Bracebridge Hall, or The Humorists. Washington Irving

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Bracebridge Hall, or The Humorists - Washington Irving


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of their spices, want

        The delight flows in thee.

      I have been more affected and interested by this little dramatic picture, than by many a popular love tale; though, as I said before, I do not think it likely either Abstemia or patient Grizzle stand much chance of being taken for a model. Still I like to see poetry now and then extending its views beyond the wedding-day, and teaching a lady how to make herself attractive even after marriage. There is no great need of enforcing on an unmarried lady the necessity of being agreeable; nor is there any great art requisite in a youthful beauty to enable her to please. Nature has multiplied attractions around her. Youth is in itself attractive. The freshness of budding beauty needs no foreign aid to set it off; it pleases merely because it is fresh, and budding, and beautiful. But it is for the married state that a woman needs the most instruction, and in which she should be most on her guard to maintain her powers of pleasing. No woman can expect to be to her husband all that he fancied her when he was a lover. Men are always doomed to be duped, not so much by the arts of the sex, as by their own imaginations. They are always wooing goddesses, and marrying mere mortals. A woman should, therefore, ascertain what was the charm that rendered her so fascinating when a girl, and endeavour to keep it up when she has become a wife. One great thing undoubtedly was, the chariness of herself and her conduct, which an unmarried female always observes. She should maintain the same niceness and reserve in her person and habits, and endeavour still to preserve a freshness and virgin delicacy in the eye of her husband. She should remember that the province of woman is to be wooed, not to woo; to be caressed, not to caress. Man is an ungrateful being in love; bounty loses instead of winning him. The secret of a woman's power does not consist so much in giving, as in withholding.

      A woman may give up too much even to her husband. It is to a thousand little delicacies of conduct that she must trust to keep alive passion, and to protect herself from that dangerous familiarity, that thorough acquaintance with every weakness and imperfection incident to matrimony. By these means she may still maintain her power, though she has surrendered her person, and may continue the romance of love even beyond the honeymoon.

      "She that hath a wise husband," says Jeremy Taylor, "must entice him to an eternal dearnesse by the veil of modesty, and the grave robes of chastity, the ornament of meekness, and the jewels of faith and charity. She must have no painting but blushings; her brightness must be purity, and she must shine round about with sweetness and friendship; and she shall be pleasant while she lives, and desired when she dies."

      I have wandered into a rambling series of remarks on a trite subject, and a dangerous one for a bachelor to meddle with. That I may not, however, appear to confine my observations entirely to the wife, I will conclude with another quotation from Jeremy Taylor, in which the duties of both parties are mentioned; while I would recommend his sermon on the marriage-ring to all those who, wiser than myself, are about entering the happy state of wedlock.

      "There is scarce any matter of duty but it concerns them both alike, and is only distinguished by names, and hath its variety by circumstances and little accidents: and what in one is called love, in the other is called reverence; and what in the wife is obedience, the same in the man is duty. He provides, and she dispenses; he gives commandments, and she rules by them; he rules her by authority, and she rules him by love; she ought by all means to please him, and he must by no means displease her."

      STORY TELLING

      A favorite evening pastime at the Hall, and one which the worthy Squire is fond of promoting, is story telling, "a good, old-fashioned fire-side amusement," as he terms it. Indeed, I believe he promotes it, chiefly, because it was one of the choice recreations in those days of yore, when ladies and gentlemen were not much in the habit of reading. Be this as it may, he will often, at supper-table, when conversation flags, call on some one or other of the company for a story, as it was formerly the custom to call for a song; and it is edifying to see the exemplary patience, and even satisfaction, with which the good old gentleman will sit and listen to some hackneyed tale that he has heard for at least a hundred times.

      In this way, one evening, the current of anecdotes and stories ran upon mysterious personages that have figured at different times, and filled the world with doubt and conjecture; such as the Wandering Jew, the Man with the Iron Mask, who tormented the curiosity of all Europe; the Invisible Girl, and last, though not least, the Pig-faced Lady.

      At length, one of the company was called upon that had the most unpromising physiognomy for a story teller, that ever I had seen. He was a thin, pale, weazen-faced man, extremely nervous, that had sat at one corner of the table, shrunk up, as it were, into himself, and almost swallowed up in the cape of his coat, as a turtle in its shell.

      The very demand seemed to throw him into a nervous agitation; yet he did not refuse. He emerged his head out of his shell, made a few odd grimaces and gesticulations, before he could get his muscles into order, or his voice under command, and then offered to give some account of a mysterious personage that he had recently encountered in the course of his travels, and one whom he thought fully entitled to being classed with the Man with the Iron Mask.

      I was so much struck with his extraordinary narrative, that I have written it out to the best of my recollection, for the amusement of the reader. I think it has in it all the elements of that mysterious and romantic narrative, so greedily sought after at the present day.

      THE STOUT GENTLEMAN

A STAGE-COACH ROMANCE

      "I'll cross it, though it blast me!"

– Hamlet.

      It was a rainy Sunday, in the gloomy month of November. I had been detained, in the course of a journey, by a slight indisposition, from which I was recovering; but I was still feverish, and was obliged to keep within doors all day, in an inn of the small town of Derby. A wet Sunday in a country inn! – whoever has had the luck to experience one can alone judge of my situation.

      The rain pattered against the casements; the bells tolled for church with a melancholy sound. I went to the windows, in quest of something to amuse the eye; but it seemed as if I had been placed completely out of the reach of all amusement. The windows of my bed-room looked out among tiled roofs and stacks of chimneys, while those of my sitting-room commanded a full view of the stable-yard. I know of nothing more calculated to make a man sick of this world, than a stable-yard on a rainy day. The place was littered with wet straw, that had been kicked about by travellers and stable-boys. In one corner was a stagnant pool of water, surrounding an island of muck; there were several half-drowned fowls crowded together under a cart, among which was a miserable, crest-fallen cock, drenched out of all life and spirit; his drooping tail matted, as it were, into a single feather, along which the water trickled from his back; near the cart was a half-dozing cow chewing the cud, and standing patiently to be rained on, with wreaths of vapor rising from her reeking hide; a wall-eyed horse, tired of the loneliness of the stable, was poking his spectral head out of the window, with the rain dripping on it from the eaves; an unhappy cur, chained to a dog-house hard by, uttered something every now and then, between a bark and a yelp; a drab of a kitchen-wench tramped backwards and forwards through the yard in pattens, looking as sulky as the weather itself; every thing, in short, was comfortless and forlorn, excepting a crew of hard-drinking ducks, assembled like boon companions round a puddle, and making a riotous noise over their liquor.

      I was lonely and listless, and wanted amusement. My room soon became insupportable. I abandoned it, and sought what is technically called the travellers'-room. This is a public room set apart at most inns for the accommodation of a class of wayfarers called travellers, or riders; a kind of commercial knights-errant, who are incessantly scouring the kingdom in gigs, on horseback, or by coach. They are the only successors that I know of, at the present day, to the knights-errant of yore. They lead the same kind of roving adventurous life, only changing the lance for a driving-whip, the buckler for a pattern-card, and the coat of mail for an upper Benjamin. Instead of vindicating the charms of peerless beauty, they rove about spreading the fame and standing of some substantial tradesman or manufacturer, and are ready at any time to bargain in his name; it being the fashion now-a-days to trade, instead of fight, with one another. As the room of the hotel, in the good old fighting times, would be hung round at night with the armour of wayworn warriors, such as coats of mail, falchions, and


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