Love and Life: An Old Story in Eighteenth Century Costume. Yonge Charlotte Mary
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air. Aurelia caught her up, but the capture produced a powerful yell, and out, all at once hurried into the corridor, Mrs. Aylward, a tidy maid servant, a stout, buxom countrywoman, and a rough girl, scarcely out of bed, but awake enough to snatch the child out of the young lady’s arms, and carry her off. The housekeeper began scolding vigorously all round, and Aurelia escaped into her room, where she completed her toilette, looking out into a garden below, laid out in the formal Dutch fashion, with walks and beds centring in a fountain, the grass plats as sharply defined as possible, and stiff yews and cypresses dotted at regular intervals or forming straight alleys. She felt strange and shy, but the sunshine, the cheerfulness, and the sight of the children, had reassured her, and when she had said her morning prayer, she had lost the last night’s sense of hopeless dreariness and unprotectedness. When another knock came, she opened the door cheerfully, but there was a chill in meeting Mrs. Aylward’s grave, cold face, and stiff salutation. “If you are ready, madam,” she said, “I will show you to the south parlour, where the children will eat with you.”
Aurelia ventured to ask about her baggage, and was told that it would be forwarded from Brentford. Mrs. Aylward then led the way to a wide stone staircase, with handsome carved balusters, leading down into the great hall, with doors opening from all sides. All was perfectly empty, and so still, that the sweep of the dresses, and the tap of the heels made an echo; and the sunshine, streaming in at the large window, marked out every one upon the floor, in light and shadow, and exactly repeated the brown-shaded, yellow-framed medallions of painted glass upon the pavement. There was something awful and oppressive in the entire absence of all tokens of habitation, among those many closed doors.
One, however, at the foot of the stairs was opened by Mrs. Aylward. It led to a sort of narrow lobby, with a sashed window above a low door, opening on stone steps down to the terrace and garden. To the right was an open door, giving admittance to a room hung with tapestry, with a small carpet in the centre of the floor, and a table prepared for the morning meal. There was a certain cheerfulness about it, though it was bare of furniture; but there was an easy chair, a settee, a long couch, a spinnet, and an embroidery frame, so that altogether it had capabilities of being lived in.
“Here you will sit, madam, with the young ladies,” said Mrs. Aylward. “They have a maid-servant who will wait on you, and if you require anything, you will be pleased to speak to me. My Lady wishes you to take charge of them, and likewise to execute the piece of embroidery you will find in that frame, with the materials. This will be your apartment, and you can take the young ladies into the garden and park, wherever you please, except that they must not make a noise before the windows of the other wing, which you will see closed with shutters, for those are Mr. Belamour’s rooms.”
With these words Mrs. Aylward curtsied as if about to retire, Aurelia held out her hand in entreaty. “Oh, cannot you stay with me?”
“No, madam, my office is the housekeeper’s,” was the stiff response. “Molly will call me if you require my services. I think you said you preferred bread and milk for breakfast. Dinner will be served at one.”
Mrs. Aylward retreated, leaving a chill on the heart of the lonely girl.
She was a clergyman’s widow, though with no pretensions to gentility, and was a plain, conscientious, godly woman, but with the narrow self-concentrated piety of the time, which seemed to ignore all the active part of the duty to our neighbour. She had lived many years as a faithful retainer to the Belamour family, and avoided perplexity by minding no one’s business but her own, and that thoroughly. Naturally reserved, and disapproving much that she saw around her, she had never held it to be needful to do more than preserve her own integrity, and the interests of her employers, and she made it a principle to be in no wise concerned in family affairs, and to hold aloof from perilous confidences.
Thus Aurelia was left to herself, till three bowls of milk were borne in by Molly, who was by no means loth to speak.
“The little misses will be down directly, ma’am,” she said, “that is, two on ‘em. The little one, she won’t leave Jenny Bowles, but Dame Wheatfield, she’ll bring down the other two. You see, ma’am, they be only just taken home from being out at nurse, and don’t know one another, nor the place, and a pretty handful we shall have of ‘em.”
Here came a call for Molly, and the girl with a petulant exclamation, sped away, leaving Aurelia to the society of the tapestry. It was of that set of Gobelin work which represents the four elements personified by their goddesses, and Aurelia’s mythology, founded on Fenelon, was just sufficient to enable her to recognise the forge of Vulcan and the car [chariot—D.L.] of Venus. Then she looked at the work prepared for her, a creamy piece of white satin, and a most elaborate pattern of knots of roses, lilacs, hyacinths, and laburnums, at which her heart sank within her. However, at that moment the stout woman she had seen in the morning appeared at the open door with a little girl in each hand, both in little round muslin caps, long white frocks, and blue sashes.
One went up readily to Aurelia and allowed herself to be kissed, and lifted to a chair; the other clung to Dame Wheatfield, in spite of coaxing entreaties. “Speak pretty, my dear; speak to the pretty lady. Don’t ye see how good your sister is? It won’t do, miss,” to Aurelia; “she’s daunted, is my pretty lamb. If I might just give her her breakwist—for it is the last time I shall do it—then she might get used to you before my good man comes for me.”
Aurelia was only too glad to instal Dame Wheatfield in a chair with her charge in her lap. The other child was feeding herself very tidily and independently, and Aurelia asked her if she were the eldest.
“Yes,” she said.
“And what shall I call you, my dear?”
“I’m Missy.”
“No, Missy, me—me eldest,” cried the other.
“Bless the poor children!” exclaimed Mrs. Wheatfield, laughing, “they be both of ‘em eldest, as one may say.”
“They are twins, then?” said Aurelia.
“More than that—all three of them came together! I’ve heard tell of such a thing once or twice, but never of all living and thriving. Folk said it was a judgment on my Lady that she spoke sharp and hard to a poor beggar woman with a child on each arm. It was not a week out before my Lady herself was down, quite unexpected, as I may say, for she was staying here for a week, with a lot of company, when these three was born. They do say she was nigh beside herself that the like of that should have happened to her. Mr. Wayland, he was not so ill pleased, but the poor little things had to be got out of the house any way, for she could not abear to hear of them. Mrs. Rolfe, as was an old servant of the family, took that one, and I was right glad to have you, my pretty one, for I had just lost my babe at a fortnight old, and the third was sent to Goody Bowles, for want of a better. They says as how my Lady means to bring them out one by one, and to make as this here is bigger, and the other up stairs is lesser, and never let on that they are all of an age.”
The good gossip must have presumed greatly on the children’s want of comprehension if she did not suppose that they understood her at least as well as the young lady to whom her dialect was strange.
“And has she not seen them?”
“Never till last Monday, if you’ll believe me miss, when she drove down in her coach, and the children were all brought home. I thought she might have said something handsome, considering the poor little babe as my Missy here was when I had her—not so long as my hand—and scarce able to cry enough to show she was alive. The work I and my good man had with her! He would walk up and down half the night with her. Not as we grudged it. He is as fond of the child as myself; and Mr. Wayland, he knew it. ‘She has a good nurse, dame,’ says he to me, with the water in his eyes, before he went to foreign parts. But my Lady! When the little one as had been with Goody Bowles—an ignorant woman, you see—cried and clung to her, and kicked, ‘Little savages all,’ says my Lady. There was thanks to them that had had more work to rear her children than ever with one of her own! ‘Perfect little rustics!’ she said, even when you made your curtsey as pretty as could be, didn’t you, my little lammie?”
“Mammy Rolfe taught me to make my curtsey like a London lady,” said the other