The Sun Between Their Feet: Collected African Stories Volume Two. Doris Lessing
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might very well have been exaggerated. It is possible they would have been overlooked altogether in a country where picture-covered walls were more common.
When one of the visiting ladies came rushing out to the camp in her own car, to ask him to paint her children, he said he was not qualified to do so. But at last he agreed. He took a room in the town and made some nice likenesses of the children. Then he painted the children of a great number of the first lady’s friends. He charged ten shillings a time. Then one of the ladies wanted a portrait of herself. He asked ten pounds for it; it had taken him a month to do. She was annoyed, but paid.
And Michele went off to his room with a friend and stayed there drinking red wine from the Cape and talking about home. While the money lasted he could not be persuaded to do any more portraits.
There was a good deal of talk among the ladies about the dignity of labour, a subject in which they were well versed; and one felt they might almost go so far as to compare a white man with a kaffir, who did not understand the dignity of labour either.
He was felt to lack gratitude. One of the ladies tracked him down, found him lying on a camp-bed under a tree with a bottle of wine, and spoke to him severely about the barbarity of Mussolini and the fecklessness of the Italian temperament. Then she demanded that he should instantly paint a picture of herself in her new evening dress. He refused, and she went home very angry.
It happened that she was the wife of one of our most important citizens, a General or something of that kind, who was at that time engaged in planning a military tattoo or show for the benefit of the civilian population. The whole of Westonville had been discussing this show for weeks. We were all bored to extinction by dances, fancy-dress balls, fairs, lotteries and other charitable entertainments. It is not too much to say that while some were dying for freedom, others were dancing for it. There comes a limit to everything. Though, of course, when the end of the war actually came and the thousands of troops stationed in the country had to go home – in short, when enjoying themselves would no longer be a duty, many were heard to exclaim that life would never be the same again.
In the meantime, the Tattoo would make a nice change for us all. The military gentlemen responsible for the idea did not think of it in these terms. They thought to improve morale by giving us some idea of what war was really like. Headlines in the newspaper were not enough. And in order to bring it all home to us, they planned to destroy a village by shell-fire before our very eyes.
First, the village had to be built.
It appears that the General and his subordinates stood around in the red dust of the parade-ground under a burning sun for the whole of one day, surrounded by building materials, while hordes of African labourers ran around with boards and nails, trying to make something that looked like a village. It became evident that they would have to build a proper village in order to destroy it; and this would cost more than was allowed for the whole entertainment. The General went home in a bad temper, and his wife said what they needed was an artist, they needed Michele. This was not because she wanted to do Michele a good turn; she could not endure the thought of him lying around singing while there was work to be done. She refused to undertake any delicate diplomatic missions when her husband said he would be damned if he would ask favours of any little Wop. She solved the problem for him in her own way: a certain Captain Stocker was sent out to fetch him.
The Captain found him on the same camp-bed under the same tree, in rolled-up trousers, and an uncollared shirt; unshaven, mildly drunk, with a bottle of wine standing beside him on the earth. He was singing an air so wild, so sad, that the Captain was uneasy. He stood at ten paces from the disreputable fellow and felt the indignities of his position. A year ago, this man had been a mortal enemy to be shot on sight. Six months ago, he had been an enemy prisoner. Now he lay with his knees up, in an untidy shirt that had certainly once been military. For the Captain, the situation crystallized in a desire that Michele should salute him.
‘Piselli!’ he said sharply.
Michele turned his head and looked at the Captain from the horizontal. ‘Good morning,’ he said affably.
‘You are wanted,’ said the Captain.
‘Who?’ said Michele. He sat up, a fattish, olive-skinned little man. His eyes were resentful.
‘The authorities.’
‘The war is over?’
The Captain, who was already stiff and shiny enough in his laundered khaki, jerked his head back, frowning, chin out. He was a large man, blond, and wherever his flesh showed, it was brick-red. His eyes were small and blue and angry. His red hands, covered all over with fine yellow bristles, clenched by his side. Then he saw the disappointment in Michele’s eyes, and the hands unclenched. ‘No, it is not over,’ he said. ‘Your assistance is required.’
‘For the war?’
‘For the war effort. I take it you are interested in defeating the Germans?’
Michele looked at the Captain. The little dark-eyed artisan looked at the great blond officer with his cold blue eyes, his narrow mouth, his hands like bristle-covered steaks. He looked and said: ‘I am very interested in the end of the war.’
‘Well?’ said the Captain between his teeth.
‘The pay?’ said Michele.
‘You will be paid.’
Michele stood up. He lifted the bottle against the sun, then took a gulp. He rinsed his mouth out with wine and spat. Then he poured what was left on to the red earth, where it made a bubbling purple stain.
‘I am ready,’ he said. He went with the Captain to the waiting lorry, where he climbed in beside the driver’s seat and not, as the Captain had expected, into the back of the lorry. When they had arrived at the parade-ground the officers had left a message that the Captain would be personally responsible for Michele and for the village. Also for the hundred or so labourers who were sitting around on the grass verges waiting for orders.
The Captain explained what was wanted, Michele nodded. Then he waved his hand at the Africans. ‘I do not want these,’ he said.
‘You will do it yourself – a village?’
‘Yes.’
‘With no help?’
Michele smiled for the first time. ‘I will do it.’
The Captain hesitated. He disapproved on principle of white men doing heavy manual labour. He said: ‘I will keep six to do the heavy work.’
Michele shrugged; and the Captain went over and dismissed all but six of the Africans. He came back with them to Michele.
‘It is hot,’ said Michele.
‘Very,’ said the Captain. They were standing in the middle of the parade-ground. Around its edge trees, grass, gulfs of shadow. Here, nothing but reddish dust, drifting and lifting in a low hot breeze.
‘I am thirsty,’ said Michele. He grinned. The Captain felt his stiff lips loosen unwillingly in reply. The two pairs of eyes met. It was a moment of understanding. For the Captain, the little Italian had suddenly become human. ‘I will arrange it,’ he said, and went off down-town. By the time he had explained the position to the right people, filled in forms and made arrangements, it was late afternoon. He returned to the parade-ground with a case of Cape brandy, to find Michele and the six black men seated together under a tree. Michele was singing an Italian song to them, and they were harmonizing with him. The sight affected the Captain like an attack of nausea. He came up, and the Africans stood to attention. Michele continued to sit.
‘You said you would do the work yourself?’
‘Yes, I said so.’
The Captain then dismissed the Africans. They departed, with friendly looks towards Michele, who waved at them. The Captain was beef-red with anger. ‘You have not started yet?’
‘How long have I?’
“Three weeks.’
“Then