Under the Trees and Elsewhere. Hamilton Wright Mabie
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the vast sweep of untamed waters remains as on the first day. Homer has given us the song of the landlocked sea, but where has the ocean found a human voice that is not lost and forgotten when it speaks to us in its own penetrating tones? The mountains stand revealed in more than one interpretation, touched by their own sublimity, but the sea remains silent in human speech, because no voice will ever be strong enough to match its awful monody.
It is because the sea preserves its secret that it sways our imagination so royally, and holds us by an influence which never loosens its grasp. Again and again we return to it, spent and worn, and it refills the cup of vitality; there is life enough and to spare in its invisible and inexhaustible chambers to reclothe the continents with verdure, and recreate the shattered strength of man. Facing its unbroken solitudes the limitations of habit and thought become less obvious; we escape the monotony of a routine, which blurs the senses and makes the spirit less sensitive to the universe about it. Life becomes free and plastic once more; a deep consciousness of its inexhaustibleness comes over us and recreates hope, vigour, and imagination. Under the little bridges of habit and theory, which we have made for ourselves, how vast and fathomless the sea of being is! What undiscovered forces are there; what unknown secrets of power; what unsearchable possibilities of development and change! How fresh and new becomes that which we thought outworn with use and touched with decay! How boundless and untravelled that which we thought explored and sounded to its remotest bound!
At night, when the vision of the waters grows indistinct, what voices it has for our solitude! The "eternal note of sadness," to which all ages and races have listened, and the faint echoes of which are heard in every literature, fills us with a longing as vast as the sea and as vague. Infinity and eternity are not too great for the spirit when the spell of the sea is on it, and the voice of the sea fills it with uncreated music.
Chapter IX
A Mountain Rivulet
This morning the day broke with a promise of sultry heat which has been faithfully kept. The air was lifeless, the birds silent; the landscape seemed to shrink from the ardour of a gaze that penetrated to the very roots of the trees, and covered itself with a faint haze. All things stood hushed and motionless in a dream of heat; even the harvest fields were deserted. On such a day nature herself becomes voiceless; she seems to retreat into those deep and silent chambers where the sources of her life are hidden alike from the heat and cold, from darkness and light. A strange and foreboding stillness is abroad in the earth, and one hides himself from the sun as from an enemy.
In this unnatural hush there was one voice which made the silence less ominous, and revived the spent and withered freshness of the spirit. To hear that voice seemed to me this morning the one consolation which the day offered. It called me with cool, delicious tones that seemed almost audible, and I braved the deadly heat as the traveller urges his way over the desert to the oasis that promises a draught of life. As I passed along the broad aisle of the village street, arched by the venerable trees of an older generation, I seemed to be in dreamland; no sound broke the repose of midday, no footstep echoed far or near; the cattle stood motionless in the fields beneath the sheltering branches. I turned into the dusty country road, and saw the vision of the great encircling hills, remote, shadowless, and dreamlike, against the white August sky. I sauntered slowly on, pausing here and there at the foot of some sturdy oak or wide-branched apple, until I reached the little stream that comes rippling down from the mountain glen. A short walk across the fields under the burning sun brought me into the shadow of the trees that skirt the borders of the woodland. The brook loitered between its green and sloping banks and broke in tiny billows over the smooth stones that lay in its bed; the shadows grew denser as I advanced, and a delicious coolness from the depths of the woods touched the sultry atmosphere. A moment later, and I stood within the glen. The world of human activity had vanished, shut out of sight and sound by the deepening foliage of the trees behind me. Overhead hardly a leaf stirred, but the branching boughs spread a marvellous roof between the heavens and the woodland paths, and suffered only a stray flash of light here and there to strike through. As I advanced slowly along the well-worn path beside the brook, the glen grew more and more narrow, the hillsides more and more precipitous. In the dusky light that sifted down through the great trees I felt the delicious relief of low tones after the glare of the summer day. It was another world into which I had come; a world of unbroken repose and silence, a world of sweet and fragrant airs cooled by the mountain rivulet and shielded by the mountain summits and the arching umbrage.
The path vanished at last and nothing remained but the narrow channel of the brook itself, the smooth stones making a precarious and uncertain footing for the adventurous explorer. How soothing was the ceaseless plash of that little stream, fretting its moss-grown banks and dashing in miniature surge against the stones in its path! What infinite peace reigned in this place, around which the brotherhood of mountains had gathered, to hold it inviolate against all comers! The great rocks were moss-covered, the steep slopes on either side were faintly flecked with light, and one saw here and there, through the clustered trunks of trees, a gleam of blue sky. Sometimes the brook narrowed to a tiny stream, rushing with impetuous current between the rocky walls that formed its channel; then it spread out shallow and noisy over some broader expanse of white sand and polished pebble; then it loitered in the shadow of a great rock and became a deep, silent pool, full of shadows and the mysteries which lurk in such remote and dusky places.
It was beside such a pool that I paused at last, and seated myself with infinite content. Before me the glen narrowed into a rocky chasm, over which the adventurous trees that clung to the precipitous hillsides spread a dense roof of foliage. The dark pool at my feet was full of mysterious shadows and seemed to cover epochs of buried history. As I studied its motionless surface the old mediaeval legends of black, fathomless pools came back to me, and I felt the air of enchantment stealing over me, lulling my latter-day scepticism into sleep, and making all mysteries rational and all marvels probable. In these silent depths no magical art had ever submerged cities or castles; on the stillest of all quiet afternoons no muffled echoes, faint and far, float up through the waveless waters. But who knows what shadows have sunk into these sunless depths; what reflections of waving branches, what sittings of subdued light, what hushed echoes of the forgotten summers that perished here ages ago?
In such a place, at such an hour, one feels the most subtle and the most searching spell which Nature ever throws over those that seek her; a spell woven of many charms, magical potions, and powerful incantations. The quiet of the place, awful with the unbroken silence of centuries; the soft, half light, which conceals more than it discloses; the retreating trunks of trees interlacing their branches against invasion from light or heat or sound; the steep ravine, receding in darker and darker distance, until it seems like one of the fabled passages to the under world: the wide, shadowy pool, into which no sunlight falls, and in which night itself seems to sleep under the very eyes of day—all these things speak a language which even the dullest must understand. As I sit musing, conscious of the darkest shadows and deepest mysteries close at hand, and yet undisturbed by them, I recall that one of the noblest poems on Death ever written was inspired in this place; and I note without surprise, as its solemn lines come back to me, that there is no horror in it, no ignoble fear, but awe and reverence and the sublimity of a great and hopeful thought. The organ music of those slow-moving verses seems like the very voice of a place out of which all dread has gone from the thought of death, and where the brief span of life seems to arch the abyss of death with immortality.
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