William Cowper was appointed King's counsel about 1694; he succeeded Sir Nathan Wright, as Lord Keeper of the Great Seal, October 11, 1705; was created Baron Cowper of Wingham, November 9, 1706; and was appointed Lord Chancellor, May 4, 1707, which post he held till September 14, 1710. On the accession of King
1
William Cowper was appointed King's counsel about 1694; he succeeded Sir Nathan Wright, as Lord Keeper of the Great Seal, October 11, 1705; was created Baron Cowper of Wingham, November 9, 1706; and was appointed Lord Chancellor, May 4, 1707, which post he held till September 14, 1710. On the accession of King George, he was again appointed Lord Chancellor, and, on resigning the Great Seal, was created Earl Cowper and Viscount Fordwich, March 18, 1717-18. He died in 1723. Lord Cowper refused to accept New Year's gifts from the counsellors at law, which had been long given to his predecessors, and, when he was Chancellor, though in friendship with the Duke of Marlborough, and of the same political principles, he refused to put the broad seal of his office to a commission for making his Grace generalissimo for life. "When Steele's patent, as Governor of the Theatre Royal, passed the Great Seal, Lord Chancellor Cowper, in compliment to Sir Richard, would receive no fee" (Cibber's "Apology"). He was praised by Hughes, under the name of "Manilius," in No. 467 of the Spectator.
2
The date of Lord Cowper's birth is not known, but in 1710 he was probably about 46. He entered the Middle Temple in 1682.
3
In a pamphlet entitled "A Letter to Isaac Bickerstaff," 1710, Lord Cowper defended the character of the Duchess of Marlborough against an attack by Bolingbroke in a "Letter to the Examiner."
5
Cavalier Nicolini Grimaldi was a Neapolitan actor and singer, who appeared first in England in McSwiney's "Pyrrhus and Demetrius." He is often mentioned in the Spectator (see Nos. , , ), and seems to have been a friend of both Addison and Steele. Addison praises him alike as an actor and as a singer. The following letter from Hughes to Nicolini, dated February 4, 1709-10, is given in Hughes' "Correspondence" (Dublin, 1773, i. 33-4): "Depuis que j'ai eu l'honneur d'être chez vous à la répétition de l'opéra, j'ai diné avec Mr. Steele, et la conversation roulante sur vous, je lui dis la manière obligeante dont je vous avois ou parler de Mr. Bickerstaff, en disant que vous aviez beaucoup d'inclination à étudier l'Anglois pour avoir seulement le plaisir de lire le Tatler. Il trouvre que votre compliment à l'auteur du Tatler est fort galant." Nicolini sang in Italian to the English of Mrs. Tofts (see No. , and Spectator, No. ), but Cibber observes that "whatever defect the fashionably skilful might find in her manner, she had, in the general sense of her spectators, charms that few of the most learned singers ever arrive at." A letter from Lady Wentworth, dated December 10, 1708, gives us a curious glimpse of Nicolini and Mrs. Tofts: "My dearest and best of children … Yesterday I had lyke to have been ketched in a trap, your Brother Wentworth had almoste persuaded me to have gon last night to hear the fyne muisick the famous Etallion sing att the rehersall of the Operer, which he asured me it was soe dark none could see me. Indeed musick was the greatest temtation I could have, but I was afraid he deceaved me, soe Betty only went with his wife and him; and I rejoysed I did not, for thear was a vast deal of company and good light—but the Dutchis of Molbery had gott the Etallion to sing and he sent an excuse, but the Dutchis of Shrosberry made him com, brought him in her coach, but Mrs. Taufs huft and would not sing becaus he had first put it ofe; though she was thear yet she would not, but went away. I wish the house would al joyne to humble her and not receav her again. This man out dus Sefachoe, they say that has hard both" ("Wentworth Papers," 1883, p. 66). Mr. Cartwright quotes from a letter in Lord Egmont's collection, dated March 17, 1709: "This day the opera of 'Camilla' is acted expressly for Lord Marlborough. Our famous Nicolini got 800 guineas for his day; and 'tis thought Mrs. Tofts, whose turn it is on Tuesday next, will get a vast deal. She was on Sunday last at the Duke of Somerset's, where there was about thirty gentlemen, and every kiss was one guinea; some took three, others four, others five, at that rate, but none less than one." (Seventh Report of Hist. MSS. Commission, p. 246).
8
Sir James Baker, known as the "Knight of the Peak"; see No. 118. Steele's comments on gambling in the Tatler brought upon him the anger of many of the sharpers. There is a well-known story that Lord Forbes, Major-General Davenport, and Brigadier Bisset were in the St. James's Coffee-house when some well-dressed men entered, and began to abuse Steele as the author of the Tatler. One of them swore that he would cut Steele's throat or teach him better manners. "In this country," said Lord Forbes, "you will find it easier to cut a purse than to cut a throat"; and the cut-throats were soon turned out of the house with every mark of disgrace. A similar incident is described in a recently published letter from Lady Marow to her daughter, Lady Kaye ("Manuscripts of the Earl of Dartmouth," iii. 148; Hist. MSS. Comm., Fifteenth Report, Part I.). Writing on January 5, 1709-10, Lady Marow says: "All the town are full of the Tatler, which I hope you have to prepare you for discourse, for no visit is made that I hear of but Mr. Bickerstaff is mentioned, and I am told he has done so much good that the sharpers cannot increase their stocks as they did formerly; for one Young came into the chocolate-house, and said he would stop Mr. Bickerstaff if he knew him. Mr. Steele, who is thought to write the Tatler, heard Young say so, and, when he went out of the house, said he should walk in St. James's Park an hour, if any would speak with him; but the Hector took no notice."
9
In the original folio number, after indication of certain errata in No. 114, comes the following note: "The reader is desired not to pronounce anything in any one of these writings nonsense, till the following paper comes out."
10
Swift uses this form of the word: "It served him for a nightcap when he went to bed, and for an umbrello in rainy whether."
11
"King Lear," act iv. sc. 6.
12
Altered from Shakespeare's "cock."
