Selected Stories of Bret Harte. Bret Harte
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that Profane Bill took the reins of the Slumgullion Stage the next morning, for the schoolmistress was one of his passengers. As he entered the highroad, in obedience to a pleasant voice from the “inside,” he suddenly reined up his horses and respectfully waited as Tommy hopped out at the command of Miss Mary. “Not that bush, Tommy—the next.”
Tommy whipped out his new pocketknife, and, cutting a branch from a tall azalea bush, returned with it to Miss Mary.
“All right now?”
“All right.”
And the stage door closed on the Idyl of Red Gulch.
BROWN OF CALAVERAS
A subdued tone of conversation, and the absence of cigar smoke and boot heels at the windows of the Wingdam stagecoach, made it evident that one of the inside passengers was a woman. A disposition on the part of loungers at the stations to congregate before the window, and some concern in regard to the appearance of coats, hats, and collars, further indicated that she was lovely. All of which Mr. Jack Hamlin, on the box seat, noted with the smile of cynical philosophy. Not that he depreciated the sex, but that he recognized therein a deceitful element, the pursuit of which sometimes drew mankind away from the equally uncertain blandishments of poker—of which it may be remarked that Mr. Hamlin was a professional exponent.
So that when he placed his narrow boot on the wheel and leaped down, he did not even glance at the window from which a green veil was fluttering, but lounged up and down with that listless and grave indifference of his class, which was, perhaps, the next thing to good breeding. With his closely buttoned figure and self-contained air he was a marked contrast to the other passengers, with their feverish restlessness and boisterous emotion; and even Bill Masters, a graduate of Harvard, with his slovenly dress, his overflowing vitality, his intense appreciation of lawlessness and barbarism, and his mouth filled with crackers and cheese, I fear cut but an unromantic figure beside this lonely calculator of chances, with his pale Greek face and Homeric gravity.
The driver called “All aboard!” and Mr. Hamlin returned to the coach. His foot was upon the wheel, and his face raised to the level of the open window, when, at the same moment, what appeared to him to be the finest eyes in the world suddenly met his. He quietly dropped down again, addressed a few words to one of the inside passengers, effected an exchange of seats, and as quietly took his place inside. Mr. Hamlin never allowed his philosophy to interfere with decisive and prompt action.
I fear that this irruption of Jack cast some restraint upon the other passengers—particularly those who were making themselves most agreeable to the lady. One of them leaned forward, and apparently conveyed to her information regarding Mr. Hamlin’s profession in a single epithet. Whether Mr. Hamlin heard it, or whether he recognized in the informant a distinguished jurist from whom, but a few evenings before, he had won several thousand dollars, I cannot say. His colorless face betrayed no sign; his black eyes, quietly observant, glanced indifferently past the legal gentleman, and rested on the much more pleasing features of his neighbor. An Indian stoicism—said to be an inheritance from his maternal ancestor—stood him in good service, until the rolling wheels rattled upon the river gravel at Scott’s Ferry, and the stage drew up at the International Hotel for dinner. The legal gentleman and a member of Congress leaped out, and stood ready to assist the descending goddess, while Colonel Starbottle, of Siskiyou, took charge of her parasol and shawl. In this multiplicity of attention there was a momentary confusion and delay. Jack Hamlin quietly opened the OPPOSITE door of the coach, took the lady’s hand—with that decision and positiveness which a hesitating and undecided sex know how to admire—and in an instant had dexterously and gracefully swung her to the ground, and again lifted her to the platform. An audible chuckle on the box, I fear, came from that other cynic, “Yuba Bill,” the driver. “Look keerfully arter that baggage, Kernel,” said the expressman, with affected concern, as he looked after Colonel Starbottle, gloomily bringing up the rear of the triumphant procession to the waiting-room.
Mr. Hamlin did not stay for dinner. His horse was already saddled, and awaiting him. He dashed over the ford, up the gravelly hill, and out into the dusty perspective of the Wingdam road, like one leaving pleasant fancy behind him. The inmates of dusty cabins by the roadside shaded their eyes with their hands and looked after him, recognizing the man by his horse, and speculating what “was up with Comanche Jack.” Yet much of this interest centered in the horse, in a community where the time made by “French Pete’s” mare in his run from the Sheriff of Calaveras eclipsed all concern in the ultimate fate of that worthy.
The sweating flanks of his gray at length recalled him to himself. He checked his speed, and, turning into a by-road, sometimes used as a cutoff, trotted leisurely along, the reins hanging listlessly from his fingers. As he rode on, the character of the landscape changed and became more pastoral. Openings in groves of pine and sycamore disclosed some rude attempts at cultivation—a flowering vine trailed over the porch of one cabin, and a woman rocked her cradled babe under the roses of another. A little farther on Mr. Hamlin came upon some barelegged children wading in the willowy creek, and so wrought upon them with a badinage peculiar to himself that they were emboldened to climb up his horse’s legs and over his saddle, until he was fain to develop an exaggerated ferocity of demeanor, and to escape, leaving behind some kisses and coin. And then, advancing deeper into the woods, where all signs of habitation failed, he began to sing—uplifting a tenor so singularly sweet, and shaded by a pathos so subduing and tender, that I wot the robins and linnets stopped to listen. Mr. Hamlin’s voice was not cultivated; the subject of his song was some sentimental lunacy borrowed from the Negro minstrels; but there thrilled through all some occult quality of tone and expression that was unspeakably touching. Indeed, it was a wonderful sight to see this sentimental blackleg, with a pack of cards in his pocket and a revolver at his back, sending his voice before him through the dim woods with a plaint about his “Nelly’s grave” in a way that overflowed the eyes of the listener. A sparrow hawk, fresh from his sixth victim, possibly recognizing in Mr. Hamlin a kindred spirit, stared at him in surprise, and was fain to confess the superiority of man. With a superior predatory capacity, HE couldn’t sing.
But Mr. Hamlin presently found himself again on the highroad, and at his former pace. Ditches and banks of gravel, denuded hillsides, stumps, and decayed trunks of trees, took the place of woodland and ravine, and indicated his approach to civilization. Then a church steeple came in sight, and he knew that he had reached home. In a few moments he was clattering down the single narrow street that lost itself in a chaotic ruin of races, ditches, and tailings at the foot of the hill, and dismounted before the gilded windows of the “Magnolia” saloon. Passing through the long barroom, he pushed open a green-baize door, entered a dark passage, opened another door with a passkey, and found himself in a dimly lighted room whose furniture, though elegant and costly for the locality, showed signs of abuse. The inlaid center table was overlaid with stained disks that were not contemplated in the original design. The embroidered armchairs were discolored, and the green velvet lounge, on which Mr. Hamlin threw himself, was soiled at the foot with the red soil of Wingdam.
Mr. Hamlin did not sing in his cage. He lay still, looking at a highly colored painting above him representing a young creature of opulent charms. It occurred to him then, for the first time, that he had never seen exactly that kind of a woman, and that if he should, he would not, probably, fall in love with her. Perhaps he was thinking of another style of beauty. But just then someone knocked at the door. Without rising, he pulled a cord that apparently shot back a bolt, for the door swung open, and a man entered.
The newcomer was broad-shouldered and robust—a vigor not borne out in the face, which, though handsome, was singularly weak, and disfigured by dissipation. He appeared to be also under the influence of liquor, for he started on seeing Mr. Hamlin, and said, “I thought Kate was here,” stammered, and seemed confused and embarrassed.
Mr. Hamlin smiled the smile which he had before worn on the Wingdam coach, and sat up, quite refreshed and ready for business.
“You didn’t come up on the stage,” continued the newcomer, “did you?”
“No,” replied Hamlin; “I left it at Scott’s Ferry. It isn’t due for half an hour yet. But how’s luck, Brown?”
“Damn bad,” said