her funeral couch.
I being the only person near her, it was necessary for me to perform the usual ceremonies. In a letter found in her pocket, written at the last moment, it was ordered that her body was to be buried in the village in which she had passed the last days of her life. A frightful thought then pressed on my heart. Was it not on my account that she wished to be laid to rest in this place?
Towards the evening, all the female gossips of the locality came to view the remains of the defunct; but I would not allow a single person to enter; I wanted to be alone; and I watched by the corpse the whole night.
I looked at the corpse by the flickering lights of the candles, this miserable woman, wholly unknown, who had died lamentably and so far away from home. Had she left no friends, no relations behind her? What had her infancy been? What had been her life? Whence had she hailed thither thus, all alone, wanderer, lost like a dog driven from its home? What secrets of sufferings and despair were sealed up in that disagreeable body, in that spent, tarnished body – tarnished during the whole of its existence, that impenetrable envelope which had driven her far away from all affection, from all love?
How many unhappy beings there are! I felt that there weighed upon that human creature the eternal injustice of implacable nature! It was all over with her, without her ever having experienced, perhaps, that which sustains the greatest outcasts – to wit, the hope of being loved for once! Otherwise, why should she thus have concealed herself, fled from the face of the others? Why did she love everything so tenderly and so passionately, everything living that was not a man?
I recognized, also, that she believed in a God, and that she hoped to receive compensation from the latter for all the miseries she had endured. She had begun now to decompose, and to become, in turn, a plant. She who had blossomed in the sun, was now to be eaten up by the cattle, carried away in seeds, and flesh of beasts, would become again human flesh. But that which is called the soul, had been extinguished at the bottom of the dark well. She suffered no longer. She had changed her life for that of others yet to be born.
Hours passed away in this silent and sinister communion with the dead. A pale light at length announced the dawn of a new day, when a bright ray glistened on the bed, shed a dash of fire on the bed clothes and on her hands. This was the hour she had so much loved, when the awakened birds began to sing in the trees.
I opened the window to its fullest extent, I drew back the curtains, so that the whole heavens might look in upon us, and bending towards the glassy corpse, I took in my hands the mutilated head; then, slowly, without terror or disgust, I imprinted a kiss, a long kiss, upon those lips, which had never before received any.
Léon Chenal remained silent. The women wept. We heard on the box seat the Count d'Etraille, who blows his nose, from time to time. The coachman alone had gone to sleep. The horses, which felt no longer the sting of the whip, had slowed their pace and dragged along softly, and the brake, hardly advancing at all, became suddenly torpid, as if it had been charged with sorrow.
FRANCESCA AND CARLOTTA RONDOLI
I
No (said my friend Charles Jouvent), I do not know Italy; I started to see it thoroughly twice, and each time I was stopped at the frontier and could not manage to get any further. And yet my two attempts gave me a charming idea of the manners of that beautiful country. I must, however, some time or other visit its cities, as well as the museums and works of art with which it abounds. I will also make another attempt to penetrate into the interior, which I have not yet succeeded in doing.
You don't understand me, so I will explain myself: In the spring of 1874 I was seized with an irresistible desire to see Venice, Florence, Rome, and Naples. I am, as you know, not a great traveler; it appears to me a useless and fatiguing business. Nights spent in a train, the disturbed slumbers of the railway carriage, with the attendant headache, and stiffness in every limb, the sudden waking in that rolling box, the unwashed feeling with your eyes and hair full of dust, the smell of the coal on which one's lungs feed, those bad dinners in the draughty refreshment rooms are, according to my ideas, a horrible way of beginning a pleasure trip.
After this introduction by the express, we have the miseries of the hotel; of some great hotel full of people, and yet so empty; the strange room, and the dubious bed! I am most particular about my bed; it is the sanctuary of life. We intrust our almost naked and fatigued bodies to it so that they may be reanimated by reposing between soft sheets and feathers.
There we find the most delightful hours of our existence, the hours of love and of sleep. The bed is sacred, and should be respected, venerated, and loved by us as the best and most delightful of our earthly possessions.
I cannot lift up the sheets of an hotel bed without a shiver of disgust. What have its occupants been doing in it the night before? Perhaps dirty, revolting people have slept in it. I begin, then, to think of all the horrible people with whom one rubs shoulders every day, people with suspicious-looking skin which makes one think of the feet and all the rest! I call to mind those who carry about with them the sickening smell of garlic or of humanity. I think of those who are deformed and purulent, of the perspiration emanating from the sick, and of everything that is ugly and filthy in man.
And all this, perhaps, in the bed in which I am going to sleep! The mere idea of it makes me feel ill as I get in.
And then the hotel dinners – those dreary table d'hôte dinners in the midst of all sorts of extraordinary people, or else those terrible solitary dinners at a small table in a restaurant, feebly lighted up by a wretched composite candle under a shade.
Again, those terribly dull evenings in some unknown town! Do you know anything more wretched than when it is getting dark on such an occasion? One goes about as if almost in a dream, looking at faces which one has never seen before and will never see again; listening to people talking about matters which are quite indifferent to you in a language that perhaps you do not understand. You have a terrible feeling, almost as if you were lost, and you continue to walk on so as not to be obliged to return to the hotel, where you would feel more lost still because you are at home, in a home which belongs to anyone who can pay for it, and at last you fall into a chair of some well-lit café, whose gilding and lights overwhelm you a thousand times more than the shadows in the streets. Then you feel so abominably lonely sitting in front of the glass of flat bock,5 that a kind of madness seizes you, the longing to go somewhere or other, no matter where, as long as you need not remain in front of that marble table and in the dazzling brightness.
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Munich beer – often brewed in France! – which is much affected by the Parisians in summer.