The World as Will and Idea (Vol. 3 of 3). Артур Шопенгауэр

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The World as Will and Idea (Vol. 3 of 3) - Артур Шопенгауэр


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with necessity under the guidance of causality by the strictly determined course of the world.

      Accordingly then, from one point of view, which we certainly cannot abandon, because it is established by the objective laws of the world, which are a priori valid, the world, with all that is in it, appears as an aimless, and therefore incomprehensible, play of an eternal necessity, an inscrutable and inexorable Αναγκη. Now, what is objectionable, nay, revolting, in this inevitable and irrefutable view of the world cannot be thoroughly done away with by any assumption except this, that as in one aspect every being in the world is a phenomenon, and necessarily determined by the laws of the phenomenon, in another aspect it is in itself will, and indeed absolutely free will, for necessity only arises through the forms which belong entirely to the phenomenon, through the principle of sufficient reason in its different modes. Such a will, then, must be self-dependent, for, as free, i. e., as a thing in itself, and therefore not subject to the principle of sufficient reason, it cannot depend upon another in its being and nature any more than in its conduct and action. By this assumption alone will as much freedom be supposed as is needed to counterbalance the inevitable strict necessity which governs the course of the world. Accordingly one has really only the choice either of seeing that the world is a mere machine which runs on of necessity, or of recognising a free will as its inner being whose manifestation is not directly the action but primarily the existence and nature of things. This freedom is therefore transcendental, and consists with empirical necessity, in the same way as the transcendental ideality of phenomena consists with their empirical reality. That only under this assumption the action of a man, in spite of the necessity with which it proceeds from his character and the motives, is yet his own I have shown in my prize essay on the freedom of the will; with this, however, self-dependency is attributed to his nature. The same relation holds good of all things in the world. The strictest necessity, carried out honestly with rigid consistency, and the most perfect freedom, rising to omnipotence, had to appear at once and together in philosophy; but, without doing violence to truth, this could only take place by placing the whole necessity in the acting and doing (Operari), and the whole freedom in the being and nature (Esse). Thereby a riddle is solved which is as old as the world, simply because it has hitherto always been held upside down and the freedom persistently sought in the Operari, the necessity in the Esse. I, on the contrary, say: Every being without exception acts with strict necessity, but it exists and is what it is by virtue of its freedom. Thus with me freedom and necessity are to be met with neither more nor less than in any earlier system; although now one and now the other must be conspicuous according as one takes offence that will is attributed to processes of nature which hitherto were explained from necessity, or that the same strict necessity is recognised in motivation as in mechanical causality. The two have merely changed places: freedom has been transferred to the Esse, and necessity limited to the Operari.

      In short, Determinism stands firm. For fifteen hundred years men have wearied themselves in vain to shake it, influenced by certain crotchets, which are well known, but dare scarcely yet be called by their name. Yet in accordance with it the world becomes a mere puppet-show, drawn by wires (motives), without it being even possible to understand for whose amusement. If the piece has a plan, then fate is the director; if it has none, then blind necessity. There is no other deliverance from this absurdity than the knowledge that the being and nature of all things is the manifestation of a really free will, which knows itself in them; for their doing and acting cannot be delivered from necessity. To save freedom from fate and chance, it had to be transferred from the action to the existence.

      As now necessity only affects the phenomenon, not the thing in itself, i. e., the true nature of the world, so also does multiplicity. This is sufficiently explained in § 25 of the first volume. I have only to add here one remark in confirmation and illustration of this truth.

      Every one knows only one being quite immediately – his own will in self-consciousness. Everything else he knows only indirectly, and then judges it by analogy with this; a process which he carries further in proportion to the grade of his reflective powers. Even this ultimately springs from the fact that there really is only one being; the illusion of multiplicity (Maja), which proceeds from the forms of external, objective comprehension, could not penetrate to inner, simple consciousness; therefore this always finds before it only one being.

      If we consider the perfection of the works of nature, which can never be sufficiently admired, and which even in the lowest and smallest organisms, for example, in the fertilising parts of plants or in the internal construction of insects, is carried out with as infinite care and unwearied labour as if each work of nature had been its only one, upon which it was therefore able to expend all its art and power; if we yet find this repeated an infinite number of times in each one of innumerable individuals of every kind, and not less carefully worked out in that one whose dwelling-place is the most lonely, neglected spot, to which, till then, no eye had penetrated; if we now follow the combination of the parts of every organism as far as we can, and yet never come upon one part which is quite simple, and therefore ultimate, not to speak of one which is inorganic; if, finally, we lose ourselves in calculating the design of all those parts of the organism for the maintenance of the whole by virtue of which every living thing is complete in and for itself; if we consider at the same time that each of these masterpieces, itself of short duration, has already been produced anew an innumerable number of times, and yet every example of a species, every insect, every flower, every leaf, still appears just as carefully perfected as was the first of its kind; thus that nature by no means wearies and begins to bungle, but, with equally patient master-hand, perfects the last like the first: then we become conscious, first of all, that all human art is completely different, not merely in degree, but in kind, from the works of nature; and, next, that the working force, the natura naturans, in each of its innumerable works, in the least as in the greatest, in the last as in the first, is immediately present whole and undivided, from which it follows that, as such and in itself, it knows nothing of space and time. If we further reflect that the production of these hyperboles of all works of art costs nature absolutely nothing, so that, with inconceivable prodigality, she creates millions of organisms which never attain to maturity, and without sparing exposes every living thing to a thousand accidents, yet, on the other hand, if favoured by chance or directed by human purpose, readily affords millions of examples of a species of which hitherto there was only one, so that millions cost her no more than one; this also leads us to see that the multiplicity of things has its root in the nature of the knowledge of the subject, but is foreign to the thing in itself, i. e., to the inner primary force which shows itself in things; that consequently space and time, upon which the possibility of all multiplicity depends, are mere forms of our perception; nay, that even that whole inconceivable ingenuity of structure associated with the reckless prodigality of the works upon which it has been expended ultimately springs simply from the way in which things are apprehended by us; for when the simple and indivisible original effort of the will exhibits itself as object in our cerebral knowledge, it must appear as an ingenious combination of separate parts, as means and ends of each other, accomplished with wonderful completeness.

      The unity of that will, here referred to, which lies beyond the phenomenon, and in which we have recognised the inner nature of the phenomenal world, is a metaphysical unity, and consequently transcends the knowledge of it, i. e., does not depend upon the functions of our intellect, and therefore can not really be comprehended by it. Hence it arises that it opens to the consideration an abyss so profound that it admits of no thoroughly clear and systematically connected insight, but grants us only isolated glances, which enable us to recognise this unity in this and that relation of things, now in the subjective, now in the objective sphere, whereby, however, new problems are again raised, all of which I will not engage to solve, but rather appeal here to the words est quadam prodire tenus, more concerned to set up nothing false or arbitrarily invented than to give a thorough account of all; – at the risk of giving here only a fragmentary exposition.

      If we call up to our minds and distinctly go through in thought the exceedingly acute theory of the origin of the planetary system, first put forth by Kant and later by Laplace, a theory of which it is scarcely possible to doubt the correctness,


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