Mediterranean Tycoons: Untamed & Unleashed: Picture of Innocence / Untamed Italian, Blackmailed Innocent / The Italian's Blackmailed Mistress. JACQUELINE BAIRD
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‘Do tell all.’ Elaine tilted Lucy’s head up with a finger and really stared at her. ‘You look different, and you have been crying. That can only mean one thing—man trouble. I thought yesterday you looked remarkably happy, but we were so busy I never got to ask you why. What happened last night? Discovered he was married, did you?’
‘Discovered he was only interested in a dirty weekend,’ Lucy said bitterly, but couldn’t bring herself to tell Elaine the whole story.
‘Lucy, you are far too naïve where men are concerned. Stop beating yourself up because you were finally tempted by sex—you’ve never had a lover as long as I’ve known you, and it was way past time you did. Put it down to experience and get over it. You are not the first and won’t be the last. Weddings are notorious for causing brief affairs. Too much champagne and the best man gets off with the bridesmaid, the guests get off with each other. One wedding Sid and I went to the bridegroom actually got off with the bridesmaid—needless to say the marriage only lasted the length of the honeymoon, when the happy couple returned home and the bride found out.’
‘I don’t believe it.’ Lucy actually managed a weak smile.
‘Ask Sid—the groom was an acquaintance of his. He told me the man was a serial womaniser and I didn’t believe him, but he was right.’
‘Okay, you’ve made your point. Actually, when I first met Lorenzo I didn’t like him, and my original impression was he was no gentleman. I should have trusted my instincts and steered clear. He certainly proved me right.’
‘Good—you are seeing him for the rat he obviously is, and that is the first step to recovery. Now, put the experience behind you and get on with your life. I’ll take over here and you can spend the day in your studio, creating your next great masterpiece or making a start on your latest commission. If you stay here you will scare the customers.’
Lucy agreed—not that she felt like painting. All she wanted to do was forget the weekend had ever happened. She took out her sketchbook and began to draw, but to her dismay found the small boy’s face she was copying had morphed into a remarkable likeness of Lorenzo.
She looked at it for a long time and then, turning the page of her sketchpad, began again. Art had always been her release valve from any pressure in life, and before long she was totally immersed in her work.
The next day her lawyer called and confirmed that the sale of Steadman’s had been postponed for two months. So Lorenzo had done what he promised. He was a cynical devil to pay for her favours in such a way, but at least it gave her some time to figure something out for the factory. On the sketch she had started yesterday she coloured the eyes red and added horns, whiskers and a tail.
Somehow it was cathartic, thinking of him that way. Whenever Lucy felt really down, her body hot and aching, her mind tormented by images of him making love to her, she would only have to look at the sketch to remind herself what a devil … a love-rat … he really was.
‘At last you look more like yourself,’ Elaine declared, walking into the gallery on Saturday morning three weeks later and eyeing Lucy up and down. ‘That turquoise dress Leon brought back from India is gorgeous—the colour really suits you, and the beading is perfect. But go upstairs and take that braid out of your hair and leave it loose. Remember you are a beautiful, highly talented artist, and when you try you can sell anything and everything. I have a feeling we are going to have a great day today.’
Lucy laughed. ‘I’m not sure that is a compliment to my paintings.’ But she did as Elaine said, and went upstairs and unbraided her hair. She stood in front of the mirror, brushing her hair back from her brow and fastening it with a silver clip, then brushed the long length down to tumble over her shoulders in gentle waves. Slowly it dawned on her that Elaine was right. The pale, sad-eyed reflection of the last few weeks was gradually fading.
Last night she had taken a walk down into the centre of Looe, and as she’d strolled along the harbour through the crowd of happy holidaymakers she’d been reminded of how much she had loved the place from the very first time her parents had brought her here. How much she still loved the place. She’d felt her heart lift a little.
This morning, on a whim, she had put on the brightly coloured dress, and she looked more like her old self again. Picking up a lipstick, she applied it to her full lips and, smiling, added a touch of mascara to her long lashes and clipped on an earring. Business was going well, and she had enough commissions to keep her busy for a while. Life was good.
Even the trip two weeks ago she had been dreading, to clear out the family home in Dessington before putting the house on the market, had turned out to be inspirational.
Meeting old friends from school, visiting the factory and talking to the workers, being greeted by shopkeepers and reminded how much everyone had respected her grandfather, who had started the business, and her parents, who had been socially active in the town until her mum died, had all reminded Lucy what a happy childhood she had.
The memories had helped concentrate her mind on the problem of the factory, and standing looking around the huge garden of her family home she’d had a eureka moment … She had come up with a brilliant idea that could save the factory and help the community.
She had spoken to her lawyer, arranging to meet Richard Johnson—the third partner in Steadman’s—and had pitched her proposition to him. He was not the ogre she had imagined, and after a productive meeting with him and his architect, and subject to the approval of the town council, they had agreed on a very different deal. Lucy had made the necessary arrangements with her bank, and also a telephone call from her new partner yesterday it was virtually a done deal. What gave her the most satisfaction was the fact she had achieved everything without any help from the despicable Zanelli.
Deep down Lucy had always known Lorenzo was not for her. In every respect they were poles apart—in temperament and aspiration, and in culture … He was a billionaire banker, devoted to making more money, with centuries of tradition behind him making him the arrogant, cynical man he was. Her life was her art and her friends. Money didn’t bother her so long as the bills were paid and her conscience was clear.
Unlike Lorenzo, who didn’t have a conscience, she thought. And later she was to be proved absolutely right.
LORENZO had extended his stay in New York to three weeks, and had on his return to Italy last night found, as expected, the Olivia Paglia rumours had faded away—problem solved. This morning he had agreed to his mother’s request to have dinner with her tonight, as he had not visited in over a month. And now he had an even bigger problem that was a hell of a lot harder to solve.
He glanced at his mother across the dining table. He hadn’t seen her so animated in years, but the reason for it exasperated him. He glanced down again at the handful of photographs spread on the table. Teresa Lanza had presented them to his mother, along with the information that the girl in the picture was none other than Lucy Steadman. How had he hoped to keep that quiet, with the Lanza family in attendance? He must have been out of his mind.
‘Why did you not tell me, Lorenzo? You let me scold you about that Paglia woman and all this time you had a lovely girlfriend—a talented artist, no less. Was it because you thought I might be upset because of her relationship to Damien? You need not have worried. I remember Antonio telling me about Damien’s sister—he thought she was a lovely girl. Antonio and Damien were such great friends, and I never blamed Damien for the tragic accident. As the coroner said, he did the right thing to try and save Antonio’s life.’ She sighed. ‘It was just a pity the rescue services were too late.’
Lorenzo stiffened in his chair, his lips twisting in a cynical smile. He didn’t agree, but there was no point arguing so he ignored her last comment. ‘I do not have girlfriends, Mother. I have female partners occasionally, and Lucy Steadman is neither. I barely know her, so drop the subject.’
‘Oh,