Beautiful Stories from Shakespeare. Уильям Шекспир
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my lord,” answered Cordelia.
“Nothing can come of nothing. Speak again,” said the King.
And Cordelia answered, “I love your Majesty according to my duty-no more, no less.”
And this she said, because she was disgusted with the way in which her sisters professed love, when really they had not even a right sense of duty to their old father.
“I am your daughter,” she went on, “and you have brought me up and loved me, and I return you those duties back as are right and fit, obey you, love you, and most honor you.”
Lear, who loved Cordelia best, had wished her to make more extravagant professions of love than her sisters. “Go,” he said, “be for ever a stranger to my heart and me.”
The Earl of Kent, one of Lear’s favorite courtiers and captains, tried to say a word for Cordelia’s sake, but Lear would not listen. He divided the kingdom between Goneril and Regan, and told them that he should only keep a hundred knights at arms, and would live with his daughters by turns.
When the Duke of Burgundy knew that Cordelia would have no share of the kingdom, he gave up his courtship of her. But the King of France was wiser, and said, “Thy dowerless daughter, King, is Queen of us-of ours, and our fair France.”
“Take her, take her,” said the King; “for I will never see that face of hers again.”
So Cordelia became Queen of France, and the Earl of Kent, for having ventured to take her part, was banished from the kingdom. The King now went to stay with his daughter Goneril, who had got everything from her father that he had to give, and now began to grudge even the hundred knights that he had reserved for himself. She was harsh and undutiful to him, and her servants either refused to obey his orders or pretended that they did not hear them.
Now the Earl of Kent, when he was banished, made as though he would go into another country, but instead he came back in the disguise of a servingman and took service with the King. The King had now two friends-the Earl of Kent, whom he only knew as his servant, and his Fool, who was faithful to him. Goneril told her father plainly that his knights only served to fill her Court with riot and feasting; and so she begged him only to keep a few old men about him such as himself.
“My train are men who know all parts of duty,” said Lear. “Goneril, I will not trouble you further-yet I have left another daughter.”
And his horses being saddled, he set out with his followers for the castle of Regan. But she, who had formerly outdone her sister in professions of attachment to the King, now seemed to outdo her in undutiful conduct, saying that fifty knights were too many to wait on him, and Goneril (who had hurried thither to prevent Regan showing any kindness to the old King) said five were too many, since her servants could wait on him.
Then when Lear saw that what they really wanted was to drive him away, he left them. It was a wild and stormy night, and he wandered about the heath half mad with misery, and with no companion but the poor Fool. But presently his servant, the good Earl of Kent, met him, and at last persuaded him to lie down in a wretched little hovel. At daybreak the Earl of Kent removed his royal master to Dover, and hurried to the Court of France to tell Cordelia what had happened.
Cordelia’s husband gave her an army and with it she landed at Dover. Here she found poor King Lear, wandering about the fields, wearing a crown of nettles and weeds. They brought him back and fed and clothed him, and Cordelia came to him and kissed him.
“You must bear with me,” said Lear; “forget and forgive. I am old and foolish.”
And now he knew at last which of his children it was that had loved him best, and who was worthy of his love.
Goneril and Regan joined their armies to fight Cordelia’s army, and were successful; and Cordelia and her father were thrown into prison. Then Goneril’s husband, the Duke of Albany, who was a good man, and had not known how wicked his wife was, heard the truth of the whole story; and when Goneril found that her husband knew her for the wicked woman she was, she killed herself, having a little time before given a deadly poison to her sister, Regan, out of a spirit of jealousy.
But they had arranged that Cordelia should be hanged in prison, and though the Duke of Albany sent messengers at once, it was too late. The old King came staggering into the tent of the Duke of Albany, carrying the body of his dear daughter Cordelia, in his arms.
And soon after, with words of love for her upon his lips, he fell with her still in his arms, and died.
TWELFTH NIGHT
Orsino, the Duke of Illyria, was deeply in love with a beautiful Countess named Olivia. Yet was all his love in vain, for she disdained his suit; and when her brother died, she sent back a messenger from the Duke, bidding him tell his master that for seven years she would not let the very air behold her face, but that, like a nun, she would walk veiled; and all this for the sake of a dead brother’s love, which she would keep fresh and lasting in her sad remembrance.
The Duke longed for someone to whom he could tell his sorrow, and repeat over and over again the story of his love. And chance brought him such a companion. For about this time a goodly ship was wrecked on the Illyrian coast, and among those who reached land in safety were the captain and a fair young maid, named Viola. But she was little grateful for being rescued from the perils of the sea, since she feared that her twin brother was drowned, Sebastian, as dear to her as the heart in her bosom, and so like her that, but for the difference in their manner of dress, one could hardly be told from the other. The captain, for her comfort, told her that he had seen her brother bind himself “to a strong mast that lived upon the sea,” and that thus there was hope that he might be saved.
Viola now asked in whose country she was, and learning that the young Duke Orsino ruled there, and was as noble in his nature as in his name, she decided to disguise herself in male attire, and seek for employment with him as a page.
In this she succeeded, and now from day to day she had to listen to the story of Orsino’s love. At first she sympathized very truly with him, but soon her sympathy grew to love. At last it occurred to Orsino that his hopeless love-suit might prosper better if he sent this pretty lad to woo Olivia for him. Viola unwillingly went on this errand, but when she came to the house, Malvolio, Olivia’s steward, a vain, officious man, sick, as his mistress told him, of self-love, forbade the messenger admittance.
Viola, however (who was now called Cesario), refused to take any denial, and vowed to have speech with the Countess. Olivia, hearing how her instructions were defied and curious to see this daring youth, said, “We’ll once more hear Orsino’s embassy.”
When Viola was admitted to her presence and the servants had been sent away, she listened patiently to the reproaches which this bold messenger from the Duke poured upon her, and listening she fell in love with the supposed Cesario; and when Cesario had gone, Olivia longed to send some love-token after him. So, calling Malvolio, she bade him follow the boy.
“He left this ring behind him,” she said, taking one from her finger. “Tell him I will none of it.”
Malvolio did as he was bid, and then Viola, who of course knew perfectly well that she had left no ring behind her, saw with a woman’s quickness that Olivia loved her. Then she went back to the Duke, very sad at heart for her lover, and for Olivia, and for herself.
It was but cold comfort she could give Orsino, who now sought to ease the pangs of despised love by listening to sweet music, while Cesario stood by his side.
“Ah,” said the Duke to his page that night, “you too have been in love.”
“A little,” answered Viola.
“What kind of woman is it?” he asked.
“Of your complexion,” she answered.
“What years, i’ faith?” was his next question.
To this came the pretty answer, “About your years, my lord.”
“Too old, by Heaven!” cried the Duke. “Let still the woman take an elder than herself.”
And Viola very