The Complete Man and Boy Trilogy: Man and Boy, Man and Wife, Men From the Boys. Tony Parsons
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I crunched my way through some bright orange cheesy things, feeling depressed.
My parents were trying as hard as they could. But this tiny little girl already had another life that they would never and could never be a part of. The all-consuming delight that they felt for their grandchild could never be felt for little Peggy. That kind of unconditional love was already impossible. She would always be too much of a stranger. I felt for them. And for Peggy too.
‘Mem’s not really a dancer,’ Cyd said, watching my face, reading my mind. ‘She’s more of a stripper.’
My old man coughed up a piece of barbecue-flavoured crisp.
‘Bit went down the wrong hole,’ he explained.
My mum turned to Cyd with a bright smile. ‘Jelly?’ she said.
Once we had Mem’s job description out of the way, the party settled down. And my parents liked Cyd. I could tell that they liked her a lot.
There were minefields to be negotiated – my dad had this thing about single mothers subsidised by the state and my mum had this thing about working mothers – but Cyd skipped through them without spilling her jelly.
‘The state can never take the place of a parent, Mr Silver – and it shouldn’t try.’
‘Call me Paddy, love,’ my dad said.
‘Some women have to work, Mrs Silver – but that doesn’t mean their children don’t come first.’
‘Call me Elizabeth, dear,’ my mum said.
She talked to Paddy and Elizabeth about all the things they wanted to talk about – the kind of films that a five-year-old should be allowed to watch with my mum, the right time to remove the stabilisers on a child’s bike with my dad.
And she made all the right noises – admiring my mum’s sausage rolls (‘Home-made they are, dear, I’ll give you the recipe if you like’) and my dad’s garden (‘Harry’s never been interested in gardens – I can’t understand that attitude myself’).
But Cyd wasn’t some little local girl who I had danced with a couple of times in a suburban club, one of the Kims and Kellys who I had brought home all the time until the day I brought home Gina.
Cyd was visibly a woman with a past – meaning a past that contained marriage, pregnancy and divorce, although not necessarily in that order. And it felt like the only way my parents could deal with that past was by ignoring it.
Their conversation lurched between her childhood in Houston to the present day in London, as if everything in between had been withdrawn by censors.
‘Texas, you say?’ my dad said. ‘Never been to Texas myself. But I met a few Texans in the war.’ He leaned towards her conspiratorially. ‘Good card players, Texans.’
‘It must be lovely having sisters,’ my mum said. ‘I had six brothers. Can you imagine that? Six brothers! Some women don’t like watching football and boxing on the telly. But it never bothered me. Because I had six brothers.’
But Cyd’s broken marriage was always there waiting to be confronted. In the end, Cyd dealt with it as casually as if it were just a stale sausage roll that had to be found and cast aside. She had never seemed more American.
‘My family is like your family,’ she said to my mother. ‘Very close. I only came over here because Jim – that’s Peggy’s father – is English. That didn’t work out, but somehow I never made it back. Now I’ve met your son, I’m glad I didn’t.’
And that was it.
My mum looked at us as if we were Ryan O’Neal and Ali MacGraw in Love Story. Even my dad seemed to be brushing away a tear from his eye. Then I realised it was just a crumb from a mini sausage roll.
By the time Pat had blown out his five candles and we had cut the cake, my parents were acting as if they had known Cyd and Peggy all their lives.
If they were put out by the fact that the girl of my dreams had chosen someone else to share her dreams with before me, then they were pretty good at hiding it. This should have pleased me more than it did.
While Cyd was helping my mum clear the table and my dad was showing Pat and Peggy how he dealt with the menace of snails, I went into the living room and over to the stereo.
Songs for Swingin’ Lovers! had stopped playing hours ago, but the cover of the record, an old vinyl LP – my father had never joined the CD revolution – was still propped up against the Sony music station.
That album cover had always been special to me. Sinatra – tie askew, snap-brim fedora on the back of his head – grins down at the perfect fifties couple, some Brylcreemed Romeo in a business suit with his suburban Juliet in pearl earrings and a little red dress.
They look like an ordinary couple – you can’t imagine them hanging out with the Rat Pack in Vegas. But they look as though they have wrung as much joy out of this world as anyone possibly could. And I always loved looking at that couple when I was a child, because I always thought they looked like my parents at the exact moment they fell in love.
Someone called my name from the garden but I stared at the cover of Songs for Swingin’ Lovers!, pretending that I hadn’t heard.
They don’t make them like that any more, I thought.
‘Everybody had a good time,’ Cyd said.
‘It seemed to go very well,’ I said.
We were back in London and up in her flat. Peggy and Pat were sitting on the sofa watching a tape of Pocahontas (Peggy’s choice). Tired from a couple of hours in Cyd’s wheezing old Beetle, they were starting to bitch at each other. I wanted to get home.
‘Everybody had a good time,’ Cyd said again. ‘Pat liked his presents. Peggy ate so much that I won’t have to feed her for a week. And I really loved meeting your mum and dad. They’re really sweet people. Yes, everybody had a good time. Except you.’
‘What are you talking about? I had a good time.’
‘No,’ she said. ‘And what hurts me – what really hurts me – is that you didn’t even try. Your mum and dad made an effort. I know they loved Gina and I know it couldn’t have been easy for them. But they really tried to make it work today. You just couldn’t be bothered, could you?’
‘What do you want me to do? Start doing the lambada after a couple of Diet Cokes? I had as good a time as I could ever have at a kid’s birthday party.’
‘I’m a grown woman and I have a child, okay? You have to learn to deal with that, Harry. Because if you can’t, we haven’t got any kind of future.’
‘I like Peggy,’ I said. ‘And I get on great with her.’
‘You liked Peggy when she was just the little girl who palled around with your son,’ she said. ‘You liked her when she was just the cute little kid who played nicely on the floor of your home. What you don’t like is what she’s become now that you’ve started going out with me.’
‘And what’s that?’ I asked her.
‘The reminder of another man’s fuck,’ she said.
The reminder of another man’s fuck? That was a bit strong. You couldn’t imagine Sinatra sticking that on one of his album covers.
It was more than the reminder of another man’s fuck.