The Carlovingian Coins; Or, The Daughters of Charlemagne. Эжен Сю

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The Carlovingian Coins; Or, The Daughters of Charlemagne - Эжен Сю


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II.

      THE COURTYARD OF THE PALACE

      The conversation between the young Roman and Vortigern was at this point interrupted by Amael, who, turning back to his grandson and extending his arm towards the horizon said to him:

      "Look yonder, my child; that is the Queen of the cities of the Empire of Charles the Great – the city of Aix-la-Chapelle."

      Vortigern hastened to join his grandfather, whose eyes he now, perhaps for the first time, sought to avoid with not a little embarrassment. Octave's words sounded wrong on his ears, even dangerous; and he reproached himself for having listened to them with some pleasure. Having reached Amael, Vortigern cast his eyes in the direction pointed out by the old man, and saw at still a great distance an imposing mass of buildings, close to which rose the high steeple of a basilica. Presently, he distinguished the roofs and terraces of a cluster of houses dimly visible through the evening mist and stretching out along the horizon. It was the Emperor's palace and the basilica of Aix-la-Chapelle. Vortigern contemplated with curiosity the, to him, new panorama, while Hildebrad, who had cantered ahead to make some inquiries from a cartman coming from the city, now returned to the Bretons, saying:

      "The Emperor is hourly expected at the palace. The forerunners have announced his approach. He is coming from a journey in the north of Gaul. Let's hasten to ride in ahead of him so that we may salute him on his arrival."

      The riders quickened their horses' steps, and before sunset they were entering the outer court of the palace – a vast space surrounded by many lodges of variously shaped roofs and architecture, and furnished with innumerable windows. Agreeable to a unique plan, with many of these structures the ground floor was wholly open and had the appearance of a shed whose massive stone pillars supported the masonry of the upper tiers of floors. A crowd of subaltern officers, of servants, and slaves of the palace, lived and lodged under these sheds, open to the four winds of heaven and heated in winter by means of large furnaces that were kept lighted night and day. This bizarre architecture was conceived by the ingenuity of the Emperor. It enabled him, from his observatory, to see with all the greater ease all that happened in these wall-less apartments. Several long corridors, profusely ornamented with richly sculptured columns and porticos after the fashion of Rome, connected with another set of buildings. A square pavilion, raised considerably above ground, dominated the system of structures. Octave called Vortigern's attention to a sort of balcony located in front of the pavilion. It was the Emperor's observatory. Everywhere a general stir announced the approaching arrival of Charles. Clerks, soldiers, women, officers, rhetoricians, monks and slaves crossed one another in great haste, while several bishops, anxious to present the first homages to the Emperor, were speeding towards the peristyle of the palace. So instantly was the Emperor expected and such was the hurly at the event, that when the cavalcade, of which Vortigern and his grandfather were a part, entered the court, several people, deceived by the martial appearance of the troupe, began to cry: "The Emperor!" "Here is the Emperor's escort!" The cry flew from mouth to mouth, and in an instant the spacious court was filled with a compact mass of servitors and pursuivants, through which the escort of the two Bretons was hardly able to break its way in order to reach a place near the principal portico. Hildebrad had chosen the spot in order to be among the first to meet Charles and to present to him the hostages whom he brought from Brittany. The crowd discovered its mistake in acclaiming the Emperor, but the false rumor had penetrated the palace and immediately the concubines of Charles, his daughters and grand-daughters, their servants and attendants, rushed out and grouped themselves on a spacious terrace above the portico, near which the two Bretons, together with their escort, had taken their stand.

      "Raise your eyes, Vortigern," Octave said to his companion. "Look and see what a bevy of beauties the Emperor's palace contains."

      Blushing, the young Breton glanced towards the terrace and remained struck with astonishment at the sight of some twenty-five or thirty women, all of whom were either daughters or grand-daughters of Charles, together with his concubines. They were clad in the Frankish fashion, and presented the most seductive variety of faces, color of hair, shapes and beauty imaginable. There were among them brunettes and blondes, women of reddish and of auburn hair, some tall, others stout, and yet others thin and slender. It was a complete display of Germanic feminine types – from the tender maid up to the stately matron of forty years. The eyes of Vortigern fell with preference upon a girl of not more than fifteen, clad in a tunic of pale green embroidered with silver. Nothing sweeter could be imagined than her rosy and fresh face crowned and set off by long and thick strands of blonde hair; her delicate neck, white as a swan's, seemed to undulate under the weight of her magnificent head of hair. Another maid of about twenty years – a pronounced brunette, robust, with challenging eyes, black hair, and clad in a tunic of orange – leaned on the balustrade, supporting her chin in one hand, close to the younger blonde, on whose shoulders she familiarly rested her right arm. Each held in her hand a nose-gay of rosemary, whose fragrance they inhaled from time to time, all the while conversing in a low voice and contemplating the group of riders with increasing curiosity. They had learned that the escort was not the Emperor's, but that it brought the Breton hostages.

      "Give thanks to my friendship, Vortigern," Octave whispered to the lad. "I am going to place you in evidence, and to display you at your true worth." Saying this, Octave covertly gave Vortigern's horse such a sharp touch of his whip under the animal's belly that, had the Breton been less of a horseman, he had been thrown by the violence of the bound made by his mount. Thus unexpectedly stung, the animal reared, poised himself dangerously for a moment and then leaped so high that Vortigern's coif grazed the bottom of the terrace where the group of women stood. The blonde young girl grew pale with terror, and hiding her face in her hands, exclaimed: "Unhappy lad! He is killed! Poor young man!"

      Yielding to the impulse of his age as well as to a sense of pride at finding himself the object of the attention of the crowd that was gathered around him, Vortigern severely chastised his horse, whose leaps and bounds threatened to become dangerous. But the lad, preserving his presence of mind and drawing upon his skill, displayed so much grace and vigor in the struggle, despite his right arm's being held in the scarf, that the crowd wildly clapped its hands and cried: "Glory to the Breton!" "Honor to the Breton!" Two bouquets of rosemary fell, at that moment, at the feet of the horse that, brought at last under control, champed his bit and pawed the ground with his hoofs. Vortigern raised his head towards the terrace whence the bouquets had just been thrown at him, when a formidable din arose from a distance, followed immediately by the cry, echoed and re-echoed: "The Emperor!" "The Emperor!"

      At the announcement, all the women forthwith left the balcony to descend and receive the monarch under the portico of the palace.

      While the crowd swayed back and forward, crying: "Long live Charles!" "Long live Charles the Great!" the grandson of Amael saw a troop of riders approaching at a gallop. They might have been taken for equestrian statues of iron. Mounted upon chargers caparisoned in iron, their own iron casques hid their faces; cuirassed in iron and gloved in iron, they wore leggings of iron, and bucklers of the same metal. The last rays of the westering sun shone from the points of their iron lances. In short, nothing was heard but the clash of iron. At the head of these cavaliers, whom he preceded, and, like them, cased in iron from head to foot, rode a man of colossal stature. Hardly arrived before the principal portico, he alighted slowly from his horse and ran limping towards the group of women who there awaited him, calling out to them, as he ran, in a little shrill and squeaky voice that contrasted strangely with his enormous build:

      "Good-day, little ones. Good-day, dear daughters. Good-day to all of you, my darlings." Without giving any heed to the cheers of the crowd and to the respectful salutations of the bishops and other dignitaries, who hurried to meet him, the Emperor Charles, that giant in iron, disappeared within the palace, followed by his feminine cohort.

      CHAPTER III.

      IN THE GALLERIES OF THE PALACE

      Amael and his grandson were lodged in one of the upper chambers of the palace, whither they were conducted by Hildebrad to rest after the fatigue of their recent journey. Supper was served to them and they were left to retire for the night.

      At break of day the next morning, Octave knocked at the door of the two Bretons and informed them that the Emperor wished to see them.


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