The Atlantic Monthly, Volume 05, No. 29, March, 1860. Various
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divine Swift,—of Shirley, the lioness, the pantheress, the leopardess, the beautiful, fierce creature, sitting, tamed, quiet, meek, by the side of Louis Moore, her tutor and master,—and of all the legends of all the ages wherein Beauty has sat at the feet of Wisdom, and Love has crept in unawares, and spoiled the lesson while as yet half-unlearnt;—so he cries, "She is going the way of all heroines. The man and the girl,—they will fall in love, marry, and live happily all the rest of their days."
Of course they will. Is there any reason why they should not? If any man can show just cause why they may not lawfully be joined together, let him now speak, or else hereafter forever hold his peace.
I repeat it, of course they will. You surely cannot suppose I should, in cold blood, sit down to write a story in which nobody was to fall in love or be in love! Sir, scoff as you may, love is the one vital principle in all romance. Not only does your cheek flush and your eye sparkle, till "heart, brain, and soul are all on fire," over the burning words of some Brontean Pythoness, but when you open the last thrilling work of Maggie Marigold, and are immediately submerged "in a weak, washy, everlasting flood" of insipidity, twaddle, bosh, and heart-rending sorrow, you do not shut the book with a jerk. Why not? Because in the dismal distance you dimly descry two figures swimming, floating, struggling towards each other, and a languid soupçon of curiosity detains you till you have ascertained, that, after infinite distress, Adolphus and Miranda have made
"One of the very best matches,
Both well mated for life:
She's got a fool for her husband,
He's got a fool for his wife."
Sir, scoff as you may, love is the one sunbeam of poetry that gilds with a softened splendor the hard, bare outline of many a prosaic life. "Work, work, work, from weary chime to chime"; tramp behind the plough, hammer on the lapstone, beat the anvil, drive the plane, "from morn till dewy eve"; but when the dewy eve comes, ah! Hesperus gleams soft and golden over the far-off pinetrees, but
"The star that lightens your bosom most,
And gives to your weary feet their speed,
Abides in a cottage beyond the mead."
It is useless to assert that the subject is worn threadbare. Threadbare it may be to you, enervated and blasé man of pleasure, worn and hardened man of the world; but it is not for you I write. The fountain which leaps up fresh and living in every new life can never be exhausted till the springs of all life are dry. Tell me, O lover, gazing into those tender eyes uplifted to yours, twining the silken rings around your bronzed finger, pressing reverently the warm lips consecrated to you,—does it abate one jot or tittle of your happiness to know that eyes just as tender, curls just as silken, lips just as red, have stirred the hearts of men for a thousand years?
Love, then, is a sine qua non in stories; and if love, why not marriage? What pleasure can a humane and benevolent man find in separating two individuals whose chief, perhaps whose sole happiness, consists in being together? For certain inscrutable reasons, Divine Benevolence permits evil to exist in the world. All who have a taste for misery can find it there in exhaustless quantities. Johns are every day falling in love with Katys, but marrying Isabels, and Isabels the same, mutatis mutandis. We submit to it because there is no alternative; and we believe that good shall finally be wrought and wrested from evil. Don't, for heaven's sake, let us in mere wantonness introduce into our novel-world the work of our own hand, an abridged edition, a daguerreotype copy of the world without, of which we know so little and so much. I always do and always shall read the last page of a novel first; and if I perceive there any indications that matters are not coming out "shipshape," my reading invariably terminates with the last page.
For the rest, please to remember that I am not writing about a princess of the blood, nor of the days of the bold barons, but only the life of a quiet little girl in a quiet little town in the eastern part of Massachusetts; and so far as my experience and observation go, men and women in the eastern part of Massachusetts are not given to thrilling adventures, hairbreadth escapes, wonderful concatenations of circumstances, and blood and thunder generally,—but pursue the even tenor of their way, and of their love, with a sober and delightful equanimity. If you want a plot, go to the "Children of the Abbey," "Consuelo," and myriads of that kin, and help yourself. As for me, I must confess I hate plots. I see no pleasure in stumbling blindfolded through a story, unable to see a yard ahead, fancying every turn to be the last, and the road to go straight on to a glorious goal,—and, lo! we are in a more hopeless labyrinth than ever. I have a sense of restraint. I want to breathe freely, and can't. I want to have leisure to observe the style, the development of character, the author's tone of thought, and not be galloped through on the back of a breathless desire to know "how they are coming out."
But, my dear plot-loving friend, be easy. I will not leave you in the lurch. I am not going to marry my man and woman out of hand. An obstacle, of which I suppose you have never heard,—an obstacle entirely new, fresh, and unhackneyed, will arise; so, I pray you, let patience have her perfect work.
Wonderful was the new world opened to Ivy Geer. It was as if a corpse, cold, inert, lifeless, had suddenly sprung up, warm, invigorated, informed with a spirit which led her own spell-bound. Grammar,—Grammar, which had been a synonyme for all that was dry, irksome, useless,—a beating of the wind, the crackling of thorns under a pot,—Grammar even assumed for her a charm, a wonder, a glory. She saw how the great and wise had shrined in fitting words their purity, and wisdom, and sorrow, and suffering, and penitence; and how, as this generation passed away, and another came forth which knew not God, the golden casket became dim, and the memory of its priceless gem faded away; but how, at the touch of a mighty wand, the obedient lid flew back, and the long-hidden thought "sprang full-statured in an hour." She saw how love and beauty and freedom lay floating vaguely and aimlessly in a million minds till the poet came and crystallized them into clear-cut, prismatic words, tinged for each with the color of his own fancy, and wrought into a perfect mosaic, not for an age, but for all time. Led by a strong hand, she trod with reverent awe down the dim aisles of the Past, and saw how the soul of man, bound in its prison-house, had ever struggled to voice itself in words. Roaming in the dense forest with the stern and bloody Druid,—bounding over the waves with the fierce pirates who supplanted them, and in whose blue eyes and beneath whose fair locks gleamed indeed the ferocity of the savage, but lurked also, though unseen and unknown, the tender chivalry of the English gentleman,—gazing admiringly on the barbaric splendor of the cloth-of-gold, whereon trod regally, to the sound of harp and viol, the beauty and bravery of the old Norman nobility, she delighted to see how the mother-tongue, our dear mother-tongue, had laid all the nations under contribution to enrich her treasury,—gathering from one its strength, from another its stateliness, from a third its harmony, till the harsh, crude, rugged dialect of a barbarous horde became worthy to embody, as it does, the love, the wisdom, and the faith of half a world.
So Grammar taught Ivy to reverence language.
History, in the light of a guiding mind, ceased to be a bare record of slaughter and crime. Before her eyes filed, in a statelier pageant than they knew, the long procession of "simple great ones gone for ever and ever by," and the countless lesser ones whose names are quenched in the darkness of a night that shall know no dawn. She saw the "great world spin forever down the ringing grooves of change"; but amid all the change, the confusion, the chaos, she saw the finger of God ever pointing, and heard the sublime monotone of the Divine voice ever saying to the children of men, "This is the way, walk ye in it." And Ivy thought she saw, and rejoiced in the thought, that, even when this warning was unheeded,—when on the brow of the mournful Earth "Ichabod, Ichabod," was forever engraven,—when the First Man with his own hand put from him the cup of innocence, and went forth from the happy garden, sin-stained and fallen, the whole head sick, and the whole heart faint,—even then she saw within him the divine spark, the leaven of life, which had power to vitalize and vivify what Crime had smitten with death. Though sea and land teemed with strange perils, though night and day pursued him with mysterious terrors, though the now unfriendly elements combined to check his career, still, with unswerving purpose, undaunted courage, she saw him march constantly forward. Spirits of evil could not drive from his heart the prescience of greatness; and his soul dwelt calmly under the foreshadow of a mighty