Miranda Dickinson 2 Book Bundle. Miranda Dickinson
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Ed opened his mouth to protest but I got there first. ‘We wouldn’t miss it for the world, Marnie.’
A week later, Ed and I stood in the small queue outside Hudson River Players’ tiny studio theatre. To call it a theatre was lavishing high praise indeed: in truth, it was an old dock warehouse that had been converted ten years ago into a theatre space for the local neighbourhood. Nevertheless, for all the effort and care the drama group’s members had gone to for the ‘world premiere’ of their new play, it might as well have been Radio City Music Hall or Madison Square Garden.
‘Welcome,’ boomed a stony-faced, wiry-framed man clad entirely in black, who was handing out programmes like they were death warrants.
‘That’s debatable,’ muttered Ed as we passed into the shadowy heart of the black-curtained warehouse space.
‘Would you stop complaining?’ I hissed under my breath as we found our seats—or rather, wooden bench.
‘So, remind me again why we’re willingly inflicting this torture on ourselves tonight?’ Ed remarked, looking round at the other, equally unenthusiastic members of the audience.
‘We’re here for Marnie,’ I replied, trying to look interested in the Xeroxed programme but seeing only spelling mistakes—such as ‘dirrectors’ and ‘tragik’. ‘We promised.’
‘But it’s community theatre,’ he protested. ‘It’s like death, only much, much slower! I mean, come on, Rosie—look around you: nobody wants to be here. This place is worse than Edgar Allen Poe on twenty-four-hour repeat. Oh, wait, no—I think I’ve just seen him leaving because it’s too depressing.’
‘Be quiet and enjoy the experience. It’s Marnie’s play. Part of Kowalski’s family, remember?’
Ed’s shoulders dropped in defeat. ‘Sure, I get it.’
The play, it has to be said, was everything bad you’ve ever heard about experimental theatre—and then some. When we’d asked Marnie what it was about, she had solemnly informed us that Armageddon: The Miniseries was an ‘existential politico-comedy with tragic overtones’—which did nothing to enlighten us or prepare us for the experience. All seven actors were dressed in black and appeared to be playing about thirty parts each. ‘We use the Brechtian device of gestus to completely remove the audience from any perceived reality of the play, choosing instead to represent rather than impersonate,’ intoned the programme notes. ‘We have also challenged the concept of a single director, opting for a group-conscious approach in its stead.’
A player ran onstage carrying a pig’s head in one hand and what appeared to be two pounds of tripe in the other.
‘This is the play that they make you watch when you’re eternally damned,’ whispered Ed, ‘over and over and over…Ow! That was my ankle!’
‘Shhhhh, Marnie’s coming on.’
Marnie walked slowly to the centre of the stage with an expression like stone and a red ribbon tied around her left wrist. ‘Enough!’ she shouted, hands aloft like a Druid priest. ‘Time is not what we think it is!’ I could see her counting to three slowly and then she exited as solemnly as she had entered.
‘Two lines? I just sat through three hours of the worst play in the known universe for two lines?’ Ed moaned as we sat in the all-night diner across the street afterwards.
‘I know, but Marnie was so thrilled we came. And look, I bought you your favourite chocolate cheesecake to say thank you,’ I replied, pointing at the slab of dessert in front of him so big he could barely see over the top of it.
Ed’s blue stare zoomed in on me. ‘Don’t think the “family” excuse is going to work on me every time, Duncan. Tonight I felt generous, that’s all.’
I smiled. ‘Fine. You just keep telling yourself that, if it makes you feel better.’
Ed muttered something obscene into his cheesecake.
There’s always a lot of banter when Ed and I are together, mainly because we have so much in common. We share similar tastes in movies and music; we both consider huge steaming hot dogs and ice-cold papaya shake from Gray’s Papaya on West 72nd Street the finest guilty pleasure on a Sunday afternoon; and we both enjoy psycho-analysing everyone we meet in a manner that would impress even the cast of Dawson’s Creek. Most of all, we share a passion for New York: Ed because he’s lived here all his life and me because, well, I fell in love with the city the moment I got off the train at Grand Central Station and walked into the frenetic bustle of the world-famous concourse with its stunning star-strewn ceiling. Before I came here I didn’t really believe people who said New York felt like a place where dreams are made, yet that is completely what I felt on that first day; like anything was possible in this city—even the most implausible hope or wildest aspiration.
It was Ed who encouraged me to explore New York and Ed who volunteered to escort me on my journey of discovery. So, most Sundays for the past five years or thereabouts, Ed and I have met on the subway and headed off to a new destination: strolling down Bleecker Street with its boho-chic boutiques; browsing superheroes old and new at Forbidden Planet, the comic shop on Broadway; watching the sun set across the city from the observation deck of the Empire State and Chrysler Buildings (‘You have to see both views to understand the race to be the tallest,’ Ed says); eating oysters in the vaulted brick bar nestled deep beneath Grand Central; sneaking into private Gramercy Park once after being slipped a coveted key by an old school friend of Ed’s who works at the Gramercy Hotel (seriously, the people Ed knows in this city you wouldn’t believe); and hour upon hour of long, laughter-filled conversations in various coffee houses, diners and restaurants across Manhattan. It’s true what they say about this city: it’s a million different experiences in one place. Even now, six years since I arrived, I don’t think I’ve even scratched the surface of the delights New York has to offer.
The day after Marnie’s play was an unusually quiet one for Kowalski’s. Usually we don’t stop on a Friday from the minute we lift the shutters to the moment we turn the Open sign to Closed. We took the opportunity to do some long-overdue housekeeping around the store—the kind of jobs you always intend to get round to doing yet invariably end up putting off. We gave the light wood floor a good clean, dusted the shelves behind the counter, restocked the flower buckets and tidied up the workroom. Even Mr K’s old half-moon spectacles received a much-needed polish and sat resplendent on the shelf afterwards, sparkling almost as much as Mr K’s eyes used to.
By three o’clock it was obvious that the good people of the Upper West Side didn’t want flowers today, so I was about to suggest we close up early when Ed asked, ‘Are you guys OK to finish up here without me? I mean, it’s quiet and I’d like to leave early tonight.’
I smiled. ‘It’s probably worth closing now anyway. I think we’ve all worked hard enough today.’
Marnie looked at me and shrugged. ‘That is so typical. I was hoping you might need me to stay later tonight. My crazy land-lord’s fixing my shower and I really don’t want to be there while he’s working.’
‘Ah, still trying to match-make you and his son, huh?’ Ed grinned.
Marnie pulled a face. ‘Is he ever.’ She hunched her shoulders and adopted a gruff, Italian-American accent. ‘“You such a nice lady, Ms Andersson, you could do a lot worse than my Vinnie, you know. He’s gonna inherit the building when I retire. He got prospects—a lady like you needs a guy with prospects…” Yeah, and a lady like me also needs cleanliness—and fresh breath. All Vinnie has to offer me is too much butt-crack over his jeans and halitosis like you wouldn’t believe.’
Ed and I giggled—not least because of the hilarious sight of Marnie, colourfully attired as always, stomping around like Don Corleone in pigtails.
‘Hey, I have an idea,’ I said, giving her a wink. ‘Seeing as our esteemed colleague is deserting us, how about you and I head over to SoHo for something