Susy, a Story of the Plains. Bret Harte

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Susy, a Story of the Plains - Bret Harte


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character. Here, although his cheek was still flushed from his peaceful encounter, his voice regained some of its hoarse severity as he drove the oxen from the muddy pool into which they had luxuriantly wandered, and brought their fodder from the wagon. Later, as the sun was setting, he lit a corn-cob pipe, and somewhat ostentatiously strolled down the road, with a furtive eye lingering upon the still open door of the farmhouse. Presently two angular figures appeared from it, the farmer and his wife, intent on barter.

      These he received with his previous gloomy preoccupation, and a slight variation of the story he had told their daughter. It is possible that his suggestive indifference piqued and heightened the bargaining instincts of the woman, for she not only bought the skillet, but purchased a clock and a roll of carpeting. Still more, in some effusion of rustic courtesy, she extended an invitation to him to sup with them, which he declined and accepted in the same embarrassed breath, returning the proffered hospitality by confidentially showing them a couple of dried scalps, presumably of Indian origin. It was in the same moment of human weakness that he answered their polite query as to “what they might call him,” by intimating that his name was “Red Jim,”—a title of achievement by which he was generally known, which for the present must suffice them. But during the repast that followed this was shortened to “Mister Jim,” and even familiarly by the elders to plain “Jim.” Only the young girl habitually used the formal prefix in return for the “Miss Phoebe” that he called her.

      With three such sympathetic and unexperienced auditors the gloomy embarrassment of Red Jim was soon dissipated, although it could hardly be said that he was generally communicative. Dark tales of Indian warfare, of night attacks and wild stampedes, in which he had always taken a prominent part, flowed freely from his lips, but little else of his past history or present prospects. And even his narratives of adventure were more or less fragmentary and imperfect in detail.

      “You woz saying,” said the farmer, with slow, matter of fact, New England deliberation, “ez how you guessed you woz beguiled amongst the Injins by your Mexican partner, a pow’ful influential man, and yet you woz the only one escaped the gen’ral slarterin’. How came the Injins to kill HIM,—their friend?”

      “They didn’t,” returned Jim, with ominously averted eyes.

      “What became of him?” continued the farmer.

      Red Jim shadowed his eyes with his hand, and cast a dark glance of scrutiny out of the doors and windows. The young girl perceived it with timid, fascinated concern, and said hurriedly:—

      “Don’t ask him, father! Don’t you see he mustn’t tell?”

      “Not when spies may be hangin’ round, and doggin’ me at every step,” said Red Jim, as if reflecting, with another furtive glance towards the already fading prospect without. “They’ve sworn to revenge him,” he added moodily.

      A momentary silence followed. The farmer coughed slightly, and looked dubiously at his wife. But the two women had already exchanged feminine glances of sympathy for this evident slayer of traitors, and were apparently inclined to stop any adverse criticism.

      In the midst of which a shout was heard from the road. The farmer and his family instinctively started. Red Jim alone remained unmoved,—a fact which did not lessen the admiration of his feminine audience. The host rose quickly, and went out. The figure of a horseman had halted in the road, but after a few moments’ conversation with the farmer they both moved towards the house and disappeared. When the farmer returned, it was to say that “one of them ‘Frisco dandies, who didn’t keer about stoppin’ at the hotel in the settlement,” had halted to give his “critter” a feed and drink that he might continue his journey. He had asked him to come in while the horse was feeding, but the stranger had “guessed he’d stretch his legs outside and smoke his cigar;” he might have thought the company “not fine enough for him,” but he was “civil spoken enough, and had an all-fired smart hoss, and seemed to know how to run him.” To the anxious inquiries of his wife and daughter he added that the stranger didn’t seem like a spy or a Mexican; was “as young as HIM,” pointing to the moody Red Jim, “and a darned sight more peaceful-like in style.”

      Perhaps owing to the criticism of the farmer, perhaps from some still lurking suspicion of being overheard by eavesdroppers, or possibly from a humane desire to relieve the strained apprehension of the women, Red Jim, as the farmer disappeared to rejoin the stranger, again dropped into a lighter and gentler vein of reminiscence. He told them how, when a mere boy, he had been lost from an emigrant train in company with a little girl some years his junior. How, when they found themselves alone on the desolate plain, with the vanished train beyond their reach, he endeavored to keep the child from a knowledge of the real danger of their position, and to soothe and comfort her. How he carried her on his back, until, exhausted, he sank in a heap of sage-brush. How he was surrounded by Indians, who, however, never suspected his hiding-place; and how he remained motionless and breathless with the sleeping child for three hours, until they departed. How, at the last moment, he had perceived a train in the distance, and had staggered with her thither, although shot at and wounded by the trainmen in the belief that he was an Indian. How it was afterwards discovered that the child was the long-lost daughter of a millionaire; how he had resolutely refused any gratuity for saving her, and she was now a peerless young heiress, famous in California. Whether this lighter tone of narrative suited him better, or whether the active feminine sympathy of his auditors helped him along, certain it was that his story was more coherent and intelligible and his voice less hoarse and constrained than in his previous belligerent reminiscences; his expression changed, and even his features worked into something like gentler emotion. The bright eyes of Phoebe, fastened upon him, turned dim with a faint moisture, and her pale cheek took upon itself a little color. The mother, after interjecting “Du tell,” and “I wanter know,” remained open-mouthed, staring at her visitor. And in the silence that followed, a pleasant, but somewhat melancholy voice came from the open door.

      “I beg your pardon, but I thought I couldn’t be mistaken. It IS my old friend, Jim Hooker!”

      Everybody started. Red Jim stumbled to his feet with an inarticulate and hysteric exclamation. Yet the apparition that now stood in the doorway was far from being terrifying or discomposing. It was evidently the stranger,—a slender, elegantly-knit figure, whose upper lip was faintly shadowed by a soft, dark mustache indicating early manhood, and whose unstudied ease in his well-fitting garments bespoke the dweller of cities. Good-looking and well-dressed, without the consciousness of being either; self-possessed through easy circumstances, yet without self-assertion; courteous by nature and instinct as well as from an experience of granting favors, he might have been a welcome addition to even a more critical company. But Red Jim, hurriedly seizing his outstretched hand, instantly dragged him away from the doorway into the road and out of hearing of his audience.

      “Did you hear what I was saying?” he asked hoarsely.

      “Well, yes,—I think so,” returned the stranger, with a quiet smile.

      “Ye ain’t goin’ back on me, Clarence, are ye,—ain’t goin’ to gimme away afore them, old pard, are ye?” said Jim, with a sudden change to almost pathetic pleading.

      “No,” returned the stranger, smiling. “And certainly not before that interested young lady, Jim. But stop. Let me look at you.”

      He held out both hands, took Jim’s, spread them apart for a moment with a boyish gesture, and, looking in his face, said half mischievously, half sadly, “Yes, it’s the same old Jim Hooker,—unchanged.”

      “But YOU’RE changed,—reg’lar war paint, Big Injin style!” said Hooker, looking up at him with an awkward mingling of admiration and envy. “Heard you struck it rich with the old man, and was Mister Brant now!”

      “Yes,” said Clarence gently, yet with a smile that had not only a tinge of weariness but even of sadness in it.

      Unfortunately, the act, which was quite natural to Clarence’s sensitiveness, and indeed partly sprang from some concern in his old companion’s fortunes, translated itself by a very human process to Hooker’s consciousness as a piece of rank affectation. HE would have been exalted and exultant in Clarence’s place, consequently any other exhibition was only


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