The Works of Guy de Maupassant, Volume 2. Guy de Maupassant
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his having come into her room, and then she awoke to the fact, much to her stupefaction, that he was not coming. Having locked and bolted her door, for greater security, she went to bed at last, and remained there, with her eyes open, thinking, and barely understanding it all, without being able to guess what he was going to do.
When her maid brought her tea, she at the same time gave her a letter from her husband. He told her that he was going to undertake a long journey, and in a postscript he added that his lawyer would provide her with any sums of money she might require for all her expenses.
III
It was at the Opéra, between two of the acts in Robert the Devil. In the stalls, the men were standing up, with their hats on, their waistcoats cut very low so as to show a large amount of white shirt front, in which the gold and precious stones of their studs glistened, and were looking at the boxes full of ladies in low dresses, covered with diamonds and pearls, and who were expanding like flowers in that illuminated hothouse, where the beauty of the faces and the whiteness of their shoulders seemed to bloom in order to be looked at, in the midst of the music and of human voices.
Two friends, with their backs to the orchestra were scanning those rows of elegance, that exhibition of real or false charms, of jewels, of luxury and of pretensions which showed itself off all round the Grand-Théâtre, and one of them Roger de Salnis, said to his companion, Bernard Grandin: "Just look how beautiful Countess de Mascaret still is."
Then the older, in turn, looked through his opera glasses at a tall lady in a box opposite, who appeared to be still very young, and whose striking beauty seemed to appeal to the eyes in every corner of the house. Her pale complexion, of an ivory tint, gave her the appearance of a statue, while a small, diamond coronet glistened on her black hair like a milky way.
When he had looked at her for some time, Bernard Grandin replied with a jocular accent of sincere conviction: "You may well call her beautiful." "How old do you think she is?" "Wait a moment. I can tell you exactly, for I have known her since she was a child, and I saw her make her debut into society when she was quite a girl. She is … she is … thirty … thirty-six." "Impossible!" "I am sure of it." "She looks twenty-five." "She has had seven children." "It is incredible." "And what is more, they are all seven alive, as she is a very good mother. I go to the house, which is a very quiet and pleasant one, occasionally, and she realizes the phenomenon of the family in the midst of the world." "How very strange! And have there never been any reports about her?" "Never." "But what about her husband? He is peculiar, is he not?"
"Yes, and no. Very likely there has been a little drama between them, one of those little domestic dramas which one suspects, which one never finds out exactly, but which one guesses pretty nearly." "What is it?" "I do not know anything about it. Mascaret leads a very fast life now, after having been a model husband. As long as he remained a good spouse, he had a shocking temper and was crabbed and easily took offense, but since he has been leading his present, rackety life, he has become quite indifferent; but one would guess that he has some trouble, a worm gnawing somewhere, for he has aged very much."
Thereupon the two friends talked philosophically for some minutes about the secret, unknowable troubles, which differences of character or perhaps physical antipathies, which were not perceived at first, give rise to in families, and then Roger de Salnis, who was still looking at Madame de Mascaret through his opera-glasses, said: "It is almost incredible that that woman has had seven children!" "Yes, in eleven years; after which, when she was thirty, she put a stop to her period of production in order to enter into the brilliant period of representation, which does not seem near coming to an end." "Poor women!" "Why do you pity them?"
"Why? Ah! my dear fellow, just consider! eleven years of pregnancy, for such a woman! What a hell! All her youth, all her beauty, every hope of success, every poetical ideal of a bright life, sacrificed to that abominable law of reproduction which turns the normal woman into a mere machine for reproduction." "What would you have? It is only nature!"
"Yes, but I say that nature is our enemy, that we must always fight against nature, for she is continually bringing us back to an animal state. You may be sure that God has not put anything onto this earth that is clean, pretty, elegant, or accessory to our ideal, but the human brain has done it. It is we who have introduced a little grace, beauty, unknown charm and mystery into creation by singing about it, interpreting it, by admiring it as poets, idealizing it as artists, and by explaining it as learned men who make mistakes, but who find ingenious reasons, some grace and beauty, some unknown charm and mystery in the various phenomena of nature. God only created coarse beings, full of the germs of disease, and who, after a few years of bestial enjoyment, grow old and infirm, with all the ugliness and all the want of power of human decrepitude. He only seems to have made them in order that they may reproduce their species in a dirty manner, and then die like ephemeral insects. I said, reproduce their species in a dirty manner, and I adhere to that expression. What is there, as a matter of fact, more ignoble and more repugnant than that filthy and ridiculous act of the reproduction of living beings, against which all delicate minds always have revolted, and always will revolt? Since all the organs which have been invented by this economical and malicious Creator serve two purposes, why did he not choose others that were not dirty and sullied, in order to entrust them with that sacred mission, which is the noblest and the most exalted of all human functions? The mouth, which nourishes the body by means of material food, also diffuses abroad speech and thought. Our flesh revives itself by means of itself, and at the same time, ideas are communicated by it. The sense of smell, which gives the vital air to the lungs, imparts all the perfumes of the world to the brain: the smell of flowers, of woods, of trees, of the sea. The ear, which enables us to communicate with our fellow men, has also allowed us to invent music, to create dreams, happiness, the infinite and even physical pleasure, by means of sounds! But one might say that the cynical and cunning Creator wished to prohibit man from ever ennobling and idealizing his commerce with women. Nevertheless, man has found love, which is not a bad reply to that sly Deity, and he has ornamented it so much with literary poetry, that woman often forgets the contact she is obliged to submit to. Those among us who are powerless to deceive themselves, have invented vice and refined debauchery, which is another way of laughing at God, and of paying homage, immodest homage, to beauty.
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