Landlocked. Doris Lessing

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Landlocked - Doris  Lessing


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And then, while she watched, the ruin changed: it was the house of the kopje, collapsed into a mess of ant-tunnelled mud, ant-consumed grass, where red ant-made tunnels wove a net, like red veins, over the burial mound of Martha’s soul, over the rotting wood, rotting grass, subsiding mud; and bushes and trees, held at bay so long (but only just, only very precariously) by the Quests’ tenancy, came striding in, marching over the fragments of substance originally snatched from the bush, to destroy the small shelter for the English family that they had built between teeming earth and brazen African sky.

      Yes, she knew that – Martha knew that, if she could not trust her judgement, or rather, if her judgement of outside things, people, was like a light that grew brighter, harsher, as the area it covered grew smaller, she could trust with her life (and with her death, these dreams said) the monitor, the guardian, who stood somewhere, was somewhere in this shell of substance, smooth brown flesh so pleasantly curved into the shape of a young woman with smooth browny-gold hair, alert dark eyes. The guardian was to be trusted in messages of life and death; and to be trusted too when the dream (the Dream, she was beginning to think of it, it came in so many shapes and guises, and so often) moved back in time, or perhaps forward – she did not know; and was no longer the shallow town house of thin brick, and cement and tin, no longer the farm house of grass and mud; but was tall rather than wide, reached up, stretched down, was built layer on layer, but shadowy above and below the shallow mid-area comprising (as they say in the house agents’ catalogues) ‘comprising six or so rooms’ for which this present Martha was responsible, and which she must keep separate.

      Keeping separate meant defeating, or at least holding at bay, what was best in her. The warm response to ‘the biggest legal firm in the city’; the need to put her arms around Mr Robinson when he hurt himself so cruelly on the drawer; the need to say Yes, to comply, to melt into situations; the pleasant relationship with Maisie – well, all this wouldn’t do, she must put an end to it. She had simply to accept, finally, that her role in life, for this period, was to walk like a housekeeper in and out of different rooms, but the people in the rooms could not meet each other or understand each other, and Martha must not expect them to. She must not try and explain, or build bridges.

      Between now and twelve tonight, she would have moved from the office and Mr Robinson, up-and-coming lawyer, future Member of Parliament, with his wife, his two children, and his house in the suburbs, to Maisie; from Maisie to Joss and Solly Cohen; from them, the Cohen boys, to old Johnny Lindsay; from the old miner’s sick-bed to her father’s, nursed by her mother; from the Quests’ house to Anton. None of these people knew each other, or could meet with understanding. Improbably (almost impossibly, she thought) Martha was the link between them. And, a more violently discordant association than any of these, there was Mr Maynard. Mr Maynard was after Maisie, he was on the scent after Maisie, through her, Martha – which brought her back to her immediate preoccupation.

      It was her duty to explain to Maisie, to warn Maisie … the cigarette was finished, and she must leave. She left the washroom door swinging softly behind her, and ran down the wide bare steps, and into the clanging, shouting, sun-glittering street. Her bicycle was in the rack on the pavement. She dropped it into the river of traffic, slid up on to it, and was off down the street, but turned sideways to detour past the parking lot whose edges were now loaded with great mounds of jade-green frothing grass, like waves with white foam on them, past the gum trees whose trunks shed loose coils of scented bark; past the Indian stores and then back in a great curve into Founders’ Street. It was, in fact, as the crow flew (or as a young woman might choose to bicycle straight along the street, instead of detouring past grass verges where midges danced in a swoon of grass-scent and eucalyptus) only a few hundred yards from Robinson, Daniel and Cohen’s new offices to where Maisie lived. Founders’ Street had not changed. On the very edge of the new glittering modern centre, it remained low and shabby, full of odorous stores, cheap cafés, wholesale warehouses, small grass lots with bits of rusted iron and dark-skinned children playing, full of the explosive vitality of the unrespectable. There was a bar called Webster’s on a corner, which Martha had never been in, since women did not go into the bars of the city, and besides it was ugly, and besides it usually had groups of men standing about outside it, with the violent look of men waiting for bars to open, or hanging about in frustration because a bar has closed. But Maisie now lived over this place, in two rooms directly above the bar, and she worked in Webster’s as a barmaid.

      Martha came to rest at the kerb, lifted the bicycle up on to the pavement, then left it leaning, locked with a chain like a tethered dog, while she squeezed back against the wall past a dark glass window that had Webster’s on it in scratched white paint. Half a dozen Africans lifted crates of beer from a lorry, which had the name of the city’s brewery on its side, to the pavement, and from the pavement to the open door of the bar. It was nearly opening time, and a couple of youths in khaki, farm assistants, from the look of them, hung smoking by the open door, watching the crates being shouldered in past a red-sweaty-faced, paunchy man in shirt sleeves who frowned his concentration that the beer-handlers should not crash or damage the great bottle-jammed crates. As Martha went past him to the small side door that led to Maisie’s rooms, a violent crash, a splintering of glass, angry shouts from the red-faced man, who was presumably Mr Webster? and complaints, expostulations, even a laugh from the watching farm assistants. A sudden sour reek of beer across the sun-baked street. Martha ascended dark wooden stairs fast, away from the beer stench. She knocked on Maisie’s door and heard: ‘Is that you, Matty? Come in then.’ She entered on a scene of a small child being put to bed for the night.

      The two rooms, small and crammed, but very bright, had in them Maisie, a black nurse-girl, and the baby girl Rita, now about a year old. The child did not want to go to bed. She was fighting the nurse. ‘I-don’t-want-nursie, I-don’t-want,’ while the girl, indefatigably good-humoured, was trying to push windmilling arms and legs into scarlet pyjamas. ‘There Miss Rita, there now Miss Rita.’

      Maisie surveyed this scene from the doorway between the rooms, smoking; the soft blue of her cotton dress pushed out in a great bulge by the hip she rested her weight on. She wore a white wool jacket, and as Martha came in, dusted ash off it with one hand, while she raised her eyes with the same cosmos-questioning gesture and shrug she had once used for: ‘And who’d be a woman, hey?’ But now she was saying: ‘Well, Matty, who’d be a mother, man? Just look at her.’

      Nevertheless, she smiled, and the nurse-girl smiled, having safely accomplished the task of getting all four dissident little limbs disposed in the scarlet arms and legs of the pyjamas. Now Rita stuck her thumb in her mouth and blinked great black eyes, fighting each heavy blink, blink, with an obstinate tightening of her face. She was fighting sleep. Peace. Silence. The black girl smiled at Maisie, and began picking up garments from all over the room. Rita was scooped up by her mother, where she stood to attention, as it were, in her arms. Maisie tried to rock and cradle the child, but Rita would not go limp. A little stubborn bulldog, she tightened her lips in a determination not to sleep. Meanwhile Maisie, a cigarette hanging from her lips, blew smoke out above the small head. Suddenly, the child went limp, she was half-asleep. Maisie looked down into the child’s face, thoughtful, frowning. Martha came up close to look too. Martha did not touch the child. Last Saturday, when Rita had put her arms around the knees of her mother’s friend, Maisie had called her away and said: ‘Yes, I can see it must be hard for you, when you’ve not got your own kid, I can see that.’ Maisie was winding a piece of Rita’s black hair around her finger. But the hair was straight, and simply fell loose again. Maisie stood with a cigarette in her mouth, Rita cradled in one arm, trying with her free hand to make ringlets in Rita’s hair. Then she put up her hand to wind a strand of her own fair hair around her forefinger. It sprang off in a perfect ringlet. Ash scattered on the red pyjamas, and Martha rescued the cigarette. ‘Thanks, Matty, you’re a pal.’ The child sucked her thumb noisily, the small pink lips working around the white wet thumb. She blinked, blinked. Maisie gave up the attempt to make the heavy black hair curl, and took a cautious step towards the small bed beside her big one. The child opened her eyes and started up, struggling to stand in her mother’s arms.

      ‘Let me,’ said Martha, and nodded in response to Maisie’s quick look of enquiry. Rita went into Martha’s arms, staring in solemn curiosity into the new face close to hers.

      ‘She’s


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