Her Captain's Heart. Lyn Cote
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hide her hot tears from God.
“I’m sorry, Father, for my temper. I shouldn’t have spoken to Urriah like that. But he’s…it’s such an injustice. He lives and prospers while Roger lies somewhere in an unmarked grave in Virginia.” She pressed her hands tighter against her face as if pushing back the tears and her un Christian words, feeling as if she couldn’t get anything right today.
“Again I must apologize, Father. It is not my job to decide who is worthy of life and who deserves to die.” Lowering her hands, she turned back to the house. Her father-in-law and her daughter would be back from their last-minute trip to town anytime now and she had to get a cold supper ready for them.
At the top step, she paused and leaned against the post. “God, I’ve felt Thy spirit moving within me, Thy inner light. I’m sorry I’m such a weak vessel. Please use me. Let me reflect Thy light in the present darkness.”
Fiddlers Grove, Virginia, October
In one routine motion, Matt rolled from the bed, grabbed his rifle and was on his feet. In the moonlight he crouched beside the bed, listening. What had roused him from sleep? He heard the muffled nicker of a horse and a man’s voice. Then came knocking on the door. Bent over, Matt scuttled toward the door, wary of casting a shadow.
Staying low, he moved into the hall and ducked into an empty room. He eased over to the uncurtained windows overlooking the front porch. From the corner of the window sash, he glanced down. A buckboard stood at the base of the porch steps. A man wearing a sad-looking hat was standing beside it and a little girl sat on the buckboard seat.
“Verity, maybe there is a key under the mat,” the man said quietly to a woman hidden under the front porch roof below Matt’s window.
Verity? A key? A woman was knocking at his door and looking for a key? And they had a child with them.
“But, Joseph,” came her reply from out of sight, barely above a whisper. “This might not be the Barnesworth house. I don’t want to walk into some stranger’s home uninvited.”
She spoke with a Northern accent. And this was or had been the Barnesworth house. Wondering if this was some sort of diversion, he listened for other telltale sounds. But he heard nothing more.
He rose slowly and walked back to his room. He pulled his britches over his long johns and picked up his rifle again. Just because they looked like innocent travelers who had turned up after dark didn’t mean that they actually were innocent travelers. Caution kept a man alive.
He moved silently down the stairs to the front hall. Through the glass in the door, he glimpsed a shadowy figure, dressed in a dark color, facing away. He turned the key in the lock, twisted the knob and yanked the door open. “Who are you?” he demanded.
The woman jerked as if he’d poked her with a stick, but did not call out. She turned toward him, her hand to her throat.
“What do you want?” he asked, his rifle held at the ready.
Her face was concealed by shadow and a wide-brimmed bonnet and her voice seemed strangely disembodied when she spoke. “Thee surprised me, friend.”
Thee? Friend? “What’s a Quaker doing at my door at this time of night?” he snapped.
“No need to take that tone with her,” the older man said, moving toward the steps. “We know it’s late, but we got turned around. Then we didn’t find anywhere to stop for the night and the full moon made travel easy. So we pressed on.”
“Is this the Barnesworth house?” the woman asked.
“It was,” Matt allowed. “Who are you?”
“I am Verity Hardy. I’m a schoolteacher with the Freedman’s Bureau. Who are thee?”
He rubbed his eyes, hoping she would disappear and he’d wake up in bed, wondering why he was having such an odd dream. “Why have you come here?”
“Why, to teach school, of course.” Her voice told him that she was wondering if he were still half-asleep. Or worse.
Not a dream, then. His gut twisted. Something had gone wrong. But he forced himself not to show any reaction. The war had taught him to keep his cards close to his chest. He rubbed his chin. “Ma’am, I am—” he paused to stop himself from saying Captain “—Matthew Ritter.” But he couldn’t keep from giving her a stiff military bow. “I am employed by the Freedman’s Bureau, too. Did you come with a message for me? Or are you on your way to some other—”
“This is the Barnesworth house?” the woman interrupted.
He didn’t appreciate being cut off. “This was the Barnesworth house. It belongs to the Freedman’s Bureau now.”
Something moved in the shadows behind the strangers. Matt gripped his rifle and raised it just a bit. He searched the shadows for any other telltale movement. It could just be an opossum or a raccoon. Or someone else with a rifle and lethal intent.
The woman turned her head as if she had noticed his distraction. “Is there anything wrong?”
The older gentleman said, “I think we need to shed some light on the situation.” He lifted a little girl with long dark braids from the buckboard and drew her up the steps. “I’m Joseph Hardy. Call me Joseph, as Verity does.” He offered Matt his hand. “I’m Verity’s father-in-law. Why don’t you invite us in, light a lamp and we can talk this out?”
Matt hesitated. If someone else were watching them, it would be better to get them all inside. And he couldn’t see any reason not to take them at face value. Four years of war had whittled down a good deal of his society manners. “Sorry. Didn’t mean to be rude.”
Matt gripped the man’s gnarled hand briefly and then gave way, leading them to the parlor off the entry hall. He lit an oil lamp on the mantel and set the glass globe around the golden point of light. Then he set a vase in front of it, making sure the light was diffused and didn’t make them easy targets. He knew what Fiddlers Grove was capable of doing to those with unpopular views.
Turning, he watched the woman sit down on the sofa. She coaxed the little girl, also dressed in black, to sit beside her. Joseph chose a comfortable rocker nearby. Matt sat down on the love seat opposite them, giving him the best view of the front parlor windows. He rested the rifle on his lap at the ready. Now that he had more light, he saw that they looked weary and travel-worn. But what was he supposed to do with them?
He was still unable to make out the woman’s face, hidden by the brim of her plain black bonnet. He glanced at her hands folded in front of her. Under her thin gloves he saw the outline of a wedding band on her right hand. Another widow, then. Every town was crowded with widows in mourning. He knew they deserved his sympathy, but he was tired of sidestepping the lures cast toward him.
He watched the woman untie and remove her bonnet. The black clothing, Quaker speech and the title of teacher had misled him. He’d expected mousy brown hair and a plain, older face. But she looked to be around his age, in her midtwenties. Vivid copper-colored hair curled around her face, refusing to stay pulled back in a severe bun. Her almost transparent skin was illuminated by large caramel-brown eyes. The look in those eyes said that, in spite of her fatigue, this widow was not a woman to dismiss. A vague feeling of disquiet wiggled through him.
Why are you here? And how can I get you to leave? Soon?
As if she’d heard his unspoken questions, she began explaining. “I was told in a letter from the Freedman’s Bureau to come to this house this week and get settled before I start my teaching duties next week. But I was not told a gentleman would be at this house also.” The cool tone of her voice told him that she would not be casting any lures in his direction. In fact, he’d been right. She sounded as disgruntled to find him here as he felt in confronting her.
Good. But what had happened? Matt frowned as he added up the facts. He should have expected something like this—everything had been running too smoothly. The Freedman’s Bureau was part of the War Department. And after serving