The Classic Myths in English Literature and in Art (2nd ed.) (1911). Bulfinch Thomas
Читать онлайн книгу.single-hearted,
They ply their watery tasks.
At sunrise they leap
From their cradles steep
In the cave of the shelving hill;
At noontide they flow
Through the woods below
And the meadows of Asphodel:
And at night they sleep
In the rocking deep
Beneath the Ortygian shore; —
Like spirits that lie
In the azure sky
When they love but live no more.
95. The Fate of Actæon. 117 Diana's severity toward young Actæon, grandson of Cadmus whose kindred fell under the curse of Mars, is thus narrated.
Fig. 71. Actæon
One day, having repaired to a valley inclosed by cypresses and pines, where gushed a fountain of sparkling water, the chaste Diana handed her javelin, her quiver, and her bow to one nymph, her robe to another, while a third unbound the sandals from her feet. Then Crocale, the most skillful of them, arranged her hair, and Nephele, Hyale, and the rest drew water in capacious urns. While the huntress queen was thus employed in the labors of the toilet, Actæon, the son of Autonoë and Aristæus, having quitted his companions of the chase and rambling without any especial object, came to the place, led thither by his destiny. As he presented himself at the entrance of the cave, the nymphs, seeing a man, screamed and rushed towards the goddess to hide her with their bodies. But she was taller than the rest and overtopped them all by a head. Such a color as tinges the clouds at sunset or at dawn came over the countenance of Diana, thus taken by surprise. Surrounded as she was by her nymphs, she yet turned half away and sought with a sudden impulse for her arrows. As they were not at hand, she dashed the water into the face of the intruder, saying, "Now go and tell, if you can, that you have seen Diana unappareled." Immediately a pair of branching stag's horns grew out of the huntsman's head, his neck gained in length, his ears grew sharp-pointed, his hands became feet, his arms, his long legs, and his body were covered with a hairy spotted hide. Fear took the place of his former boldness, and the hero fled. What should he do? – go home to the palace or lie hid in the woods? While he hesitated his dogs saw him. Over rocks and cliffs, through mountain gorges that seemed impracticable, he fled, and they followed. The air resounded with the bark of the dogs. Presently one fastened on his back, another seized his shoulder; the rest of the pack came up and buried their teeth in his flesh. His friends and fellow-huntsmen cheered on the dogs, and, looking everywhere for Actæon, called on him to join the sport. At the sound of his name, he turned his head and heard them regret that he should be away. He earnestly wished he was. But Diana had no pity for him, nor was her anger appeased till the dogs had torn his life out.
96. The Fortunes and Death of Orion. Orion, the son of Neptune, was a giant and a mighty hunter, whose prowess and manly favor gained for him the rare good will of Diana.
It is related that he loved Merope, the daughter of Œnopion, king of Chios, and sought her in marriage. He cleared the island of wild beasts and brought the spoils of the chase as presents to his beloved; but as Œnopion constantly deferred his consent, Orion attempted to gain possession of the maiden by violence. Her father, incensed at his conduct, made Orion drunk, deprived him of his sight, and cast him out on the seashore. The blinded hero, instructed by an oracle to seek the rays of morning, followed the sound of a Cyclops' hammer till he reached Lemnos, where Vulcan, taking pity on him, gave him Cedalion, one of his men, to be his guide to the abode of the sun. Placing Cedalion on his shoulders, Orion proceeded to the east, and there meeting the sun-god, was restored to sight by his beam.118
After this he dwelt as a hunter with the queen of the echoing chase; and it was even hinted that she loved him. Her brother, highly displeased, often chid her, but to no purpose. One day, therefore, observing Orion as he waded through the sea with his head just above the water, Apollo pointed out the black object to his sister, and maintained that she could not hit it. The archer goddess discharged a shaft with fatal aim: the waves rolled the dead body of Orion to the land. Then bewailing her fatal error with many tears, Diana placed him among the stars, where he appears as a giant, with a girdle, sword, lion's skin, and club.
Sirius, his dog, follows him, and the Pleiads fly before him.119 In the beginning of winter, all through the night, Orion follows the chase across the heavens; but with dawn he sinks toward the waters of his father Neptune. In the beginning of summer, he may be seen with daybreak in the eastern sky, where, beloved by Aurora, he remains gradually paling before the light of day till, finally, Diana, jealous of his happiness, draws her gentle darts and slays him.
Fig. 72. The Pleiades
From the painting by Vedder
97. The Pleiads,120 who still fly before Orion in the heavens, were daughters of Atlas, and nymphs of Diana's train. One day Orion saw them in Bœotia, became enamored of them, and gave pursuit. In their distress they prayed to the gods to change their form. Jupiter, accordingly, turned them into pigeons, and made them a constellation. Though their number was seven, only six stars are visible; for Electra, it is said, left her place that she might not behold the ruin of Troy, which had been founded by her son Dardanus. The sight had such an effect on her sisters that they blanched, and have been pale ever since. But Electra became a comet; her hair floating wildly behind her, she still inconsolably ranges the expanse of heaven. According to some, the lost Pleiad is Merope, who was vested with mortality in consequence of her marriage with the mortal Sisyphus, king of Corinth.
Tennyson's reference to the Pleiads, in "Locksley Hall," is of course familiar to all readers.
Fig. 73. Endymion
98. Endymion. The frequent absence of Diana from her duties in heaven is said to have awakened suspicion among the deities of Olympus, who doubted whether she actually occupied these intervals with hunting. It is easy to imagine the satisfaction with which Venus, who so often had been reproached by Diana with her undue fondness of beautiful youths, would welcome news of a corresponding weakness on the part of the cold-hearted and apparently unyielding huntress queen. And such satisfaction Venus once enjoyed, if we may trust the later classical and the modern poets who have identified Diana with Selene, the more ancient goddess of the moon.
For, one calm, clear night Selene looked down upon the beautiful Endymion, who fed his flock on Mount Latmos, and saw him sleeping. The heart of the goddess was unquestionably warmed by his surpassing beauty. She came down to him; she kissed him; she watched over him while he slept. She visited him again and again. But her secret could not long be hidden from the company of Olympus. For more and more frequently she was absent from her station in the sky, and toward morning she was ever paler and more weary with her watching. When, finally, her love was discovered, Jupiter gave Endymion, who had been thus honored, a choice between death in any manner that was preferable, or perpetual youth united with perpetual sleep. Endymion chose the latter. He still sleeps in his Carian cave, and still the mistress of the moon slips from her nocturnal course to visit him. She takes care, too, that his fortunes shall not suffer by his inactive life: she yields his flock increase, and guards his sheep and lambs from beasts of prey.121
Keats, whose Endymion journeys on a mission under sea, thus describes a meeting of the goddess and her lover:
On gold sand impearled
With lily shells and pebbles milky white,
Poor Cynthia greeted him, and soothed her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly
117
Ovid, Metam. 3, 138-252.
118
Apollodorus, 1, 4, § 3.
119
Ovid, Fasti, 5, 537; Iliad, 18, 486, and 22, 29; Odyssey, 5, 121, 274.
120
The story is told by Hyginus in his Fables, and in his Poetical Astronomy.
121
Authorities are Pausanias, 5, 1, §§ 2-4; Ovid, Ars. Am. 3, 83; Tristia, 2, 299; Apollonius, and Apollodorus.