A Tour Through the Whole Island of Great Britain II. Даниэль Дефо
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I have not seen. At the northeast corner of this terrace, where it turns south, to run on by the east side of the castle, there are steps, by which you go off upon the plain of the park, which is kept smooth as a carpet, and on the edge of which, the prospect of the terrace is doubled by a vista, south over the park, and quite up to the great park, and towards the forest. Here also is a small seat, fit for one, or but two at the most, with a high back, and cover for the head, which turns so easily, the whole being fix’d on a pin of iron, or brass, of strength sufficient, that the persons who sit in it, may turn it from the wind, and which way soever the wind blows, or how hard soever, yet they may sit in a perfect tranquillity, and enjoy a compleat calm. This is said also, to be Queen Elizabeth’s own invention, who, though she delighted in being abroad in the air, yet hated to be ruffled with the wind. It is also an admirable contrivance for the person sitting in it, to shelter himself from the sun.
This lofty terrace makes the castle quite another thing, and gives an egress to the people within to the park, and to a most beautiful walk, which King Edward III. nor his successors for some hundreds of years, knew nothing of, all their prospect being from the windows of the castle.
On that side of the building which looks out upon the terrace, are all the royal apartments, King Edward Ill’s were on the east side. The east side is now allotted to great officers of state, who are obliged to attend whenever the Court removes to Windsor, such as the Lord Treasurers, Secretaries of State, Lord High Chancellor, Lord Archbishop of Canterbury, and the like; and below they have proper offices for business, if they please to order any to be done there.
You mount into the royal apartments, by several back stairs; but the publick way is up a small ascent to a flat, or half pace (for I love to make my account speak English) where there are two entries of state, by two large stair-cases, one on the left hand to the royal apartments, and the other, on the right, to St. George’s -Hall, and the royal chapel.
Before the enterance to these, on either side, you pass through the guard chambers, where you see the walls furnished with arms, and the king’s Beef-eaters, as they call the yeomen of the guard, keep their station, or, as it may be called, their main guard. These rooms lead either way, towards the fine lodgings, or towards St. George’s Hall, which you please.
In the royal lodgings, there have been so many alterations of furniture, that there can be no entering upon the particular description. In one of those lodgings, the late Queen Mary set up a rich atlas, and chints bed, which, in those times, was invaluable, the chints being of Masslapatan, on the coast of Coromandel, the finest that was ever seen before that time in England; but the rate of those things have suffered much alteration since that time. Also here was, some time before that, the picture of the late Dutchess of Portsmouth at full length, a noble piece, and of which ’twas said, King Charles II. should say, ’Twas the finest painting, of the finest woman in Christendom; but our English ladies of Queen Mary’s court, were of another opinion, and the Gallery of Beauties, as it was called, which her majesty placed in the water gallery at Hampton Court, shews several as good faces, and as good painting.
In the chimney-piece of one of these apartments, is a piece of needle-work exquisitely fine, performed, as they say, by the Queen of Scots, during the time of her confinement in Fotheringay Castle. There are several family pieces in the chimney-pieces, and other parts of those lodgings, that are valuable, because of the persons they represent: But the finery of painting is to come.
These rooms look all out north towards the terrace, and over part of the finest, and richest, vale in the world; for the same vale attending the course of the River Thames, with very little interruption, reaches to, and includes the city of London east, and the city of Oxford west: The river, with a winding, and beautiful stream, gliding gently through the middle of it, and inriching by its navigation, both the land and the people on every side.
It must be confess’d, that, as William the Conqueror expresses it in his letter to the monks at Windsor, it was a place fit for the entertainment of kings, so it is; for it seems, by nature, to be formed for a palace; and for delight; all kinds of pleasure and convenience, that any country, at least in England, can afford, are to be found here.
It may be proper here to say something to the beauties and ornaments of St. George’s Hall, though nothing can be said equal to what the eye would be witness to; ’tis surprizing, at the first entrance, to see at the upper end, the picture of King William on horseback, under him, an ascent with marble steps, a balustrade, and a half pace, which, formerly, was actually there, with room for a throne, or chair of state, for the sovereign to sit on, when on publick days he thought fit to appear in ceremony.
No man that had seen the former steps or ascent, and had gone up to the balustrade and throne, as I had done, could avoid supposing, they were there still; and as on a casual view, having been absent some years out of the nation, I was going forward towards the end of the hall, intending to go up the steps, as I had done formerly, I was confounded, when I came nearer, to see that the ascent was taken down, the marble steps gone, the chair of state, or throne, quite away, and that all I saw, was only painted upon the wall below the king and his horse; indeed it was so lively, so bright, so exquisitely performed, that I was perfectly deceived, though I had some pretension to judgment in pictures too; nor was my eye alone deceived, others were under the same deception, who were then with me.
When I came to the farther end, and look’d from the throne, as I called it, down the hall. I was again surprized, though most agreeably, I confess, viz. The painting on the side of the hall, which was the representation of Prince Edward’s triumph, in imitation of Caesar’s glorious entry into Rome, and which was drawn marching from the lower end of the room, to the upper, that is to say, from the door, which is in the corner on the north side of the hall, was now wholly inverted, and the same triumph was performed again; but the march turned just the other way.
That this could be done no other way, but by wiping the whole work out, and painting it all over again, was easy to conclude, seeing it was not done upon cloth, but upon the mere plaister of the wall, as appeared by the salts of the lime in the wall, having work’d out, and spoiled a great piece of the paint; besides, the nature of the thing forbids; for if it had been a canvas, turning it would have been impracticable, for then all the imagery would have stood heels up, unless it had been carried on to the directly opposite part of the hall, and that could not be, because there were the windows, looking all into the inner court of the castle.
The first painting was done by Mr. Varrio, who, after finishing this work, was entertained for 12 years at Burley House, near Stamford, by that great lover of art, and particularly of fine painting, the Earl of Excester: After which King William entertained him again, and, as they told me, he performed this second painting of the hall, with greater mastership of hand, than he had done the first. The painting of the cielings generally remain, being finished by the same hand in a most exquisite manner at first.
At the west end of the hall, is the chapel royal, the neatest and finest of the kind in England; the carv’d work is beyond any that can be seen in England, the altar-piece is that of the institution, or, as we may call it, our Lord’s first supper. I remember, that going with some friends to shew them this magnificent palace, it chanced to be at the time when the Dissenters were a little uneasy at being obliged to kneel at the Sacrament; one of my friends, who, as I said, I carried to see Windsor Castle, was a Dissenter, and when he came into the chapel, he fix’d his eyes upon the altar-piece with such a fix’d, steady posture, and held it so long, that I could not but take notice of it, and asked him, Whether it was not a fine piece? Yes, says he, it is; but, whispering to me, he added, How can your people prosecute us for refusing to kneel at the Sacrament? Don’t you see there, that though our Saviour himself officiates, they are all sitting about the table?
I confess it surprized me, and, at first, I knew not what answer to make to him; but I told him, That was not a place for him and I to dispute it, we would talk of it afterwards, and so we did, but brought it to no conclusion, so ’tis needless to mention it any more here.
After we had spent some hours in viewing all that was curious on this side, we came down to the dungeon, or Round Tower, which goes up a long, but easy, ascent of steps, and is very high. Here we were obliged to deliver up our swords, but no where else.
There is nothing curious here: The governor,